It apparently sold 3.5 million copies on PS5, with physical discs contributing 27.8 percent of that total. With an alleged $250 million in revenue, it’s undoubtedly a hit, although short playtime would make it ideal for reselling, per Rhys Elliott. Then there’s 007 First Light with two million copies reportedly sold on the platform, generating roughly $142 million in revenue. Of that total, about 21 percent is physical – another prime candidate for reselling, even if it has a post-launch roadmap.

Crimson Desert is next with 1.9 million reportedly sold, of which 19.9 percent are physical. While it’s brought in $142 million on PS5 alone, it’s worth noting that the majority of sales were in March and April – May apparently saw only 112,000 copies sold.

Despite coming in fourth place, Forza Horizon 5 reportedly selling 1.2 million copies is still a great milestone, since it launched last year and serves as a port of a 2021 title. It’s reportedly hit 6.2 million sales on PS5, and you’d have to imagine that Forza Horizon 6 will be a massive hit when it arrives for the console later this year.

While half of the top 10 list in the US were new releases for the month, the other half was made up of older games, like Tomodachi Life: Living the Dream, MLB: The Show 26, Crimson Desert, Call of Duty: Black Ops 7, and Mario Kart World.

When taking the whole year into account, Resident Evil Requiem continues to take the top spot for game sales in the US. It is followed by Crimson Desert in second place and MLB: The Show 26 in third place. Despite being a relatively new release, 007 First Light has managed to do incredibly well by taking the fourth spot for the entire year so far, followed by Forza Horizon 6 in fifth. LEGO Batman: Legacy of the Dark Knight is the only new release to have broken through the top 10 sales for the year, coming in at 7th place.

007 First Light ended up getting quite a few accolades for its performance in May 2026, being the best-selling PlayStation game for the month, as well as the highest “full game dollar sales” of any James Bond game in history.

All in all, Piscatella has reported that total video game spending in the US for May 2026 hit $4.2 billion, which marks a 3 percent increase over May 2025. By the time the month was over, the year-to-date spending was 4 percent higher than last year, coming in at $23 billion.

Interestingly, Piscatella has noted that consoles served as the primary platform for game spending in May 2026 in the US, with total spending having gone up by 25 percent compared to last year. When taking year-to-date figures, console content spending is 13 percent higher. PC and subscriptions haven’t fallen behind either, coming in at 15 percent and 11 percent year-on-year increases, respectively.

Piscatella has also revealed details about console hardware sales in the US for May 2026, noting that both PlayStation and Xbox haven’t been doing too well. While it was the first May faced by PlayStation since 2000, Piscatella has confirmed that May 2026 was the worst May for Xbox since Microsoft launched the division. While there are likely many reasons for console sales falling in this regard, Piscatella also brought up the fact that price hikes have led to consoles simply getting too expensive. Xbox, for example, saw a 22 percent increase in average hardware price since 2025. PlayStation, on the other hand, saw an increase of 33 percent year-on-year.

“Xbox is currently tracking a distant third in hardware sales among the major manufacturers. But they are getting more revenue from each unit sold, enough to make dollar sales grow in May despite the unit drop,” said Piscatella. “If that fits the definition of ‘working’ or not, I don’t know.”

May 2026 U.S. Projected Top 10 Best-Selling Games Ranked on Physical & Full Game Digital Dollar Sales (Excludes Mobile and Digital Add-On Content)

— Mat Piscatella (@matpiscatella.bsky.social) 2026-06-26T13:00:03.576Z

YTD 2026 U.S. Projected Top 10 Best-Selling Games Ranked on Physical & Full Game Digital Dollar Sales (Excludes Mobile and Digital Add-On Content)

— Mat Piscatella (@matpiscatella.bsky.social) 2026-06-26T13:00:03.577Z

Content – Console drove content spending growth in May. Total spending on console content increased by 25% compared to a year ago and is now 13% higher year-to-date. PC content (+15% versus a year ago) and subscription spending (+11%) also grew in May.

— Mat Piscatella (@matpiscatella.bsky.social) 2026-06-26T13:00:03.585Z

Content – 007 First Light was May’s leader in full game dollar sales, debuting as the 4th best-seller of 2026 year-to-date. It also led all titles in full game dollar sales on PlayStation platforms in the month.

— Mat Piscatella (@matpiscatella.bsky.social) 2026-06-26T13:00:03.586Z

The update also makes it easier for players to chase down the Roads Driven percentage challenges, with the Region Overview now prominently showcasing how many roads the player may have discovered. Along with this, inconsistencies in Road Discovery between the Mini Map and the World Map have also been fixed.

When it comes to car upgrades and tuning, the studio has introduced adjustments to Drag Tires that, despite offering enhanced performance thanks to their lateral grip, were reducing a vehicle’s Performance Index. Since this wasn’t intended behaviour, the studio has made it so that Drag Tires stop being the optimal tire choice outside of drag racing events.

Along with this, the PI cost of Drag Tires has been retained, while reducing the tire choice’s cornering performance. The studio has also promised to kick off an ongoing process to fix Leaderboard entries that were dominated by players using Drag Tires for things outside of drag races. “It is important to note that this change only affects the cornering performance of Drag Tires,” explained Playground Games, “so Drag times and Drag Leaderboards will be unaffected by this change.”

Forza Horizon 6 is available on PC and Xbox Series X/S. The studio has also confirmed that it is working on a PS5 version of the game, which is slated for release later this year. In the meantime, check out our review of the racing game, as well as our thoughts on why it has moved beyond the Game Pass argument.

Forza Horizon 6 Series 2 update patch notes:

General

• Performance and stability fixes.
• Fixed an issue where launching the game after running Benchmark Mode would take longer than expected.

AI

• Improvements to difficulty balancing.
• Fixed an issue with Drivatar race start behaviour.

Audio

• Improvements to audio performance on lower specification devices.
• Adjusted the volume of the air vents on the 2010 Lamborghini Murciélago LP 670-4 SV.

Badge

• Fixed an issue with the Screechy Clean Badge where progress would only count during a Touge Event.

Design

• Fixed an issue where the Leaderboards would sometimes display the wrong drivetrain.
• Fixed an issue with Convoy Leaderboards where times may not appear consistently for all players in the Convoy at Drag Meets and Time Attack Circuits.

Festival Playlist

• Fixed an issue where some Daily Challenges and a Seasonal Job could be completed ahead of time.
• Fixed an issue where completed Weekly Challenges in a previous Season would be missing the Completed label.
• Fixed an issue where various Daily Challenges across the Seasons did not unlock for some players.

Developer Notes:

• All Daily Challenge Points in Series 1 will be retroactively rewarded to players for each Season they participated in. To claim these, players must visit Series 1 in their Playlist History.

Horizon Play

• Fixed an issue where some players did not unlock Level 12 in Horizon Play until they entered another race Event.
• Adjustments have been made to the amount of XP required between Level 26 and Level 100 in Horizon Play. This will significantly reduce the time required to earn the ‘Maxed Out’ Achievement.

Developer Notes:

• Players who have already made significant progress in Horizon Play (Level 25 and above) will see their level jump significantly and unlock new Badges, and players who have already reached Level 32 will jump to Level 100, unlock Badges and the ‘Maxed Out’ Achievement.

Road Discovery

• Added a Roads Driven percentage to the Region Overview.
• Fixed an issue where two road nodes would never be marked as Undiscovered.
• Fixed inconsistencies in Road Discovery between the Mini Map and World Map.

Visuals

• Fixed a motion blur artefact appearing along the rear of the 2001 Mitsubishi Lancer Evo VI GSR TM Edition.
• Fixed an issue with inconsistent lighting that occurred when switching between times of day in Photo Mode.
• Fixed an issue where green artefacts could be seen when trying to take a photo through a metal mesh fence.
• Fixed an issue where rain particles were disabled in the ‘High’ Graphics Preset on PC.
• Improvements to the pixelated red smoke appearing in Street Races when using upscaling.

Upgrades & Tuning

• Adjustments have been made to the physics of Drag Tires to align them more with their expected behaviour.

But the intervening years have seen the game hidden away behind a veil of mystery. Yes, there were trailers that tried very hard to tell us that the upcoming title was Fable as we always remembered it, but there’s only so much they could do in the absence of a good look at what its RPG ambitions were going to look like once they were in the hands of its players. But the latest showcase of the game has changed that.

Yes, the reboot’s bringing a very interesting combat system, a version of Albion that we can’t wait to explore, and environments that might be hard to explore when you’re stopping to admire the sights so often. But while those are all great things to have in an RPG of this scale, they’re also present in several other of the game’s competitors. Fable needs something to set itself apart, and the latest showcase has demonstrated that Albion itself might be the ace up its sleeve that it needs to stand toe-to-toe with the genre’s greatest titles.

A World That Makes Life Itself Extraordinary

The glimpse of the game that we’ve been given does show off how exploration and combat have been woven into the experience. There are quests for you to take on, of course, and a lot of the humor and unique tone that gives the franchise its identity. They’re all welcome additions, to be sure, but they’re not what we’re here to discuss in this one. Instead, we’re going to focus on how Albion seems tailored to respond to you in ways that you can predict, and in others that could have you quite surprised at their complexity.

To us, the most exciting facet of Fable isn’t that you’re going to be taking on enemies and monsters as a Hero whose abilities continue to grow and evolve as you engage with Albion. It’s in how that world remembers who you are as a person, and the kind of Hero you’ve been that has us very eager, impatient even, to get our hands on a copy.

A world in which NPCs feel sentient definitely stands out. We’ve seen games filled with hundreds of nameless characters that are largely relegated to the background, acting as a sort of decorative presence to present the illusion of worlds that are alive. Yes, some of them are vendors, or perhaps quest givers, but they’re largely nameless crowds who have no real bearing on the outcome of your adventures, or even your actions other than to present surface-level responses to what you do in their presence.

Even the ones you can interact with are limited to serving their intended functions, and not much else. A blacksmith, for example, isn’t going to be interested in much else beyond helping you upgrade your gear and weapons. Granted, they might have a bit of dialogue to make them feel like they’re responding to you and your presence in their smithy, but they don’t know you beyond the fact that you’re the main character in a story where they’re playing a small, and rather negligible part. They’re nothing more than a map icon for when you need the game to help you fulfil a specific function.

But Albion looks like it’s built around the very NPCs that other games often neglect. There are actual systems guiding their actions, and the subsequent interactions you have with them. Jack the Beggar responds to your kindness, and actively forms an impression about you when you behave charitably towards him. While that’s impressive on its own, that very same act of kindness drives the local tailor to forming a more disdainful opinion of you, her personal morals giving her the impression that your actions do not address the root cause of why Jack was in his dire straits.

Every NPC has their own routines, hobbies, likes, dislikes, and the ability to think for themselves, and those opinions form a complex web of opinions that you’re then left to navigate as you see fit. You could buy their businesses and homes, choosing to disrupt their lives and face the consequences of their displeasure, or use your new purchase to help make the lives they live better. And they remember it all, and either help or hinder you based on what they think of you. If Playground pulls this off on a scale that covers the entirety of Albion, its NPCs might be more important than its map size, and that’s a welcome deviation from a rather predictable script in the open-world RPG genre.

Playing to Its Strengths

Of course, those of us who’ve played the original Fable know that the Morality System and your Reputation were important parameters that influenced the trajectory of your story. The franchise may not be known for RPGs that are mechanically deep, but they’ve definitely been remembered for the funny, often exaggerated ways that their worlds have responded to our actions in-game. There was a personal touch, a feeling that the world around you was actually in sync with what you were doing.

You could be loved or feared, celebrated or mocked for who you were, exalted as a hero or reviled as a diabolical villain, or infamous as a morally grey individual whose unpredictability was the only certainty when you entered the room. The world made your choices feel visible, and presented tangible responses to them to make your time with any of the franchise’s offerings feel special. Fable was at its best when it (conveniently) forgot that you were the chosen one who would shape the trajectory of its world, and instead chose to treat you based on the merits of your actions. You could be a benevolent landlord, loved by your tenants, or a menace to be reviled by the locals.

You could be a spouse that was devoted to their loved one, or a local fool who couldn’t be trusted to achieve even the simplest of goals. The world you were exploring had a soul of its own, and it was one that you had to work to capture, and subsequently keep satisfied if you wanted things to go in a direction you decided. That’s precisely what the reboot is trying to recapture, and we must say that it’s doing a reasonably great job at that if that preview was any indication.

Think about how you have even a stable hand being entirely indifferent to your presence when you first enter a town. You’re a nameless entity, and one that its denizens have no reason to trust or hate since they’ve never seen you before. But one set of decisions, of all things, and you were then a person who was interesting enough for NPC to sit up and take notice of. The aforementioned Jack the Beggar, and his subsequent new lot in life as a local bartender, all stem from you.

Of course, word travels fast and while some find you to be compassionate and kind, others might think you’re naive, and yet to see the bigger picture of a world that allows systemic inequalities to exist between the people in it. But it’s those inequalities that allow you to shape lives by becoming a landlord or business owner, offering employment and housing to those who need them, and earning their trust and benevolence in the process.

It’s a world in which people aren’t afraid to show their pleasure or displeasure to your face, with tangible reactions on the visual front, and systems that can help or hinder you based on who you’re interacting with, and what they think of you. A sense of sentience permeates the very air of Albion, and its one that’s always watching what you do and responding to it in ways that mimic what a Hero would face in the real world.

Fable isn’t just giving us a reactive story next year, but a reactive society, which is a distinction that automatically sets it apart from other titles. It’s a recipe for some truly chaotic outcomes the more we think about it. You could be a landlord whose tenants cannot stop singing praises of, while being a Hero whose actions aren’t necessarily in the best interests of the people you’re fighting for. You could be kind and compassionate, being revered for it even as that very kindness ruins local economies.

It’s a great way to ensure that no two playthroughs of the game are going to look alike. Playground has realized that Fable doesn’t need to be a serious RPG, but an interactive fairy tale in which every Hero can walk away with absolutely ridiculous stories. And with player agency being as central to the experience as it is, the potential for a title that players keep coming back to of their own free will is right there.

A Positive Influence

When you think about the kind of experience that it offers from the perspective of other open-world games, it’s easy to see why we’re quite hooked on the idea of a world that isn’t judged on its scale, the length of its questlines, the density of markers on its map, its loot and crafting systems, upgrade trajectories, or cinematic presentation. That’s not to say they aren’t a part of the experience that Fable’s offering, but they’ve taken a backseat to a world that makes the little moments matter.

Where other games could have you already thinking about where you want to go next after you conduct your business ina town, Fable aims to have you staying back to try and learn more about the population. It makes you wonder if the people around you truly know you for who you are, and whether your presence can enrich their lives, or ruin them entirely. You’re given the power to shape their destinies, but how you do that is completely up to you, and there’s enough unpredictability to make your efforts succeed, or fail so spectacularly you’re going to have to work to understand how your plans unravelled.

It’s a far more interesting pitch than having yet another massive world full of lifeless interactions to explore, to be sure, but we must consider the possibility of the effort backfiring, just as how your attempts to be a Hero for the ages can lead your people to ruin. Can these systems continue to have an impact across the entire experience? Can they remain meaningful – and compelling – once you’ve spent about twenty or thirty hours in Albion?

We’re a tad worried that it can be too easy for NPCs to get you if you have enough money to bribe town criers, giving you a way to get a clean slate in a given town that seems too convenient for an experience like this one. We would have liked to see the preview visit how your criminal actions at the end of it affected your relationship with the owner of the general store, whose last interaction with you was one of familiarity and goodwill considering all the good things you had done up until that point.

Is the sheer amount of player agency you’re offered going to have actual consequences to your decisions, or is it just a way of letting the game amuse you with funny reactions from the people you’re engaging with? Fable’s systems worked well in the demo, but we’re wondering if they worked too well in the curated slice of a larger pie that we were allowed to see.

But concerns aside, that demo gave the upcoming reboot a sense of identity that it sorely needed over the past few years. Fable isn’t trying to be a big fantasy RPG for the Xbox, but a world that makes Albion feel social, reactive, messy, amusing, and most importantly, personal. It puts you at the front of the experience, and lets its world draw you in by giving you a life that’s full of the chaos and joy that such a world would offer.

It’s a recipe that could have you wanting more if it succeeds, or otherwise leave a bitter aftertaste. But like any journey worth undertaking, we’d say that the effort must count for something.

Note: The views expressed in this article are those of the author and do not necessarily represent the views of, and should not be attributed to, GamingBolt as an organization.

Thankfully, Playground Games has since clarified that “the guards haven’t all taken up tea drinking mid-shift.” Instead, this was on “Story” difficulty, which offers the “gentlest way” to traverse Albion. “Should you prefer a sterner welcome, other difficulty levels will ensure the guards remember their training and are less… polite.”

It didn’t go into detail about how to make Fable more challenging, but it’s still good news for those who prefer much stricter consequences to their actions. Who knows? Your Reputations may have some kind of effect in mitigating them if you’ve spent enough time in a location (which becomes superfluous on lower difficulties, but I digress).

Either way, these options are just another ingredient to letting players explore Albion on their own terms. You could settle down and have a comfy life sim which seemingly goes on forever, and go the bloodthirsty route of killing all 1,000 handcrafted NPCs. Or live as your average adventurer, embarking on quests, resolving disputes, exploring caves for rare equipment, and so on.

Fable launches on February 23rd, 2027 for Xbox Series X/S, PS5, and PC, so expect even more details on combat and difficulty in the coming months.

“We’ve got a really fantastic cast of actors who have come in and recorded tons and tons of dialogue, which is what you’ve heard today voicing our NPCs,” said Playground Games. “All of our NPCs are fully voiced. We cast around 100 actors to voice our Living Population alone.”

The use of generative AI for voice acting became a major talking point for many players and developers alike when ARC Raiders developer Embark Studios spoke about using it for the extraction shooter. The company had confirmed this just a few days after ARC Raiders was released, with studio CCO and co-founder Stefan Strandberg revealing that the title used “a combination of recordings of real actors and [text-to-speech].”

Studio head Patrick Söderlund and parent company Nexon’s CEO, Junghun Lee, even went on to talk about how they wanted generative AI to be used in game development so that the development teams could be “free” to be more creative.

As for Fable, Playground Games revealed through a 30-minute gameplay overview that the open-world RPG will be an “endless, interconnected live sim”. This is largely possible because the studio worked hard to handcraft more than a thousand NPCs. The process of these NPCs being created also meant that the studio had to figure out a “very different way of building a game”.

“They’ll get up, they’ll go to work, they’ll have some leisure time, they’ll go back to their home, and they’ll go to bed,” explained studio founder Ralph Fulton.

“And immediately, you know when you hear that, certainly as a developer, you start going, ‘Oh, okay, so every NPC, and there’s more than 1,000 of them in the game, needs a bed.’ And you have that conversation with the environment art team, and they’re like, ‘they need what now?’ Which is, it brings you to a very different way of building a game, because it needs to be functional as well as beautiful.”

This also means that Fable players can expect there to be plenty of shops throughout the world of Albion. The studio has confirmed that, in its entirety, Fable’s world will feature more than 120 different shops, each with its own unique stocks. In the same gameplay showcase, the studio also revealed details about the Blacksmithing system, which will give players new ways to make gold.

Fable is being developed for PC, PS5, and Xbox Series X/S, and is slated for release on February 23rd, 2027. Xbox CCO Matt Booty has confirmed that Playground Games worked with Blizzard to create some of the RPG’s cinematics.

Owning a business carries its share of consequences as well. You’ll gain the Rich and Entrepreneur Reputations – great for charming certain folk, but Rhiannon the tailor in Oakshire won’t like you, resulting in heavily increased prices. On the bright side, there are over 120 different shops in the world, each with unique stock, so you can always go somewhere else (or venture to more dangerous places since they carry “rare” outfits).

The overview also showcases Blacksmithing, which you can take up at any time to earn cash. Hit the hotspots just right, and you’ll gain a gold modifier, though being quick is also good. Purchasing properties is another key element, and you can evict tenants or pay them to leave.

And while some houses are quaint, Playground Games promises a lot of variety, including mansions. So with all this being a nice guy, what’s it like when you’re not? Firing an employee bestows the Heartless reputation, and shooting arrows everywhere will make people think you’re Reckless.

But what about injuring someone or committing crimes like murder? Not only does that attract the guards, but you’ll gain Reputations like Killer and need to pay a fine. As long as you’re a criminal, you’ll constantly be under attack, but it’s a great opportunity to unleash magic like suspending targets, slamming them back down, teleport slashing, or just turning them into chickens to then cook with fireballs.

With over two hours of high-quality performance cinematics equivalent to those seen in the trailers, Fable promises a very deep experience with production values to match. It’s out on February 23rd, 2027 for Xbox Series X/S, PS5, and PC.

You’ll visit many different-sized settlements with their own traits, landmarks and populations, but for now, the objective is Silverbrook. Your mission is to investigate the connection between Isabel and the magic incidents occurring in the settlement. Associate game director William Kennedy notes that the 1,000 handcrafted NPCs in Fable aren’t scripted, touting emergent behavior based on real-time systems.

They’re also affected by your reputation, so if you walk up to a random stablehand and ask him to follow, he’ll decline due to indifference. However, intervene in a commotion that involves a butcher and a talking pig named Colin, and you can slowly build your reputation with “hundreds” of branching dialogue choices. Careful though, as every decision has a consequence.

Saving Colin, for example, requires paying the butcher. Alternatively, you can fight him. Take the less violent route, and you gain various reputations like Merciful, Shrewd and Virtuous. This in turn will affect how NPCs view you – like Jack the Beggar thinking you’re principled if you’re Virtuous. Give some gold to him, and you’ll gain the Kind reputation as well.

There’s so much more to cover, so stay tuned for updates. Fable launches on February 23rd, 2027 for Xbox Series X/S, PS5, and PC.

“So, I can tell you how we are thinking about it,” Ball said. “We have an internal framework and strategy that we are using to approach exclusives on and off the platform. We announced yesterday that there were two titles, one coming this year, one coming next year. Doing two titles was important. We could have announced Clockwork was going to be exclusive later at the end of the year, when we got closer and closer to the 25th anniversary. We could have kicked off 2027 by talking about that as an exclusive.”

“It was important for us to include two titles so that people understood this was not a one-off; it was not commemorative. We were not saying it’s our 25th anniversary, it’s Gears’ 20th anniversary, we’re returning to Xbox, here’s an exclusive. This is the start of a program.”

He went on to note that it is now an important thing for XBOX that its supporters continue to find value in their investment in its consoles and ecosystem. This also means that the company wants to keep them as XBOX users even going forward. To achieve this, the company will go back to featuring exclusive console releases in the future, since it is important for the company’s branding and growth as a platform.

“Players can expect a reliable pipeline that validates their historical investment in the Xbox platform, keeps them as Xbox players going forward,” he said. “And everyone in the industry understands that exclusives are important to the growth and branding of that platform.”

However, it looks like XBOX might be taking a Sony-styled approach with its games, with major live-service titles still getting multiplatform releases. Referring to Halo: Campaign Evolved and Fable, Ball said that, since the company had already announced that they would be coming to PS5 as well, it will be going forward with those commitments.

“We have a third bucket of titles, those titles that we have previously announced or previously committed with our partners, with players, with teams, that we’ve decided to maintain those commitments,” he explained.

Ball credits this new strategy of returning to console-exclusive releases as being the result from new XBOX CEO Asha Sharma. According to him, Sharma “has been clear” about the state of XBOX’s business these days, and has started initiatives to turn things around. However, he acknowledged that these initiatives won’t result in an overnight turnaround for XBOX, and that it will still take the company some time to regain the trust and adoration of its users.

“Every day we are going to come more and more outwards about what we’re doing, why we’re doing it,” said Ball. “And the reason why I say that is, today I should give you a more comprehensive answer. Here are all the titles that players can expect this year, next year, and thereafter that are going to be exclusive.”

“We know what those are going to be. We know how we’re going to make those decisions. We know how we’re going to be evaluated against those decisions. But what’s important there is that framework has to be external eventually. Everyone in this audience is an expert, an aficionado of the field, and I understand why they are saying we still don’t quite get it. We have to communicate that internally. We have to communicate that to our partners.”

“But then most of all, at the end of the day, the average player, the average current Xbox player, and the player that we want but don’t have today, have to understand it very simply. And that’s where we’re going. We’re just not ready to do it yet.”

But it doesn’t stop there. A post-launch story expansion, Order of the Hero, is also in the works. As announced on the official site, it sees players drawn into “the secrets of a dark, ancient cult hidden deep within the perilous beauty of Albion.” You’ll explore a dangerous new region which also seems to hold some mysterious, forgotten power.

It’s also possible for you to win over the cult and become their overseer, thus guiding its direction and conducting rituals. Of course, as the developer teases, there must be a reason why the position is vacant, and it could mean dire circumstances for Albion’s one true hero (read: You).

Order of the Hero doesn’t have a release window just yet – obviously, since the base game isn’t even available – but it is included in the Premium Edition. Unlike Gears of War: E-Day and Clockwork Revolution, Fable will launch on PS5 alongside Xbox Series X/S and PC next year. Stay tuned for updates and further gameplay in the meantime.