Samson: A Tyndalston Story

Growing up is never easy, yet there’s a bittersweet feeling in returning to your childhood town, older and wiser. Not for Samson, though. His goal in Tyndalston is to pay off a debt that increases each day. Time is money, literally – you have limited hours to choose different jobs, whether it’s a getaway driver for a bank job or tuning up some local thugs. With a combat system that’s more about fighting dirty and vehicular mayhem that would make Mad Max proud, Samson promises a lot for its $25 price when it launches on April 8th.

DarkSwitch

Think Against the Storm, but expanding vertically – that somewhat explains Cyber Temple’s DarkSwitch. With a giant tree as your base and a malevolent fog slowly creeping in, you need to build, construct defenses and sometimes venture into the unknown to survive. It probably isn’t a coincidence that Akira Yamaoka is composing the soundtrack, probably hearing the word “fog” and asking nothing more. But with a full-fledged story mode that promises over 20 hours of thrills, DarkSwitch could end up a dark horse when it launches on April 9th.

Replaced

AI trapped in a human’s body, an alternative United States under the thrall of megacorporations, post-nuclear panic – all of this and more await in Replaced, Sad Cat Studios’ long-in-development cinematic platformer, which launches on April 14th. It also features stunning 2.5D graphics and a Free Flow combat system akin to Rocksteady’s Batman: Arkham franchise. Over its eight-hour runtime (11 to 12 if you stay and smell what’s left of the roses), there’s a harrowing, unpredictable experience with more than its fair share of bleak commentary on the world as we know it.

Starfield (PS5) and Terran Armada

Bethesda’s new – and not at all controversial – IP is finally coming to PS5 on April 7th alongside the latest story DLC, Terran Armada. At $49.99 for the base game ($10 for the new DLC), it’s the best time for PlayStation players to explore the Settled Systems, especially with the Free Lanes update. Besides expanding on space travel, it introduces new companions, outpost improvements, new points of interest, more upgrade systems, and more. Meanwhile, Terran Armada promises a more interesting story, its own exclusive Incursions, new ships, and even an HK-47-style companion in Delta.

Regions of Ruin: Runegate

As intriguing as the pixel art style and sheer number of systems could be, I never expected 2018’s Regions of Ruin to get a sequel. Runegate is out on April 14th and follows pretty much the same premise – venturing out into a ruined world, helping your Dwarven brethren, obtaining resources, and ultimately, establishing a place to call home. With more varied locations, sleeker visuals and much more to do, it promises to be the definitive Regions of Ruin experience.

Road to Vostok (Early Access)

If you can’t wait for S.T.A.L.K.E.R. 2’s first story DLC to hit this Summer, Road to Vostok may tide you over. Entering early access on April 7th, it tasks players with exploring the post-apocalyptic areas between Finland and Russia, ultimately culminating in Vostok. You’ll need to loot supplies and build a formidable arsenal, dealing with changing seasons, rough weather, bandits, and even the military, with death in Vostok causing you to lose everything. It’s a ways off from full release, but those looking for another challenging survival FPS may find it worthwhile.

Diablo 4: Lord of Hatred

Vessel of Hatred was a steaming hot pile of whatever, but Lord of Hatred, Diablo 4’s next expansion, looks more promising. Available on April 28th, it sees the world in peril once more because Mephisto. You’ll likely be the one to lay the smackdown on him after venturing to Skovos, a scintillating new region full of new points of interest and plenty of demons to scour. Two new classes, the Paladin and Warlock, bring even more unique playstyles and build variety than before, while Blizzard is reworking the Skill Tree, bringing back the Horadric Cube, and more. Maybe this will be the release that finally elevates Diablo 4 to the next level. We can only hope.

MOUSE: P.I. For Hire

What if you combine the rubber-hose animation of Cuphead with boomer-shooter-like gameplay? You get MOUSE: P.I. For Hire, a hard-boiled noir adventure focused on Jack Prepper, as he investigates a missing persons case and ends up discovering more than he bargained for. The slick hand-drawn animation is undoubtedly the appeal, as it brings Mouseburg to life in astonishing detail. Of course, this is a shooter as well, with weapons ranging from the grounded – pistols, shotguns, machine guns – to the wacky like freeze rays, corrosive turpentine and more. It’s out on April 16th and promises 12 to 20 hours of gameplay for $30.

Pragmata

Moon’s haunted, but instead of ghosts, there are homicidal robots out to get you. Launching on April 17th, Pragmata isn’t a Resident Evil-style survival horror – it’s the journey of Hugh, investigating a lunar base after lost contact and becoming swept up in the robot uprising. Together with the android Diana, he seeks a way out, providing the firepower while she hacks through an enemy’s defenses. The twist is that you have to do both simultaneously, creating a mix of puzzle-solving and tense shooting. It’s unlike anything we’ve seen before, and after the demo, we only want more.

Saros

Death is only the first step in Housemarque’s latest, and protagonist Arjun Devraj has miles to go before he can sleep. Investigating Carcosa for any sign of previous Soltari expeditions, he and his crew are caught up in the Eclipse, which twists the planet’s surface, culminating in the sun’s death. And yet, death won’t let them escape. Cue close encounters with tentacled monstrosities, discovering new weapons and clues that could help. And while Saros leans much further into rogue-lite progression than Returnal, it’s also expanded on the bullet dodging with a new shield that lets you absorb some damage and send it back with a vengeance. Saros arrives on April 30th, and even if you haven’t played its predecessor, it’s looking like another killer PS5 exclusive.

Invincible VS

Seemingly addressing the lack of 3v3 fighters, Quarter Up’s take on the brutal superhero epic packs 18 playable characters – including favorites such as Invincible, Omni-Man, BattleBeast, and of course, Conquest. And if the prospect of different classes, active and counter tags, and rollback netcode for online play doesn’t interest you, there’s a story mode to experience every bloody skirmish. It’s available on April 30th for Xbox Series X/S, PS5, and PC.

Spark in the Dark (Early Access)

As typical of a dungeon crawler as Stellar Fish’s latest title appears, there’s an inherent charm and grittiness to Spark in the Dark. Maybe it’s the isometric perspective or more methodical pacing, coupled with how inherently dark the endless Dungeon appears (which makes it all the more scary when monsters show up). It’s available on April 7th via early access and only includes the initial tiers of the Dungeon, but we’re keen on plundering its depths.

MotoGP 26

Credit where it’s due to Milestone, as this will be its third consecutive racing game in three months. MotoGP 26 is all about the thrill of competitive bike racing at the highest level, although you can opt between Arcade and Pro Experiences to determine the difficulty. With an in-depth career mode, cross-play between all platforms (Nintendo not included, sadly), and new disciplines like Minibikes, Flat Tracks, Production Bikes, and more, this could be the series’ most feature-packed entry yet.

WILL: Follow the Light

Cropping up more than once during Steam Next Fest and impressing with its visuals, WILL: Follow the Light is a hard-hitting adventure focused on a seemingly simple goal: Returning home. It’s far from easy, however, as Will must brave islands, mountains and even the sea to reach his hometown and save his son. Puzzles and environmental storytelling abound, but it’s all about the atmosphere and how deep you’ll go to learn the truth. WILL: Follow the Light launches on April 28th for PC.

Kiln

Listen, I’m not saying this is exactly what I expected from Double Fine, which has delivered some of the finest platforms to date. But Kiln is…curious in a way that fits the developer’s profile. After all, what other multiplayer title invites you to become a pot, finely sculpted by your hands and scuttling off into an arena for some ceramic destruction? The fact that a pot’s design influences its playstyle is even more intriguing. Whether it figuratively blows up or not, Kiln is out on April 23rd for Xbox Series X/S, PS5, and PC.

Gorgeous 2.5D Pixel Art

Replaced doesn’t just hit you with its art style – it is its art style, but not just because it’s exquisitely crafted 2.5D pixel art. Or even that it’s inspired by titles like Flashback, Another World and The Last Night (which is still MIA). There’s a sense of style and atmosphere that is the most fitting evocation of Blade Runner yet. It’s cinematic (and very often cinema), whether you’re nervously running through abandoned buildings, avoiding being blown up by psychotic Termites, or casually strolling through a busy marketplace, taking in all the little details.

Alternative 1980s Setting

Where it all goes down isn’t necessarily as important as when. It’s the 1980s, but an alternative timeline where nuclear disaster has reshaped the United States. The Phoenix Corporation has emerged in the aftermath, promising jobs and hope, but also conducting some shady experiments (as is expected from any megacorp in the future). R.E.A.C.H., an artificial intelligence, is seemingly one of them, having been trapped inside Warren’s body and escaping from the corporation’s clutches to Phoenix City, which is confined within The Wall. To what end?

AI and the Meaning of Humanity

You would have to think that R.E.A.C.H. wants to undo this whole mess because he’s not very good at acting human. Nevertheless, he tries, and while the meaning of being human is a core theme, developer Sad Cat Studios is also keen on exploring the dark turns that A.I. usage can take, especially when it comes to bio transplantology, namely replacing damaged organs and tissues through various means. Kind of gives a whole new dimension to the name “Replaced”, doesn’t it?

Cinematic Platforming

Like all those previously mentioned classics, Replaced involves platforming. There’s a sense of weight to R.E.A.C.H.’s movement, at least based on the recent demo, as he leaps across gaps, swings from bars and climbs up ledges. However, it’s less precision-focused and more cinematic with the cinematography, lighting, and overall atmosphere coming into play, especially when it comes to the…

Realistic Level Design

As director Yura Zhdanovich and composer Igor Gritsay told us, the goal with the environmental design is to keep them grounded – not just to accommodate the game’s cinematic feel but also from a setting standpoint. It’s not unlike what you would see from titles like Inside, but keeping to more realistic scenarios, as the art direction does a lot of the heavy lifting, bridging the gap between the surreal and the depressingly life-like.

Free Flow Combat

Of course, running through these gorgeous levels is only one component of Replaced’s gameplay. The other is combat, and Batman: Arkham fans rejoice, because it’s a clear nod to the glorious days of Free Flow (except on a 2.5D plane). You can seamlessly transition between enemies, hitting faster if you remain unscathed, and countering when necessary.

The Huxley

The Huxley is R.E.A.C.H.’s handgun, and it progressively builds charge as you smack enemies around. When fully charged, it can take down an enemy in one strike, and even works at range, making it ideal against gun-toting threats. Hanging back or rolling around too much means losing any charges. So on the one hand, you need to keep swinging, but on the other, also dodging to avoid the heavier hits. There’s a rhythm and flow here which feels good, and where R.E.A.C.H.’s weightiness feels the most appropriate.

Pickaxe and Heavy Strikes

One function that isn’t available in the demo is the Heavy Strike. It’s tied to the mechanized pickaxe that players unlock later, and is required to break through armored foes to hit them where it hurts. This is the only other tool that we currently know of, but it’s not just for combat – the pickaxe also adds in traversal, specifically wall-climbing. Perhaps even opening up previously locked-off areas?

Huxley Upgrades

The Huxley can also receive some upgrades to unlock more combat options, like deflecting bullets, and much like the pickaxe, it also provides a unique non-combat function (specifically double-jumping, and no, I don’t know how to reconcile the two). You would have to think that deflecting is better than wasting shots for takedowns, or that it would help in building weapon charge, but we still need to wait and see how it feeds into the overall combat loop.

Exploration and Dialogue Choices

The third and arguably most important aspect of Replaced? Exploration. We’re talking about entering the Station in Phoenix City and simply walking around, mingling with its residents to learn more about the world, their plight and what to do next. There’s a lot to see – especially lore entries that outline just how thoroughly everything’s gone to hell – and dialogue choices when conversing with the likes of the Council, even if it’s just to inquire about their backgrounds.

Side Quests

You’ll also take on side quests, and while they don’t currently offer much beyond “go collect and deliver things,” there are some notable NPCs to meet. Like Susan, who stays in the arcade and won’t give R.E.A.C.H. her binoculars if he doesn’t find a rectifier to help repair one of the broken machines. Thus, he sets out to find a ticket machine and, in true A.I. fashion, rips out everything and hopes one of the components is what she’s looking for.

Playable Arcade Games

Funnily enough, Susan won’t part with those binoculars, even if you help her fix the machine. Instead, she invites you to beat her high score, which confirms yet another distraction: Arcade mini-games. Described by IGN as a mix between Crazy Taxi and Operation, it’s pretty straightforward. Whether other such games exist is unknown, but seeing R.E.A.C.H. in all his hulking glory in this kind is…unorthodox, to say the least.

Stealth and Hacking

We’ve seen a bit of the stealth mechanics, which mostly comprise crouching behind objects to avoid detection (and a high-powered explosive shot to the face). However, another later scenario involves mixing in with crowds to avoid detection, not unlike the old-school Assassin’s Creed titles. Hacking also comes into play as a dedicated mini-game, especially when having to manipulate traffic lights.

Average Playthrough Length

Despite everything that Replaced has to offer, the development team isn’t “forcing side-content” on players. An average playthrough will take about eight hours, but going out of your way for optional content will bump it up to 11 to 12 hours. It’s about as expected, especially for a finely-honed experience that blends cinematic platformer with tense combat, and we can’t wait to see where the story goes.

Xbox Series X/S Performance and Minimum PC Requirements

Sad Cat Studios touts the game as “rather heavy graphics-wise,” but those on Xbox Series X won’t have to worry, as it runs at 4K and 60 FPS. Series S owners can expect 1440p resolution and the same frame rate. And while recommended PC requirements have yet to be confirmed, the minimum demands a Core i5-8400, 16 GB of RAM, a GTX 1060 with 6 GB VRAM and 8 GB of installation space.

Of course, it depends on the side content, especially since the developer isn’t “forcing any” on players. “We’re not forcing any side content on players, so it really depends on your playstyle. I would say that the average might be around 8 hours, and 11-12 if you’re really searching for optional stuff.”

At the time of our interview, the team was “still in the process of final polishing (the game is rather heavy graphics-wise),” but the goal is to lock the resolution and frame rate on Xbox Series X to 4K/60 FPS. Xbox Series S players can look forward to 1440p/60 FPS gameplay if everything goes well.

You have to wonder, though – why didn’t Sad Cat Studios consider releasing on PlayStation 5? “When we first started developing Replaced and speaking to the various platform partners, we decided to launch it as an Xbox-first and Game Pass title as we felt this was the right fit for us.” When asked about Nintendo Switch 2, however, the developer said, “We can’t confirm any additional platforms at this time.”

Given the length of the development process, especially with challenges like Russia’s invasion of Ukraine, it’s not unreasonable for the studio to focus on the currently announced platforms. If Replaced ends up successful, perhaps it will have more resources (and demand) for other versions.

In the meantime, it’s available on April 14th for Xbox Series X/S and PC. Check out the latest extensive gameplay here, which sees R.E.A.C.H. arriving at the Station and meeting up with its various residents, including the Council and Susan, who runs an arcade.

Replaced has a striking art style. What were the biggest inspirations behind this look, and how did you translate those influences into the final visual direction?

While the artstyle of Replaced is not particularly new, we have been hard at work combining different approaches and experimenting with what works and what doesn’t when it comes to 2.5D pixel-art. With notable, recent inspirations being games like Octopath Traveler and The Last Night, we have obviously been inspired by classics like Flashback and Another World as examples of more grounded approaches to making a sidescroller.

"We have been hard at work combining different approaches and experimenting with what works and what doesn’t when it comes to 2.5D pixel-art"

Going beyond the pixel art aesthetic, we have also gathered quite a lot of knowledge from games that do completely different visuals, while driving for a more cinematic feel. The likes of Limbo, Inside, Deadlight and other games that have been praised for their general atmosphere, lighting or camerawork.

And how can we forget Disney’s Hercules for PSX? Total next gen 2.5D!

What are the core themes you are exploring in Replaced, and how important is the presence of AI to the story given the current state of the world?

The main topic of our story is “what does it mean to be a human?”. AI is always present in some shape or form in the context of the cyberpunk/retrofuturistic genre, so it was just a means to explore this topic within a setting that we adore. For us, being relevant in terms of news agenda was never the point, since we started the development of Replaced much earlier than the current AI boom has happened. Our own reality is much more bleak and mundane in terms of actual problems that have arisen due to AI overuse. Meanwhile in Replaced, we wanted to explore AI usage gone wrong when applied to a much more complex task – that of biotransplantology – and the societal consequences this may have.

How do you approach the balance between combat and exploration across the full experience?

Even though our game is heavily focused on a cinematic and atmospheric component, we still have quite a bit of combat encounters, which tend to get progressively harder towards the end of the game. It’s not our goal to be hardcore, so at one point we had to lessen the difficulty of late combat encounters.

It’s important to have an internal sense of rhythm so that one part of the game ends at the right time, leaving room for the next one.

"The main topic of our story is “what does it mean to be a human?”."

As players progress, what kinds of new moves or abilities will they unlock, and how do these additions change the flow of combat?

We have several gadgets that players will obtain during their playthrough. Most of them have dual purposes for both combat and platforming. For example: the mechanized pickaxe destroys enemy’s armor, but it also allows you to climb walls. Or, let’s say, one particular pistol upgrade allows you to deflect enemy’s bullets while in combat, but during platforming it grants you a double jump ability.

Replaced has been described as a cinematic action platformer. What does that mean in practical terms, and what sets it apart from more traditional platformers?

It mostly comes down to the amount of pain in the butt that we have to overcome while developing it! The main difference is the way the story is connected with the gameplay. All the camera work, VFX, overall cinematography – this is something that is usually not present in traditional arcade platformers.

The second main difference is level design: level structure and design can be absolutely abstract and random in classic platformers. In a cinematic platformer we have to make level design believable: we have to incorporate all platforming elements in a 2D manner, while keeping the surroundings grounded, as if this is something that could happen in real life.

What is the intended balance between melee and ranged combat, and is there a preferred style you expect most players to lean on?

We’re locked within a 2D framework, so our main focus is melee combat. Ranged combat is a part of core combat, but it’s mostly a method of getting rid of the most annoying enemies. Our game rewards aggressive playstyle. Your gun charges when you hit enemies. If the player is being passive and rolls a lot, they will lose gun charge. And since the Huxley (the name of the gun) is your most powerful option in combat, you really want to keep it charged. The protagonist – R.E.A.C.H. – also gets progressively faster in his attacks if you chain a combo without being hit or without being passive for too long.

"Ranged combat is a part of core combat, but it’s mostly a method of getting rid of the most annoying enemies."

The lighting in the trailers and screenshots stands out a lot. How did the team achieve that look, both artistically and technically?

Lighting is the core component of any cinematic scene, and with Replaced the goal has always been to make the game look and feel as cinematic as possible throughout the whole experience. To make it look like it does in the videos and screenshots, while running decently on the lower-end hardware, we have spent a lot of time developing our own Scriptable Rendering Pipeline for Unity, combining some of the great visual features and post processing effects found in Unity’s HDRP with the tailored performance optimizations specific to our game.

After that it’s all about carefully planning out the scenes to not only support the game design needs, but also have space for dramatic lighting opportunities, all while navigating the peculiarities of this particular style.

Roughly how long is the game expected to be, and how much optional content is there for completion focused players?

We’re not forcing any side-content on players, so it really depends on your playstyle. I would say that the average might be around 8 hours, and 11-12 if you’re really searching for optional stuff.

Is there a specific reason Replaced is not coming to PS5?

When we first started developing Replaced and speaking to the various platform partners, we decided to launch it as an Xbox-first and Game Pass title as we felt this was the right fit for us.

"We’re not forcing any side-content on players, so [the game’s length] really depends on your playstyle."

What resolutions and frame rates are you targeting on Xbox Series S and Xbox Series X?

We’re still in the process of final polishing (the game is rather heavy graphics-wise), but we hope that we can lock it at 4K/60 for Series X and 1440p/60 for Series S.

Do you have plans to bring Replaced to Nintendo Switch 2?

We can’t confirm any additional platforms at this time.

He meets up with Susan, who stays at the local arcade while her mother works in the mines. After some small talk and R.E.A.C.H. revealing his need for binoculars, she offers to think about it if he can retrieve a rectifier. Eventually, he meets up with the Council, headed by the Matriarch and Ironwood, after a tense conversation with Tempest.

While keen to help, R.E.A.C.H. is advised to explore the Station as she finishes up some other work. Throughout all of this, players can engage with various NPCs and select dialogue choices, whether it’s learning more about Ironwood or what Tempest meant about Prospero. Shortly after meeting with Tempest, R.E.A.C.H. discovers some electrical components and returns to Susan.

Unfortunately, she isn’t giving up the binoculars yet, instead inviting him to beat her high score in an arcade mini-game. There isn’t really any combat, but this entire walkthrough highlights the sheer attention to detail, whether it’s the bustling marketplace or the dim glow of the arcade’s neon signs.

Arriving on April 14th, Replaced will be available for Xbox Series X/S and PC. Check out this overview trailer for more details.

“As a small team working on our very first title, we’ve poured everything we have into this project,” wrote Sad Cat Studios on Steam. “While the game is technically finished, reaching this final stretch has shown us that we need just a few more weeks to ensure the experience is exactly what you deserve. We want the version of Replaced you play on day one to be polished, stable, and true to the vision we’ve shared with you.”

It also addressed the reaction to its Steam demo, and while “nerve-wracking” to release, “Seeing your gameplay, reading your reviews, and hearing your excitement has been overwhelming in the best way possible. We are constantly reading your comments, and that feedback is helping us make the final tweaks that will make the full game shine.”

“We are super close to the finish line, and we can’t wait for you to experience the final results of years of hard work.”

Looking back on its initial announcement from E3 2021, Replaced has definitely come a long way. The graphical style has evolved into something truly stunning, but it’s also worth noting the real-world issues that Sad Cat Studios faced during development. Based in Ukraine, it saw numerous setbacks due to Russia’s invasion in 2022. Of course, the team has also insisted time and again that it doesn’t want to “release a sub-par game.”

The current demo offers a very small slice of the game, introducing players to R.E.A.C.H., an AI developed by Phoenix Corporation, suddenly trapped in a human body. Escaping confinement to Phoenix-City, players take on hostile bandits while coming to terms with this alternate 1980s America.

Its exploration and platforming are pretty straightforward, and you can also get a feel of the Free Flow combat, inspired by the likes of Rocksteady’s Batman: Arkham series. Of course, there’s a lot more to look forward to, including free roam and taking on requests from other NPCs.

Replaced will be available for Xbox Series X/S and PC on release alongside Game Pass. Stay tuned for more updates leading up to its new release date.

Following the AI R.E.A.C.H., which suddenly ends up in a human body, you’re on the run from the Phoenix Corporation, venturing into Phoenix-City. But despite the 1980s setting, this isn’t the United States that many would know. Due to a nuclear catastrophe, a third of the country has become uninhabitable, and Phoenix-City is full of bandits, slums, and other horrors that players must combat.

Not that R.E.A.C.H. is helpless by any stretch. Replaced offers Free Flow Combat akin to the Batman: Arkham titles, but on a 2.5D plane. You can dodge bullets, counter blows, and effortlessly chain attacks on foes. There’s even a sidearm for executions, be it from afar or up close. Of course, there’s a lot more to the gameplay, including platforming and puzzle-solving. You’ll even encounter various side quests and requests in a location to complete.

Arriving nearly five years after its initial announcement, Replaced has evolved significantly, especially with the gorgeous art direction. It will be available on March 12th for Xbox Series X/S and PC alongside Game Pass.

Forza Horizon 6

Forza Horizon 6 looks set to continue Playground Games’ mastery of open-world racing, building on one of the most consistently polished franchises in the genre. Set against the gorgeous backdrop of Japan, Forza Horizon 6 takes players across an even more dynamic map, deeper seasonal systems, and expanded social features – and of course, plenty of race events. With stunning visuals and an ever-growing roster of cars, Forza Horizon 6 feels like a dream of motorheads come true.

The Blood of Dawnwalker

You’re not the only one pointing at the screen, DiCaprio-style, thinking, “That’s very Witcher-esque” (and for good reason, given Rebel Wolves’ experience on The Witcher 3). Nevertheless, the dark medieval tidings of Vale Sangora provide a starker contrast in terms of day and night, as Coen walks between the two to save his family. So while the lighting and shadows look technically robust, the contrast and how it weaves into your playstyle and decisions further sweetens the deal.

Control Resonant

You would think Remedy has nothing to prove with its visual work, and yet, here’s the development team taking its brutalist architecture, surreal, spooky lighting and stellar art direction into the wider world. Beyond looking like a sleek hack-and-slash title with even more mind-boggling enemy designs, Control Resonant feels leagues trippier than the original, and we can’t wait to see more.

Resident Evil Requiem

Everything showcased thus far has led to this moment. The sheer attention to detail, from the hair physics and skin textures to realistic sweat – not to mention the dynamic lighting and shadows – make for one heck of a survival horror showcase. And yet, there’s still so much more to see, including Leon’s sections, which have been rumored to offer larger environments compared to Grace’s more confined, claustrophobic, and harrowing sections. Thankfully, with less than two months before release and a showcase coming up, it’s only a matter of time.

Marvel’s Wolverine

As with Ratchet and Clank and Marvel’s Spider-Man, it isn’t about Insomniac’s tech so much as how it’s used. Thus, we get hyper-detailed arm hair (a vital component of Logan’s character, as any fan will tell you), immaculate reflections off those adamantium claws, and only the finest blood spatters in Marvel’s Wolverine. That’s not even mentioning the environmental destruction and interactivity, whether it’s breaking through market stalls or launching enemies into lava.

Beast of Reincarnation

Seeing this after experiencing nothing but Pokémon from Game Freak may be somewhat of an eye-opener for fans, even more so because it looks incredibly sleek. Weathered rusting textures on robots, stylish executions, a relatively calm yet foreboding post-apocalyptic setting with impressive shrubbery – it’s almost surreal, especially with how rapidly environments can change. Suffice it to say, this is probably the studio’s best-looking effort to date, and we’re intrigued to see more.

Ontos

What would a Frictional Games title be without masterful usage of lighting and shadows? Look no further than Stellan Skarsgård’s character illuminated against a chandelier, the warm ambience prevalent throughout the reception area. Of course, being a spiritual successor to Soma also means plenty of not-so-warm and fuzzy sights. Realistic skin tearing. Reality fractures. You get the drill. It all works in unison to deliver a terrifyingly surreal experience.

Tomb Raider: Legacy of Atlantis

You wouldn’t ordinarily geek out over an Unreal Engine 5 remake, but Crystal Dynamics and Flying Wild Hog have pulled off something incredible with Legacy of Atlantis (that too based solely on pre-alpha footage). Returning to where it all began for gaming’s most illustrious heroine, the remake offers gorgeously detailed shrubbery and architecture along with an incredible sense of scale. Plus, there are all the little details, from realistic dirt markings to Lara’s signature animations, which look better than ever.

Saros

“Spiritual successor to Returnal” may as well sound more like “the same bullet hell action you loved before, but with more fleshed out rogue-lite mechanics.” And honestly, I’m fine with that, given the original’s addictiveness. In the graphics department, however, Saros is going beyond the usual “tentacle technology” and offering rigid-body simulation for its many, many bullets alongside reactive lighting and layered dynamic particles. Even the narrative side benefits from improved cinematography, more cutscenes with additional motion capture, and better facial animations.

Gears of War: E-Day

The Coalition has yet to share any more footage beyond that trailer in 2024, but it’s certainly hyping up the prequel to a ridiculous degree. Remember Gears 5, considered one of the best-looking games of the last generation? E-Day will feature “over 100 times more environmental and character details” by comparison, and, oh, ray-traced lighting, shadows and reflections as well. That’s not even including the revamped destruction or new animation tech, with everything “completely rebuilt in Unreal Engine 5.” Say what you will about how other studios have handled the engine, but with The Coalition in charge, this could very well be an “unrivalled visual experience.”

Grand Theft Auto 6

The sheer number of NPCs in some shots, each with their own detailed animations and skin textures; the rendering distance, especially on those stunning aerial shots; the facial animations, which deliver as much on the subtlety – I could go on and on about Grand Theft Auto 6’s visual brilliance. And that’s based on just two trailers. Even if we get a more detailed gameplay walkthrough in the months ahead, it will only scratch the surface of what could be one of the best-looking games of all time.

007 First Light

Ignore the copious amounts of motion blur during its PS5 gameplay – IO Interactive’s next is a stunner, and that’s saying something given its experience with the Hitman franchise. The young pre-007 Bond’s global traipse isn’t just about gorgeous, guest-packed locales or high-speed chases across scenic landscapes. It’s about sneaking past guards, leveraging the environment to your advantage (thus highlighting the impressive particles and alpha effects). It’s also very much about those explosive set pieces, where intuition pays off as much as aggression. Whether you’re in it for the sights or action, 007 First Light certainly doesn’t disappoint.

Phantom Blade Zero

There’s something about the atmosphere that feels distinctly Souls-like. Perhaps it’s the desolate buildings of Pang Town, the desaturated colors in certain places or the fantastical yet realistically rendered enemies. Regardless, Phantom Blade Zero’s sleek animations and lightning-fast combat quickly showcase its action RPG chops, and it’s certainly shaping up to be a peak “kung fu-punk” experience.

Yakuza Kiwami 3 and Dark Ties

You have to hand it to RGG Studio – beyond simply remaking a classic Yakuza, it’s also delivering a brand new experience focused on one of the more popular villains in the series. And as usual, it’s not skimping in the visual department, revamping the character models and environments in the Dragon Engine, which still holds up to this day. Perfect for losing a tidy hundred hours or so while admiring the sights.

Crimson Desert

Speaking of getting lost in a world for a hundred hours, perhaps even more, this long-awaited open-world fantasy action RPG. Pywel has drawn us in so deeply, brimming as it is with expansive mountain ranges, dense forests with extensive foliage and seemingly endless plains (not to mention the mysterious floating islands). And if that’s not enough, maybe that giant mecha dragon fight will win you over.

Onimusha: Way of the Sword

An Onimusha revival has been way overdue, and thankfully, Way of the Sword isn’t just coasting on its looks. Which is a way of saying that it looks fantastic, capturing the dark fantasy atmosphere of previous titles while reinventing just how disturbingly detailed the Genma can be. Otherwise, everything you could want from an Onimusha title – from a charismatic protagonist to sleek-looking sword combat – is here, and backed by phenomenal-looking effects and animations.

Replaced

I could regale you with Sad Cat Studios’ long journey and developmental challenges, especially being based in Ukraine. Or even how Replaced is operating on a completely different level when it comes to pushing the boundaries of 2.5D pixel art, but a single comment on its release date trailer says it best: “Every scene is wallpaper worthy.” With how long it’s been in development, we’re keen to admire every hand-crafted animation, every harrowing chase sequence, and every single downer aspect of this alternate history USA.

Fable

As much renown as Playground Games has received for Forza Horizon, there’s been a healthy amount of skepticism for Fable, due to the long development cycle and delays. On the bright side, the graphics, as showcased last year in new pre-alpha footage, are shaping up well enough, capturing that fairytale aesthetic while looking technically sound. 2026 could finally be its year – all we need now is solid confirmation (and some more gameplay as a treat).

Fatekeeper

Paraglacial’s debut first-person action RPG skipped straight from having our interest to commanding our attention after its initial trailer. This level of environmental fidelity from a team of 12, with outdoors that shine with realistic foliage and indoors brimming with mood lighting and crazily detailed beasts, is something to behold.

Valor Mortis

In the same vein is One More Level’s next first-person title, which is a Souls-like and can hurt you. Instead of the cyberpunk tidings of Ghostrunner, Valor Mortis opts for an alternative 19th-century Europe where the plague runs rampant. However, there is a distinct beauty on display, almost like the alpha effects, environmental textures and desiccated trees combine into a painterly aesthetic. Don’t even get us started on the bosses and enemies, which can vary from sleek to downright disturbing in their makeup.

Pragmata

With how long it took to nail the unorthodox gameplay loop, which boils down to “hack-and-shoot”, hilariously enough, Pragmata didn’t have to look this good. Yet, here we are, with Diana’s hair animating so realistically that the tech made it into Requiem. Of course, there’s plenty else to love in terms of the sci-fi leanings of this hostile lunar base and the sheer detail of enemies, right down to their exposed machinery with each successful hack. If Onimusha showcases the past and Requiem the present, then Pragmata is an incredible showcase for the future.

Directive 8020

While it isn’t the developer’s first foray with Unreal Engine 5, Directive 8020 feels like Supermassive has become more comfortable with the engine. Consolidating the tense journey of survival on the Cassiopeia with the studio’s signature narrative approach, it showcased some stunning alien flora, meticulously detailed body horror, and, of course, incredible use of lighting and shadows. That’s alongside the fantastic facial animations.

Nioh 3

With everything that Team Ninja has done in the past several years – the larger environments of Wo Long, the open world of Rise of the Ronin, the dark fantasy feudal setting of Nioh – it was only a matter of time before it combined them. Thus, we have Nioh 3, with its open field (not open world) levels that impress as much with their draw distance and foliage as they do with the Yokai roaming about. Maybe you won’t notice all this much in the heat of combat, but they’re stunning all the same.

Ride 6

Despite lacking the budget of a Polyphony Digital or Playground Games, Milestone’s Ride series has quietly carved its own niche in terms of realistic racing visuals. Launching this February, Ride 6 ups the ante even further with Unreal Engine 5, delivering more true-to-life tracks and motorbikes (even if the character models could use some more life).

The Duskbloods

I’m not sure if it’s FromSoftware’s art direction doing the heavy lifting, but The Duskbloods is sporting some impressive details. Between the monstrous bosses and dilapidated environments is some truly impressive architecture, even more so on the Nintendo Switch 2. It may not boast an Elden Ring-style scale, but for its PvEvP needs, this is shaping up into another visual masterpiece for the studio.

Marvel 1943: Rise of Hydra

Despite a delay past early 2026, Skydance New Media’s debut title hasn’t been ruled out for this year, which is good news. We’ve yet to see much beyond the gorgeous cinematics, which set the stage for Captain America and Black Panther to team up in WW2 Occupied Paris. However, if anyone can deliver a blockbuster action-adventure experience, it’s Amy Hennig and her crew.

Squadron 42

Give it up for over $1 billion in funding for Star Citizen, with a full release still years away. But Squadron 42, the single-player-focused title, is seemingly out this year (multiple delays notwithstanding). For all the controversy, it still looks good, and the thought of an epic space opera with over 70 missions and an all-star cast is too good to pass up. Now let’s see if it actually sticks to its deadline this time.

Ace Combat 8: Wings of Theve

Credit where it’s due for Unreal Engine 5 – the planes in Ace Combat 8: Wings of Theve have truly never looked better. Then you have the prospect of multi-layered cloudscapes for some of the most dynamic sky battles yet. Even the character models and cutscenes are a massive step up, adding so much more to the realism – a far cry from the days of JPEG dog.

Halo: Campaign Evolved

Beyond the micro-stutters in its first gameplay, Halo Studios’ second remake of the FPS classic isn’t looking too shabby. The revamped cinematics look stunning; the Covenant animate so well while staying true to the original; the texture work is sleek; and the weapon models look great. There are still plenty of doubts to be had, but at least on a visual level, Halo: Campaign Evolved is looking the part.

Arknights: Endfield

Gorgeous games aren’t exactly uncommon in this day and age, especially with stand-out efforts like Where Winds Meet and Wuthering Waves. Arknights: Endfield joins those ranks, and despite offering multiple zones instead of a true open world, the clean sci-fi aesthetic meshes so well with the extensive greenery on Talos 2. And as much praise as the character designs have received, the otherworldly Aggeloi aren’t far behind.

Forza Horizon 6

Like Gears of War: E-Day, once again, is there really any doubt that this will be a visual experience unlike any other? It’s not just because of Playground Games’ fantastic run of quality with the series, but also how it’s approaching the depiction of Japan. Tokyo City will, naturally, be one of the studio’s “most detailed and layered environments to date,” but it’s the subtleties, be it the wind bells signaling the arrival of Summer, or the calm energy permeating the atmosphere, that really have us excited. Couple that with this being the studio’s “biggest” and “most full” map yet, and Forza Horizon 6 could very well set a new benchmark for the genre.

Control Resonant

Remedy’s long-awaited sequel offers a complementary inverse of everything we knew about the original Control. Instead of a singular paranatural building, it’s the city of Manhattan with all its open zones and branching pathways. Rather than the Service Weapon, players use the Aberrant, a melee tool for up close combat. And rather than Jesse Faden, it’s her brother Dylan, who seeks redemption. Whether it can live up to the original’s weird ambitions remains to be seen, but for now, Control Resonant has our attention.

Nioh 3

Speaking of going beyond the confines of its predecessors, we have Team Ninja’s next entry in its challenging action RPG series. Beyond traveling through various eras of Feudal Japan and battling Yokai, switching seamlessly between Samurai and Ninja styles, and exploring gigantic open field (not open world) levels, there’s a lot to unpack. Nevertheless, in terms of fast-paced Souls-like combat, it could be the game to beat in 2026 (and then grind away endlessly for those perfect rolls).

Tomb Raider: Legacy of Atlantis

Lara Croft finally returns, and while a proper Tomb Raider sequel is set for 2027, 2026 is going back to the beginning (yes, again). More of a reimagining of the first title in Unreal Engine 5 rather than a remake, it sees the intrepid archaeologist venturing to familiar locations to hunt for artifacts of power. Of course, the usual hallmarks of such titles are promised from re-envisioned locales to modern gameplay elements, and we can’t wait to dive in.

Yakuza Kiwami 3 and Dark Ties

The remakes keep coming, and they don’t stop coming, especially for RGG Studio’s acclaimed Yakuza/Like a Dragon series. Kiwami 3 is one of the bigger earlier games, and fans can look forward to new side stories, additional scenes, and perhaps the most expansive version of the Dragon Style yet. On the flipside, there’s Dark Ties, the tale of Yoshitaka Mine as he goes from a company man to the underworld. Equipped with his own unique boxing style, players venture through Kamurocho and witness Mine’s transformation first-hand.

Reanimal

If the world suffered a terrible cataclysm, would you venture forth to save your friends, despite all the horrors that await? Tarsier Studios asks this in its next co-op platforming, which offers both online and local multiplayer support. Reanimal is perfectly playable solo, as you control two siblings, navigating a handful of islands, completing puzzles and sneaking around to evade a terrible fate. Its atmosphere is very reminiscent of Little Nightmares (which makes sense since Tarsier developed the first two games), but there’s something distinctly more disturbing, seemingly beneath the surface.

Resident Evil Requiem

Which is a perfect segue into the biggest Resident Evil yet. Between Leon’s reveal, the Porsche, confirmation that he has an equal number of gameplay sections, and so on, there’s a lot to digest. But hey, between the Resident Evil 2-style of survival horror with Grace and Leon taking a chainsaw to enemies’ faces, Requiem is shaping up to be something truly special. It feels like we’re yet to really scratch the surface of its gameplay loop, never mind deciphering all the mysteries, but there’s plenty of time before launch to find out more.

Replaced

After years in development, Sad Cat Studios’ cyberpunk side-scrolling action title is seemingly on track to release. Seeing Replaced evolve from a great-looking 2D title to a stunning work of art has been something, and that’s before witnessing its take on free-flow combat, its version of an alternate 1980s United States, and much more. And while there’s something distinctly sad about the world, the mystery of R.E.A.C.H., as he fights to expose the Phoenix Corporation, proves awfully compelling. Mark your calendars, as Replaced launches on March 12th.

Saros

A 40-day delay to April 30th hasn’t dulled our enthusiasm for Housemarque’s new rogue-lite bullet-hell, especially after the latest trailer. Between the stunning twisted environments of Carcosa and the tension that new characters bring, the action looks as sleek as ever. Even the new monstrosities that Arjun and crew face look as otherworldly as they do terrifying. Of course, as a fan of Returnal, I’m looking forward to more customization, more modifiers, more environmental variety and above all else, more challenging bosses.

Marvel’s Wolverine

The best there is at what he does, but if the first trailer for Insomniac’s next game is any indication, Logan is the best at some very not nice things. Dismemberment, claws through faces – it’s practically a smorgasbord of violence, and we love it. The studio is coy on the narrative, but you’ll deal with some familiar foes like Mystique and Omega Red while battling the Reavers across Canada, Tokyo and Madripoor in an original story. It’s launching in Fall 2026, exclusively for PS5.

Forza Horizon 6

If there’s any title that’s more of a guaranteed hit for Microsoft than a new Forza Horizon set in Japan, well, it has its work cut out. Between promising the “most detailed and layered environment” yet in Tokyo City, its biggest map yet and seasons having a “dramatic impact” on the world, this could be Playground Games’ finest work yet. And that’s without knowing anything about the vehicles – whose selection seemingly follows in Forza Horizon 5’s footsteps – or the activities. Even without its long-awaited setting, Forza Horizon 6 should be an experience to remember.

Fable

On the other hand, there’s the other big open-world project from Playground Games. Announced in 2020, received a 2025 release window, delayed to 2026 – it’s been a long journey for this revival of Lionhead’s beloved RPG franchise. Nevertheless, the latest trailer looked quite incredible while offering a tease of the combat and mechanics we can expect. If Playground can pull it off, then Fable could signal a new era for the franchise. No pressure, of course.

Gears of War: E-Day

Of course, there’s nothing wrong with humble beginnings, especially when it’s the start of the Human-Locust Wars. Set in the aftermath of Emergence Day across multiple days, this prequel promises a return to the horror roots of Gears. It’s also focusing on a linear campaign, seemingly departing from the more open levels in Gears 5, and even promises to explain the Lancer’s origins. Whichever way you slice it, however, this is a new Gears of War during one of the most exciting periods in the series’ history with Marcus and Dominic at the helm. What’s not to like?

Crimson Desert

“Scale” is often important for open-world games, but the developer isn’t simply looking at it from a content perspective. It wants to immerse you in the world of Pywel, whether it’s herding sheep in the countryside, assaulting keeps or venturing to hidden islands in the sky to solve puzzles. It wants you to fight metal dragons and possessed soldiers, lay waste to massive creatures, and even pilot your own steambot mech to slay foes. That’s not even getting into the combat and its intricacies, from the magic and combos to the throws and weapons. Simply put, Crimson Desert is looking to deliver an unforgettable experience, and after years of waiting, we can’t wait to dive in this March.

007 First Light

A Bond before he earned the numbers, in a globe-trotting adventure where charm and panache clash with brashness and inexperience. If that sounds like a good time – and IO Interactive is certainly winning us over – 007 First Light should be yet another success for the studio. The Hitman-like sandbox nature of environments isn’t confined to stealth, however, as you’ll be running, gunning, punching, bluffing, driving, and gadget-wielding to complete objectives. So much more than the sum of its parts, but each enticing in its own right – that sounds like the Bond franchise we know and love.

Grand Theft Auto 6

With every passing year, this feels ever so closer and yet, so far away. Maybe it’s the cycle of hype that’s threatening to engulf us. Perhaps it’s the fact that this is the first new Grand Theft Auto in a decade. Regardless, after two major delays, we don’t simply want GTA 6 – we need it. We need to dive into the gorgeous open world of Leonida, from its gorgeous archipelago to its mosquito-filled swamps. We need to become embroiled in the drama between Lucia and Jason, and see whether this is another Bonnie and Clyde scenario waiting to happen. More than anything, we need to walk the streets and take in the environments, the NPCs, everything and just get lost. Hopefully, 2026 is finally the year.

The Duskbloods

A FromSoftware PvEvP title exclusive to Nintendo Switch 2 wasn’t on anyone’s list, but it is FromSoft, after all, and it’s nothing if not adventurous. As Bloodsworn, players battle each other as humanity dies. Or, they team up – really, it depends on your character’s defined destiny. With more than a dozen to choose from, each with unique tales and abilities, The Duskbloods feels like an evolution of Nightreign, but it’s its own unique thing, and that should prove more than enough when it eventually launches in 2026.

Marvel Tōkon: Fighting Souls

Captain America, Spider-Man, Iron Man, Ghost Rider, and many more are battling it out in a new Marvel tag fighter – admit it, you never thought we’d see the day. Of course, with ARC System Works at the helm, Marvel Tōkon isn’t just trying to capture the glorious days of Marvel Super Heroes. It features 4v4 combat, wall breaks, stage transitions, a single health bar for the entire team and a uniquely anime-esque art style. Baffling? Sure, but thus far, it’s been looking better and better – now all we need is a release date.

Invincible VS

In the meantime, there’s another comic book fighter that we’re keen to dive into – one that embraces all the blood and guts that define the IP. Invincible VS includes all popular heroes and villains, from Robot, Atom Eve, and Battle Beast to Omni-Man, Invincible and even an original addition in Ella Mental. With rollback netcode, 3v3 fights and a dedicated Story Mode, it’s slotting into a more traditional tag fighter role, and that’s perfectly fine. For $49.99, it should prove a fun alternative to Marvel Tōkon.

Lego Batman: Legacy of the Dark Knight

With Rocksteady’s next Batman coming who-knows-when, it’s on Traveler’s Tales to step up and become the hero that Gotham needs. That said, it seemingly blew away expectations with LEGO Batman: Legacy of the Dark Knight. A massive open world version of the city, complete with gliding, an assortment of Bat vehicles, free flow combat and multiple playable characters (that too, better written than Gotham Knights)? The homage to the Dark Knight’s history while telling an original story is also incredibly exciting.

Lords of the Fallen 2

After its surprisingly compelling sequel/reboot offered up some solid Souls-like gameplay, CI Games’ sequel aims to go even further. Bigger stakes with the Umbral on the verge of consuming the human world; more build variety across numerous playstyles; bigger bosses with some admittedly cool-looking designs; and, of course, more death. We’re certainly keen to see how it evolves on the original, but for now, Lords of the Fallen 2 could be yet another dark horse for the company.

Pragmata

If you’re noticing a theme with 2026, it’s that it marks the arrival of several games that have been in development for years. Among all of them, Pragmata is perhaps the most intriguing, announced in 2020 and suffering several delays for the sake of nailing its gameplay loop. While the third-person shooting and real-time puzzle solving are excellent (as showcased in the new demo), the entire premise is still full of mystery. At the very least, it looks downright gorgeous, and we’re intrigued enough by the rapport between Hugh and Diana to see how things pan out (and what’s really going on with the Moon).

Onimusha: Way of the Sword

Miyamoto Musashi fears no opponent, but hordes of Genma? That’s a different matter entirely. The fate of Kyoto in the Edo era is still in his hands, however, especially when he’s to bear the Oni Gauntlet. Thus far, the combat with its precise parries and counter-hits has looked incredible, and with an expected playtime of about 20 hours, Way of the Sword should be a meaty yet tightly paced hack-and-slash adventure.

Resonance: A Plague Tale Legacy

It’s kind of surprising that Team Asobo could just drop a trailer for the next Plague Tale and then dip for the next six months without any more details, but here we are. Nevertheless, Resonance is scheduled for this year and promises an altogether different kind of narrative – a prequel following Sophia from Requiem as she seemingly navigates the Minotaur Island’s maze. And while navigating gorgeous environments is par for the course, she’s more equipped for up-close combat.

Halo: Campaign Evolved

343 – er, Halo Studios is back with a new – er, remake of the first Halo. Ignoring the fact that we’ve seen this song and dance before, because Halo: Campaign Evolved is genuinely pushing the graphical envelope. From character models and revamped cutscenes to awesome-looking environments, it’s not as bad as the first Unreal Engine 5 title. Of course, much remains up in the air – like those prequel episodes with Chief and Sgt. Johnson – but with a solid campaign, four-player co-op and the series’ debut on PlayStation, there’s a lot to look forward to.

Trails in the Sky 2nd Chapter

What’s better than a remake of one of the best role-playing games ever made? In Kiseki’s case, unironically, it’s the sequel as Trails in the Sky 2nd Chapter launches before September 2026. After all the changes in Part 1, there’s no telling how Falcom is going to spice up the combat and exploration further, but in terms of scope, scale and stakes, it should blow its predecessor out of the water.