1. Duke Nukem Forever (2011)

Absurdly long development times are perceived as harbingers of doom nowadays, and 2011’s Duke Nukem Forever serves as the poster boy of such a perception. Development spanned 15 years for Duke Nukem Forever, and it’s still in the Guinness Book of World Records today for that reason. Not releasing an entry in over a decade will no doubt poison a franchise, but the game’s quality also failed to garner optimism for ole’ Duke. For one, Forever’s design was outdated without actually, you know, being good. The pacing tries to ape Duke Nukem 3D, but falls on its face due to the lack of viscerality the former had and the incredibly repetitive level design. Duke Nukem Forever soured players with its cringy humor too, yet I believe it could’ve been charming if some creativity was put into it. Remember how cool it was to run into a corpse of Luke Skywalker in Duke Nukem 3D? Or the unique visual aesthetics of levels like the “Escape From LA” stage to the 2001 Monolith on the moon? Duke Nukem Forever failed to use its raunchy referential charm in creative and fun ways, leading to a boring time embarrassingly cringing at the screen for many players.

2. Dragon Age: The Veilguard

Another 4th game in the respective series with a troubled dev cycle was Dragon Age: The Veilguard. While The Veilguard didn’t bomb quite as hard as Duke Nukem Forever, its tone is similarly to blame for its meager performance. Unlike the gritty (and very bloody in the case of Origins) realistic medieval tone of the previous Dragon Age games, The Veilguard is lit up in bright purples and sanitized almost like an ‘E for everyone’ title at times. Even the enemy designs lean in the cartoony direction with dragons that hardly instill any sense of fear or urgency. But it’s the awkward writing and dialogue that really disappointed a lot of fans. Instead of working you way through an origin story through blood, sweet, and tears, your character is just instantly accepted as ‘the hero’ of the narrative. Teammates rarely argue with you and often feel more like cheerleader social workers than elite warriors. At least the combat feels satisfying, but many have lamented the series distancing away from RPG mechanics since Inquisition, and The Veilguard is the series at its most streamlined and RPG-lite.

3. Mirror’s Edge Catalyst

Unlike Duke Nukem Forever or The Veilguard, Mirror’s Edge fans don’t mind a return to the series in the style of Catalyst. The main reason Mirror’s Edge has been dormant since 2016 is because DICE and EA have been focusing almost exclusively on reviving the Battlefield franchise. And thanks to recent gaming trends of big companies not giving small series’ a chance, it’s unlikely we’ll see another Mirror’s Edge title. But Catalyst didn’t exactly do everything right. The story was incredibly bog-standard, with characters that fell flat for a majority of players. The main reason to play the game was the excellent parkour movement, and that’s something Catalyst opened up substantially thanks to its more open structure. However, many locations felt copy-pasted, adding a sense of bloat that didn’t exist in the first game. Catalyst is still recommended by fans of the short-lived series, but its bump in quality from the first game, as well as DICE being busy elsewhere, doesn’t leave a lot of room for a series return.

4. Bionic Commando (2009 reboot)

Bionic Commando’s gritty 2009 reboot effectively killed the franchise due to a paltry 27,000 US units sold in its first month. Capcom’s top brass criticized the outsourced dev team for being difficult to work with, affirming their hesitancy to outsource overseas that would reverberate throughout the company for years. We previously cited Bionic Commando as an example of nonsensical story twists in games, and for good reason. This reboot is laughably campy despite its attempt at high stakes grit. The dude’s arm is his wife for crying out loud. But it wasn’t just story that players couldn’t take seriously, it’s also the janky movement with the arm rope slinging and the average shooting and combat mechanics. I’m glad the Bionic Commando reboot exists, if for the memes and campy ‘B-movie’ quality alone, but it also helped convince Capcom to shelf the series, and that’s a shame considering how iconic the original 2D titles were.

5. Saints Row (2022)

It’s been three years and I still haven’t encountered anybody who likes the Saints Row reboot. On paper, the ingredients for a decent Saints Row experience are there. But the exucation is severely half-baked. The open world design is uninspired with a plethora of repetitive side missions. Even the humor is disappointing, something the series always differentiated itself with. Saints Row was always known as the more goofy GTA, with well-written gags and scenarios that managed to get a chuckle out of gamers. But the reboot is anything but that, going for a more serious tone in-between jokes that fall flat on their face. Seeing how poor sales were and the terrible critical reception, it’s very unlikely we’ll see a new Saints Row anytime soon.

6. Lost Planet 3

Lost Planet 3 is undoubtedly the black sheep of the series. It’s the only entry developed by an outsourced western team, it didn’t heavily feature mechs in combat, and was panned by critics and the fandom alike. If relegating mechs to a minor role wasn’t enough of blow to fans, the repetitive side missions, bland level design, and less fluid combat sealed the deal. At least you’re still fighting Akrids in a snowy environment, but besides that, the game is hardly recognizable from the past two entries.

7. Crackdown 3

I’m not going to pretend that the Crackdown series was a household name worthy of GOTY discussions or anything, but the first two titles showed a lot of promise for the arcady GTA/Saints Row alternative. Crackdown 2 in particular was just a ton of fun to let loose and enjoy the bonkers open-world mayhem in. And the third game had a lot of hype leading to release, with none other than Terry Crews starring as the main city-destroying protagonist. But even longtime fans couldn’t find much to enjoy with Crackdown 3. The world map lacked variety, basically feeling like the same three nighttime city blocks copy/pasted throughout. The missions and gameplay don’t do much to make up for level design either, forming a repetitive loop of basic tasks over and over again. There’s not even anything fun to collect; with ability orbs comprising the majority of world secrets. I don’t even think Crackdown 3 would be appealing if it released decades ago; it’ll be a miracle if we see another entry any time in the near future.

8. The Order: 1886

Everyone talked about the life-like graphical fidelity of The Order at the time of the PS4’s launch. It was the defacto tech demo game for the console for good reason, showcasing impressive lighting and texture details. But hardly anything noteworthy could be said about any other aspect of the game. I can’t in good conscious call The Order a bad game; it’s just that it wasn’t much of a game to begin with at the asking price. The campaign takes around six hours to complete with little more than some collectibles to warrant further play sessions. It’s not just that it’s brief though, the content is somewhat superficial with its many quick-time events and bog-standard cover shooting. It’s one of those games that’s fine to rent for the story and setting, but you’ll forget about in a couple weeks. While The Order never developed into a series, it was initially planned to be one, with a sequel on the docket until the studio, Ready At Dawn, shuttered in 2024.

9. Kane & Lynch 2: Dog Days

Finally, we have the controversial cult classic, Kane & Lynch 2. This game was bound to have mixed reviews from its inception. Despite how it appears, Kane & Lynch 2 is a highly unconventional art piece of a game. The camerawork is intentionally amateurish and, at times, nauseating, in an effort to simulate cop cams or body cams. Plenty critics called out the camera as terrible and superficial, but it’s also the element that appealed to its fans the most. It’s really the five hour campaign and repetitive cover shooting that resulted in the general poor reviews and lackluster sales. And with IO Interactive moving on with their enormously successful Hitman games and upcoming James Bond title, it’s unlikely Kane & Lynch will get another opportunity to gain a following beyond that small cult classic crowd.

30. Mirror’s Edge Catalyst

The fact that the world of Mirror’s Edge had such untapped potential, to the point that many desired a sequel years after its launch, is a testament to its impact. The first-person parkour model would be in other titles, most notably Dying Light, but the focus on platforming and skill-based jumping, not to mention the gorgeous dystopian world, helped it stand out.

So when DICE finally announced Mirror’s Edge Catalyst, which offered a more open world, the excitement was palpable, even if it was revealed to be a reboot. While it retained the fluid movement and responsive controls, the world felt barren, the story rudimentary and the ending inane. DICE has no plans to return to the franchise, and for all its appealing aspects, Mirror’s Edge is pretty much dead.

29. Rise of the Ronin

As a fan of Team Ninja’s Nioh series and even finding some enjoyment in Wo Long: Fallen Dynasty, it’s sad to see how Rise of the Ronin turned out. On the one hand, it’s earned some praise for its combat and even the directions you can take the story. On the other hand, critics have expressed disappointment with its open world, English voice acting, story and visuals.

While there were plenty of comparisons to Sucker Punch’s Ghost of Tsushima, I feel that they’re both distinct enough and trying to do their own thing. So why is Rise of the Ronin so underwhelming? Well, for starters, it’s a PS5 exclusive in development for seven years, with Sony’s support, which lends certain expectations. This isn’t to say that all reviews were equally hard on the game, as indicated by the 76 Metascore, but ranking fifth in physical sales for the UK at launch and dropping to 14th place the next week is nothing short of disappointing.

28. Need for Speed (2015)

Years of requests for a new Need for Speed Underground title and Electronic Arts delivered…sort of. Employing real-world legends like Ken Block, it was ultimately about a cast of street racers struggling to get noticed. While the customization and visuals received praise, the uninteresting story, AI prone to rubberbanding, multiplayer and lack of certain features (including drag racing) soured fans. There was also the always-online requirement with no option to pause. It would have qualified as one of the weaker games in the franchise, but then Payback happened and drastically lowered the bar.

27. Biomutant

When a game like Biomutant promises a massive world with choices and consequences, extensive character customization, vehicles, deep combat mechanics and much more, it’s hard to not get hyped. The fact that it was five years in the making, with Experiment 101 consisting of former Just Cause developers, further contributed to this. However, all those intriguing bits turned out to be incredibly shallow, from the story and combat to the mission design and annoying narrator. An update helped improve things, and with a million units sold in a few months, it was far from a flop, but it still has a ways to go.

26. The Order: 1886

Ready at Dawn’s The Order: 1886 received extensive attention for its graphics, with gorgeous facial animation and lighting. The presentation also received significant praise, but everything else left much to be desired. The campaign was ephemeral, with the disappointing story (despite such an intriguing setting and premise) and over-reliance on quick-time events bogging down the overall gameplay. Ending on a cliffhanger with no prospects for a sequel didn’t help either.

25. Exoprimal

Piloting exosuits to battle hordes of dinosaurs sounds like a good idea in theory, but what is live service? The developer’s to join the trend resulted in Exoprimal, which featured a story focused on time traveling, simulations run by a rogue AI called Leviathan, and so much dino slaying. The story felt disjointed, with the characters getting little development, and the lackluster map variety and repetitive objectives brought the experience down. The developer has expanded on the different modes at least while also adding new Alpha variants of Exosuits (Beta variants are coming soon), but its launch state was just so underwhelming.

24. Star Fox Zero

Not that Star Fox had the best run since peaking with Star Fox 64, but Zero had PlatinumGames involved. Surely, the Wii U controls would allow for a compelling shoot-’em-up experience. As you’ve probably guessed, that isn’t the case, as the controls were criticized for their unwieldiness. It also didn’t help that the experience heavily mirrored Star Fox 64, though some critics enjoyed the approach. With less than 500,000 copies sold, it flopped hard, and there hasn’t been a follow-up ever since.

23. Thief (2014)

One of the most beloved cult classic stealth series of all time, Thief was considered as revolutionary for PC players as Metal Gear Solid for consoles. So when Eidos Montreal announced a reboot, there was excitement and perhaps a little trepidation, especially after Garrett’s old voice actor was replaced. A dull performance was the least of the game’s problems, with the level design, AI and story all feeling out of sorts. While opinions settled more on the slightly above side, Thief (2014) couldn’t match up to the original games in player freedom and choice.

22. Days Gone

The praise for Days Gone, Bend Studio’s open-world zombie survival title, cropped up most when it was free on PlayStation Plus. Full credit to the team for sticking with it and adding sizable new content and features, but that’s not the launch version. The latter was roundly criticized for its excessive bugs, performance issues and loading screens (that too after delays for more polish), to say nothing of the bland story and awful dialogue. The open world, the motorcycle maintenance mechanics, the shooting – nearly everything had its downsides.

Make no mistake – there were some positives, from the immense undead hordes to the progression, and it notched up some impressive sales numbers, topping the UK physical charts for three weeks in a row and outselling the combined total of Bend’s previous games. However, it was nowhere near the high bar set by first-party Sony titles. Perhaps for this reason, the publisher didn’t greenlight a sequel and directors John Garvin and Jeff Ross subsequently left the studio. As beloved as it is now, there’s no denying that Days Gone underwhelmed at launch.

21. RAGE 2

For its time, RAGE was trying to do something technologically ahead of its time courtesy of id Tech 5. However, it faced criticism for its overall story and forgettable characters, not to mention the aggravating cliffhanger at the end. The fact that it launched after the more successful Borderlands, which captured the Mad Max feel of a post-apocalyptic wasteland far better, also didn’t help. Nevertheless, it did receive some praise for its visuals, combat, side missions and AI.

With RAGE 2, Avalanche Studios decided to go for a more traditional open-world first-person shooter with vehicles. You had the usual enemy camps to clear, some points of interest and enemy convoys to assault, while the story was a paint-by-numbers “gather the MacGuffins” before a showdown with the big bad. The combat and visuals were still worthy of praise, but everything else felt further downgraded over the original, and it had microtransactions.

20. Immortals of Aveum

Coming from a new team with a five-year development cycle and emphasis on a single-player campaign with no microtransactions, Immortals of Aveum was a noble endeavor. Problems arose with the overall story, graphical issues on consoles, iffy dialogue (with the cast trying its very best to elevate it), and controls. With the emphasis on fast-paced mage combat, encounters could feel repetitive, ultimately underwhelming despite some impressive set pieces. Again, it received updates and new content while attracting a following, but Immortals of Aveum failed to leave a mark.

19. Shenmue 3

A sequel that fans (and creator Yu Suzuki) craved since the second game’s release in 2001. An announcement years in the making with $6 million in crowd-funding. A launch finally happening four years later, mired in controversy due to Epic Games Store exclusivity and a publishing deal with Deep Silver. Shenmue 3 finally arrived in 2015 and was panned for its outdated mechanics and storyline that ended on yet another cliffhanger. While some found the antiquated mechanics to be the appeal, it ended up feeling inconsequential and just another chapter in the ongoing story which would likely end.

18. The Callisto Protocol

Spiritual successors to classics from the original creators never fail to generate attention, as seen with Striking Distance’s The Callisto Protocol. This Dead Space tribute sported gorgeous visuals punctuated by over-the-top and grotesque death sequences. Delays and declarations of crunch didn’t help, nor did the performance issues at launch. Of course, despite all that, the experience was dragged for being overtly linear with shoddy melee combat, no option to skip the death scenes, a short playtime, heaps of unrealized potential and ultimately, not measuring up to the legacy of Dead Space.

17. Rainbow Six Extraction

After the success of the limited-time mode Outbreak in Rainbow Six Siege, Ubisoft did what any self-serving publisher would do – spin it off into a new game and monetize it. Extraction would take a while to launch, initially announced as Rainbow Six Quarantine in 2019 (and eventually abandoning the name for obvious reasons).

It would finally arrive in January 2022 after multiple delays and revealed itself as a session of interconnected areas with procedurally generated objectives and enemies. The sparse content, terrible objectives, bad AI, laughable story and repetition sadly made for a dull experience. While the developer would tout three million players in the first week (likely in no small part thanks to Game Pass), you’d be hard-pressed to find anyone who remembered it past the first month.

16. Crackdown 3

Before Microsoft pushed cloud gaming via Game Pass, it hyped the computational powers of the same and how they would revolutionize gaming. Crackdown 3 was an example, touted as having a fully destructible open world. It eventually relegated into a separate mode, which quickly died out, while the base campaign launched after years of delay and generated ire for its archaic, repetitive design. Could you have some mindless fun? Sure, but it was a far cry from what Microsoft hyped the project to be and far from the next big leap for the franchise.

15. Resident Evil 3 (2020)

Resident Evil 3: Nemesis has always occupied a weird place due to its shorter length and unorthodox features (like the titular villain). Releasing in the shadow of the brilliant Resident Evil 2 didn’t help – unfortunately, that same fate awaited Resident Evil 3 remake. Despite some fantastic visuals and combat, it was more notable for omitting areas (city hall, the clock tower and more were nowhere to be seen) or changing some of the original’s most iconic moments.

Barring the final sequence, none of them felt like an improvement. The fact that Mercenaries wasn’t included, but we got Resistance, a terrible asymmetrical multiplayer mode, didn’t help. Even with sales at 8.4 million, Resident Evil 3 is considered the weakest of the modern remakes.

14. Wolfenstein Youngblood

MachineGames delivered not one but two excellent Wolfenstein titles, reviving the franchise for a new generation with some incredibly cinematic storytelling that remains impressive to this day. How did it follow these up? Why, with a co-op title focusing on B.J. Blazkowicz’s daughters, Jessie and Zofia. The initial gameplay showings weren’t terrible, and the prospect of venturing to Paris to take out Nazis was appealing.

Unfortunately, Wolfenstein Youngblood fundamentally failed to capture what made the previous games so successful. Enemies were bullet sponges, causing players to constantly run out of ammo, and the missions were forgettable, with bizarre hub-like stages that felt utterly unnecessary to the campaign’s flow. Throw in terrible AI when playing solo and microtransactions, and it felt like a poorly conceived side story rather than a proper follow-up to MachineGames’ hits.

13. Forspoken

You want to believe that Luminous Productions had good intentions when designing Forspoken, first announced as Project Athia. Boasting a premier writing staff and billed as a two-year PS5 exclusive, it could have been the developer’s next big thing. While the combat wasn’t terrible, it did little to uplift the barren open world and dull activities.

The initially awful dialogue and plot also weighed it down, but even as things improved over time, the story was over quickly. It wasn’t long before the developer declared that Forspoken’s sales were “lackluster” and by May, Luminous was reorganized and merged into the publisher.

12. Mighty No. 9

Also considered one of the worst games ever made, Mighty No. 9’s development history would have suggested otherwise. It was helmed by a new team at Comcept who promised a spiritual successor to the Mega Man franchise when the developer had effectively kept the series on the back burner.

Then the delays happened, and that whole second Kickstarter campaign to fund a completely different project. By the time Mighty No. 9 launched, it was beset by performance issues, terrible voice acting, lack of content and an overall feel that screamed “cheap imitation” rather than spiritual successor.

11. Skull and Bones

Before its multitude of delays that whittled any faith that anyone had in the developer to deliver a competent pirate game, Skull and Bones had some potential. Its first announcement trailer gave the vibe of an Assassin’s Creed 4: Black Flag but a stronger focus on naval combat that fans had demanded for years. Of course, then the delays happened, followed by reports of reboots, behind-the-scenes issues, incompetent upper management, leadership departures, etc. When Skull and Bones was close to launching – for real this time – Yves Guillemot made the baffling decision to call it a quadruple-A game instead of the tried and true “triple-A.”

Upon launch, and to no one’s surprise, Skull and Bones was a live service grind for “loot”, punctuated by increasingly dull missions and tedious back and forth. Good thing it sold for $70 and included microtransactions. The results were telling – less than one-fourth of Sea of Thieves’ launch sales in the UK and allegedly 850,000 players, including those who played the free trial.

10. Marvel’s Avengers

Marvel’s Avengers didn’t have the best of reveals, competing against the first-ever gameplay of Final Fantasy 7 Remake on the same E3 showcase. Nevertheless, despite how many felt about the lack of resemblance to the Marvel Cinematic Universe actors, it didn’t look terrible either. Live service was seeing a downturn, but with Crystal Dynamics and Eidos Montreal at the helm, how could it go wrong?

Cut to the underwhelming beta and full release, and the distinction between Marvel’s Avengers and a title like Marvel’s Spider-Man became clearer. Despite unique kits for its heroes and some decent visuals, the mission design, objectives and loot were subpar. Post-launch support added some new heroes and content, which did little to raise the player count, and it was subsequently delisted from storefronts in September 2023.

9. Call of Duty Modern Warfare 3

While one may joke that Call of Duty is a disappointment year in and year out, Call of Duty: Modern Warfare 3 felt especially egregious. Reports indicated that it was to be an expansion to Modern Warfare 2 focusing on the Mexican cartel that underwent a reboot into a full-fledged game. Calling it that feels dirty due to the painfully short campaign with its lackluster and ultimately inconsequential story that sets up yet another sequel.

Perhaps even worse is the Open Combat Missions, promising sandbox-style action but coming off as lazy with simplistic objectives. Multiplayer was knee-capped out of the gate with the focus on remastered maps for its core 6v6 modes, and despite some solid gameplay, the age-old issues of skill-based matchmaking (or at least how COD approaches it) and connection issues still cropped up. Zombies was the only good thing about this release, but that’s been abandoned after some lackluster updates. At least the microtransactions continue to roll in.

8. Anthem

After the mess of Mass Effect Andromeda, it was the turn of the main BioWare team to produce something special. It was…a live service looter shooter, which emphasized co-op over the developer’s tried and true single-player story-driven approach. As impressive as the initial gameplay reveal seemed, it was reportedly fake – Anthem’s development period was plagued with issues, from crunch to terrible management.

The result is a mess, with poor characterization and dialogue, bad mission design and objectives, a baffling lack of quality of life, performance issues, bugs, glitches, unimaginative loot and a barren endgame. Despite changes and updates, Anthem’s attempt at a do-over was ultimately rejected by EA, and support is effectively dead (though servers remain available).

7. Ghost Recon Breakpoint

Speaking of an underwhelming launch, we have the developer going from Ghost Recon Wildlands, which grew into something great to Ghost Recon Breakpoint and its removal of AI teammates, looter shooter elements, bland open world, bullet sponge drones, bugs, glitches, the list goes on. Why did the developer suddenly want to adopt a shared world shooter approach with the franchise (besides live service revenue)? No one knows, but it was disastrous. The developer would eventually claw a good game out of it, one that still fell short of Wildlands, but at least offered a more tactical experience without worrying about gear scores.

6. Resident Evil 6

After Resident Evil 5, impressions of the franchise weren’t exactly the most positive, with many feeling it veered too much into a more action-heavy approach. Even if Resident Evil 6’s trailers were full of action, there was still the hype behind seeing so many fan favorite characters (and Jake) tearing it up together. The result offered some pretty good combat but flopped in multiple ways. The characters felt off, and the overall pacing of walk a few feet, cutscene, rinse, repeat was a killer. While Resident Evil 6 saw decent sales, its critical reception was in the gutter, but thankfully, it led to the rebooting in Resident Evil 7: biohazard.

5. Payday 3

Considering the ups and downs that Payday 2 saw, it was in a pretty good spot by the time Starbreeze stopped producing new content. Payday 3 would have been the perfect opportunity to start over with a fresh new slate, avoiding its predecessor’s mistakes while ushering in a new age of heist-focused co-op gameplay. Of course, it wasn’t to be with the always-online requirement and lack of an offline mode souring fans early.

This would come back to bite the development team when server and matchmaking issues ensured fans couldn’t play for days. Even after their resolution, the sequel faced heavy criticism for removing features present in Payday 2, whether it was the pre-heist planning map, text chat, or just the option to unready. Sales were below expectations, and given the poor reception, Starbreeze has replaced its CEO to try and turn the ship around. Thus far, it doesn’t look like it’s happening anytime soon.

4. Redfall

Arkane Austin, which specialized in immersive sims like Dishonored and Prey – didn’t inspire too much confidence when it was revealed to be working on a co-op looter shooter. The lack of an offline mode or progress for other players except the host in co-op also didn’t help. On the bright side, the state of Redfall made both issues feel like water under the bridge.

Horrendous AI, performance issues, bugs galore (including catchy music playing during serious scenes), horrible bosses, a dull story, lackluster characterization, bad mission design – everything went wrong. You may argue that expectations were low, but Redfall sunk lower, and still flounders despite some major updates.

3. Battlefield 2042

This one hurt for longtime fans of the franchise, especially coming off of a relatively disappointing Battlefield 5. With no campaign, Battlefield 2042 promised a return to everything that made the series great, wrapped in the veneer of modern combat and massive 128-player battles. Reports emerged of troubled development, and the beta earned some ire, but fans were still hopeful.

Cue the disappointment and savage response on Steam, with the sequel becoming one of the lowest-rated games in the platform’s history overnight. From the removal of the class system to the visuals, destructibility, map design and the scoreboard – that damned scoreboard – Battlefield 2042 was a letdown in every way. It’s improved over the years but is still a far cry from the series’ peak.

2. Suicide Squad: Kill the Justice League

Before it was revealed as a live service looter shooter with a boring mission design, Suicide Squad: Kill the Justice League had a suitable amount of hype. How could fans not be excited when it was Rocksteady’s first new game since 2015’s Batman: Arkham Knight? After its disastrous showing last year, it was delayed almost a year from its original release. Maybe it would add an offline mode and tone down its live service elements, including but not limited to microtransactions and a battle pass.

As it turns out, none of these things happened, and when Suicide Squad launched, it was begrudged for its terrible mission design, repetitive gameplay and boring endgame. After Warner Bros. admitted that it fell short of expectations, Rocksteady would focus on fixing the plethora of network issues and bugs while prepping the first post-launch season. Unsurprisingly, Season of the Joker was another miserable disappointment with its utter lack of story content, boring “new” missions, annoying grind to unlock the Joker as a playable character and audacity to charge for immediate access.

1. Mass Effect Andromeda

Of all the games to disappoint over the years, this one probably hurt the most. It’s not like Mass Effect Andromeda was the next mainline title in the franchise or one that had the budget and resources of Mass Effect 2 and 3. However, as the first new entry in five years, fans looked forward to it all the same. The potential for a new story and setting with an open-world twist also sparked interest. When Andromeda launched, it was quickly clowned for its bugs, facial animation and dialogue.

Those who dived deeper discovered barren planets, uninteresting characters who couldn’t hold a candle to the original heroes and a low-stakes plot. The underwhelming critical reception and sales wouldn’t outright kill the franchise entirely (as evidenced by the recent Legendary Edition and upcoming sequel), but it was the first time that fans began to question BioWare. Of course, Anthem happened, and the rest is history, but Mass Effect Andromeda hurt more.

The online service shutdown page on EA’s website states that the decision was made to shut down these servers because less than 1% of peak online players across all EA titles were playing these games, and that it was no longer feasible for the company to continue supporting these games.

It is worth noting that, since the games part of these shutdowns are primarily single-player titles, they will still be perfectly playable for most players. Features like leaderboards or multiplayer game modes, however, will no longer be available. Games part of this wave of server shutdowns are also still available to purchase owing to their breadth of single-player content.

With every entertaining and well-designed open world game, there are several that feel mundane, awkward or terribly put together. Let’s take a look at 10 of the most boring open world titles.

Ghost Recon Breakpoint

If there’s one thing that stuck out the most when first playing Ghost Recon Breakpoint at launch, it’s how utterly dead Auroa felt. There was no seemingly no semblance of normal day-to-day life with environments that felt sterile and samey. Sure, the setting had a lot to do with it, whether it was the whole “island belonging to a military contractor” or the occupation by Colonel Walker and the Wolves forcing much of the populace into hiding. But it seems like this was all done just to reinforce the Skell Tech drones as the true indigenous life (and it doesn’t help that the Wolves were fairly disposable as well). Combine all of this with boring activities and a terrible storyline, not to mention tons of bugs and copy-paste outposts, and you’ll beg for Wildlands’ Bolivia. New paid content and updates including the return of AI squadmates helped improve the overall experience but it was a disaster at launch.

POKEMON SWORD AND SHIELD

Most Pokemon fans will tell you that the series has been on a downward spiral ever since Black and White, and Sword and Shield are probably its lowest point to date. Even if you ignore the controversies surrounding the whole National Dex fiasco, Pokemon Sword and Shield are still disappointing games. The shocking lack of ambition, the almost complete lack of challenge, the excessive linearity- for all of these reasons and more, Pokemon’s mainline console debut fell severely short of expectations.

Retro Studios have been a busy studio for the last year or so, having taken over the Metroid Prime 4 project and completely restarted the game’s development from scratch. The beginning of that project went hand-in-hand with a recruitment drive for the studio, with Halo veteran Kyle Hefley having recently joined them as Lead Character Artist on Metroid Prime 4. 

Now, the studio has attracted another artist. Jhony Ljungstedt, formerly of EA DICE, recently took to LinkedIn to confirm that he was moving on from the Battlefield studio, and has now joined Retro. As Ljungstedt’s profile shows, he was at DICE for 12 years, during which team he worked on several major projects, including as Art Director on multiple games, including Battlefield 5, Medal of Honor, Mirror’s Edge Catalyst, and more.

Metroid Prime 4 is currently in development for the Nintendo Switch, but currently does not have a release date. Recent reports have indicated that Retro might be outsourcing some of the game’s environment work. Read more on that through here.

Meanwhile, though Metroid Prime 4 is probably a while away, we might be seeing more of the series in the near future, with leaks claiming that Nintendo might be gearing up to release a 2D Metroid game for the Switch this year.

Metal Gear Solid 4: Guns of the Patriots

Yes, we had Metal Gear Solid 5: Ground Zeroes and The Phantom Pain but those were prequels. Metal Gear Rising: Revengeance was a spin-off that focused on Raiden (and was somewhat confirmed as non-canon by creator Hideo Kojima). As it stands, Metal Gear Solid 4 offered the most complete ending for Solid Snake possible as he embraced the desire to live for himself despite all the trauma faced. There’s also all that jazz about the Patriots being defeated, Meryl getting married and everyone generally living happily ever after as well.

What with all of the drama that goes into this encounter, you have to expect some sort of comparable level of difficulty, right? Perhaps a test of all acquired skills or abilities, battles against learned patterns from foes of the past, or at least some sort of test of fortitude that matches the gravity of final boss battle. Not always the case, as we shall see in some examples of disappointingly easy final bosses in amazing video games.

Warning: spoilers ahead.

Dark Beast Ganon – The Legend of Zelda: Breath of the Wild

Not only is Breath of the Wild one of the most popular Switch titles, and one of the most widely loved Zelda titles amongst fans, its consensus amongst the gaming public at large is overwhelmingly positive. Which makes the fight against Dark Beast Ganon so unfortunate, for a game that was so awesomely different from previous Zelda games, increasing the sense of scale in adventuring in a way that wasn’t really anticipated. There’s no protracted struggle here – it’s Link, his horse, and the Bow of Light (courtesy of Zelda) against Ganon that is significantly monstrous in form and scale, and with an appreciation for the color pink. Your goal is to ride around to the left and right sides of Dark Beast Ganon, at which point golden Triforce glyphs will appear; these are his weak points. Aim your arrows at the center of those glyphs to damage him. There will be three on either side, and one underneath him. The final hit against Dark Beast Ganon will be a shot to an eye that appears atop his head once he has been incapacitated by the other attacks.

Lawbreakers – Health Regeneration

Gears of War scion Cliff Blizenski had some good ideas with his gravity shooter, Lawbreakers but when it didn’t take off like he had hoped, major changes came to the game including introducing regenerating health to resolve the problems gamers were having with dying too often and too fast. But tossing game balance out the window to buff everybody’s health and make it regenerate while not under fire just made games draw out way too long.

Quantum Break

Many stories that deal with time travel tend to become their own convoluted messes of paradoxes and twists. Quantum Break kind of suffered from this but still managed to maintain its thrills. Then we got to the ending where sympathetic antagonist Paul Serene was blamed for everything and Jack was asked to join Monarch. The hilarious part is that Jack actually sees two paths, much like how Paul did before making decisions. Then the game ends before we see his choice. And no, this won’t be the last cliff-hangar ending on this list.