Dynasty and Samurai Warriors can bring you into versions of historical skirmishes that decided the fates of nations. Warriors Orochi brings those figures into a more fantastical conflict with terrible demons. Bringing these chaotic war zones to life brings with it elements of territory control and hectic balancing of defending multiple fronts.

" I’ve spent quite a bit of time with the oft-derided Musou series, and while the cheap high of the power trip it offers isn’t stripped away, the Berserk name is little more than a skin on an otherwise barebones Warriors title."

Hyrule Warriors was really a fantastic game. Taking the usually slower paced Zelda franchise, and recontextualizing those many years of adventures and childhood characters into something completely new. It couldn’t have been easy bringing it to life in a way that it both fit into the Warriors mold and considered the legacy of the source material with the same kind of reverence that they show other asian mythologies in their Samurai Warriors and Dynasty Warriors series.

Of course though, this is supposed to be a review about Berserk, so why spend all this time on the history lesson? It helps put Berserk a bit more into context. Perhaps you consider the turn of phrase “The secret ingredient is love” to be a little trite, but that is precisely what bubbled to mind during my time with Berserk and the Band of the Hawk. I’ve spent quite a bit of time with the oft-derided Musou series, and while the cheap high of the power trip it offers isn’t stripped away, the Berserk name is little more than a skin on an otherwise barebones Warriors title.

The power fantasy that gets fulfilled by striking down 15 foes with a single swing of your massive sword should fit right into the Berserk universe, with powerful mercenaries fighting for the highest bidder. The protagonist Guts, nearly superhuman due to his training is loathe to become beholden to anybody. Guts is soon inducted by force into the Band of the Hawk, led by Griffith.

"The dark and oppressive world of Berserk has deserved a game for a long time, inspiring titles like Dark Souls. However, Omega Force chooses to lift those moments from the anime instead of gives us the tools to live them."

The beginnings of the saga get retold pretty faithfully, if melodramatically even for the source material, either recreated in engine or cutscenes styled from the anime. It allows the game to serve as an introduction to the source material, even if one of the more long-winded and tedious ones.

Unlike other crossover Musou like Hyrule Warriors that came across as true labours of love, however, Berserk settles for these surface level connections and keeping relative pace with the plot of the anime as enough. Mechanically the game does nothing to connect it to the source material and put you in the boots of Guts of the cast, aside from a cheap “rage” frenzy meter with accompanying “Death Blow”. The dark and oppressive world of Berserk has deserved a game for a long time, inspiring titles like Dark Souls. However, Omega Force chooses to lift those moments from the anime instead of gives us the tools to live them.

Beneath the tenuous skin of the source material, Berserk and the Band of the Hawk really does very little to distinguish itself, and the moment to moment gameplay is the worst that the genre has to offer. Where most Musou games have some sort of extra gimmick or scope that keep things interesting, such as Samurai Warriors and the two character gameplay, or Hyrule Warriors and their huge maps exploding with objectives, Berserk just feels phoned in by comparison.

"The typical Warriors combat system might thematically mirror Guts’ brutal fighting style, but in practice it grows repetitive far faster than any other game in the series.   "

Maps in Berserk are far more limited, sometimes taking place within singular small fields instead of the sprawling environments these games usually have. Overarching objectives generally remain static throughout a mission. The situations may change, but the moment to moment gameplay remains rather banal. The typical Warriors combat system might thematically mirror Guts’ brutal fighting style, but in practice it grows repetitive far faster than any other game in the series.

Many missions can take place in what amounts to literal corridors, removing any element of territory management from the game as the fodder enemies are filed in as the plot demands them, asking you to push ahead or in most cases sit and defend a point. In the more open maps, the situation again may change but the reply to it never really will.

Defeat the captains to open the path for the siege tower, destroy the catapults and guard the rear for the retreating allies all sound on paper to be different objectives, yet the same gameplay loop of targeting the biggest guy resolves each situation. Past games would have mixed in surprises or dual objectives to prioritize, when the simple structure of Berserk’s levels frequently don’t allow such nuance.

"Limited maps and lacking mission design pair with basic Warriors series combat to deliver something that neither quite lives up to the Warriors series pedigree, or Berserk legacy."

Even the paltry three modes within the game function about the same, leaving nothing to break the tedium. You have the choice of following the story, free battle where you can follow the story with any of the playable warriors, and Endless Eclipse which thrusts you into a mission based tower mode with even less branches than actual story missions. It’s the most the game mixes up the core ideas, but it still loses to mechanical stagnation.

It’s a shame that Berserk ended up with such a soulless version of genre that could have done something with the source, and a source that so desperately deserved a good title. Limited maps and lacking mission design pair with basic Warriors series combat to deliver something that neither quite lives up to the Warriors series pedigree, or Berserk legacy. Perhaps it serves as an introduction to the series, but it is neither the most exciting introduction nor the most expedient. An easy skip.

This game was reviewed on PlayStation 4.

Nioh

Part Dark Souls, part feudal Japan but all hardcore action, Nioh is Team Ninja’s attempt at a masochistic hardcore hack and slash. Throw in magic, spirits, weapon switching, stances and a Western Samurai and you have one of the more promising action games of the year. Nioh is out on February 7^th for PS4.

For Honor

Always online functionality and micro-transactions haven’t dulled our enthusiasm of Ubisoft’s For Honor. Your goal is simple – choose a bad-ass warrior faction, be it the Samurai, Knights or Vikings, and go to town on your foes. Along with several different multiplayer modes across six environments, For Honor also offers a meaty campaign with a nuanced battle system. It’s out on February 14^th for Xbox One, PS4 and PC.

Sniper Elite 4

Rebellion’s tactical third person shooter franchise rolls on with Sniper Elite 4. Set in Italy, players will battle against fascists in a more open world environment. That means locating sniper perches, assassinating high-ranking officials, hiding bodies and even taking on night missions. Sniper Elite 4 arrives on Xbox One, PS4 and PC on February 14^th.

Halo Wars 2

Strategic action meets card-based combat as 343 Industries collaborates with The Creative Assembly on Halo Wars 2. Taking place 28 years after the first game, the USNC Spirit of Fire returns to combat to fight the Banished, an ex-Covenant faction. Along with the usual co-op support and strategic, hard-counters gameplay, Halo Wars 2 will also introduce a new card-based battling mode called Blitz when it releases on February 21^st for Xbox One and Windows 10.

Horizon: Zero Dawn

When humanity falls and robots rule the Earth, what’s stopping an erstwhile adventurer from going hunting? Horizon: Zero Dawn explores a different kind of sci-fi setting as Aloy explores a post-apocalyptic, tribal world. With all the hunts, side-missions and exploration, Horizon: Zero Dawn has been compared to The Witcher 3: Wild Hunt. As Guerrilla’s first action RPG, we’re looking forward to finding out if it lives up to expectations on February 28^th on PS4.

Torment: Tides of Numenera

InXile Entertainment’s spiritual successor to the beloved Planescape: Torment is finally here. Despite delays, Torment: Tides of Numenera is finally upon us. Along with inXile’s approach to tactical combat, Tides of Numenera will use “Tides” as a multi-nuanced approach to alignments. Though the number of companions has been reduced and crafting cut, Torment: Tides of Numenera still promises a classic role-playing experience like no other on February 28^th.

Berserk and the Band of the Hawk

A Berserk hack and slash title from the minds behind Dynasty Warriors? Can you say “hell yes”? Berserk and the Band of the Hawk will feature Guts, annihilating his foes as always, and will actually encompass the story from the Golden Age Arc to the Hawk of the Millennium Empire Arc. With all the brutality intact, Berserk and the Band of the Hawk should be worth looking into for fans of the series. It’s out on PS4, PlayStation Vita and PC on February 21^st.

Lego Worlds

Over the years, we’ve seen Lego platformers, movies, cross-overs and much more but what about a Lego game where you could freely build things? Lego Worlds aims to remedy that with a procedurally generated sandbox and the ability to construct whatever you want. You can either use “studs” and structures to create buildings or go brick-by-brick, old-school Lego-style. Sure, it may sound like Lego Minecraft but Lego Worlds offers enough new things (like vehicles) to be interesting. Check it out on February 24^th for PS4, Xbox One and PC.

De-Formers

Ready at Dawn pretty much disappeared after the underwhelming release of The Order: 1886 but they’re back with De-Formers, which releases on February 14th. And while it’s not quite what a lot of people were expecting, initial impressions peg De-Formers as pretty fun. Up to eight players take control of cartoon blob-like characters and attempt to either shoot opponents or knock them out of the arena. Power-ups and cannibalizing slain foes holds the path to victory.

Ys Origin

Ys Origin may be releasing for PS4 and PS Vita on February 21^st but it’s been available in Japan for much longer – since 2006 on PC in fact and it even released worldwide for the platform in 2012. Nevertheless, this prequel will serve to tell the story of Ys and the six priests among other things. Players can expect the same action RPG gameplay with new characters and despite its ages, it’s still a compelling adventure for PS4 and Vita players to experience.

Note: The views expressed in this article are those of the author and do not necessarily represent the views of, and should not be attributed to, GamingBolt as an organization.