Granted, support is still ongoing for many of these titles, and they could improve significantly in the coming months and/or years. As of now, however, they’re still underwhelming. Without further ado, here are our picks for the 15 most disappointing games of the year.

Bounty Star

A combination of bounty hunting with mechs and farming on the side in a lawless frontier, where redemption is only really the start? Sign me up, but in the case of Bounty Star, its reach severely exceeds its grasp. Repetitive combat and objectives, surface-level base-building, iffy storytelling – it just didn’t come together as I’d hoped. Which is a shame because, for all her faults, Clementine deserved better.

Battlefield: RedSec

Between desync issues and the lack of solo play, EA’s free-to-play Battlefield royale didn’t launch in the best circumstances. The fact that it arrived alongside the core monetization for Battlefield 6 and required playing to complete Battle Pass challenges rubbed people the wrong way (as did the fact that it included naval combat, which is missing in the base game). RedSec still has room to grow and offer a fun experience, but for now, it’s got a long way to go.

Daemon X Machina: Titanic Scion

I had my doubts about Titanic Scion when it was revealed that the Arsenals were now power armor instead of mechs, which could now ride on horses and whatnot. That was the least of the game’s problems, however, as the open world approach gave way to some truly bland-looking improvements. As nice as the customization and weapon variety could be, the amount of frustration from actual combat just undercut everything else.

Destiny 2: The Edge of Fate

How do you follow up the climactic finale to a ten-year-long Light and Darkness saga? In Bungie’s case, you start a brand new story, one focused on another intriguing subject in The Nine. Unfortunately, it also sought to anger players by ripping out whole systems, increasing the grind tenfold, recycling old content and introducing gameplay mechanics that no one wanted, like Matterspark. Destiny 2 has since experienced the lowest player numbers since the Curse of Osiris days, and as much as I like lightsabers, it doesn’t look like Renegades will completely right the ship.

TRON: Catalyst

Bithell Games’ titles can be hit or miss, but at least there’s this style, this panache that sticks out. Not TRON: Catalyst, though. The lackluster visuals make exploration dull, and the story, which attempted a time-travelling spin, often fell flat when it didn’t feel mundane. Then again, we did get TRON: Ares this year, so things can indeed be worse for the franchise.

Rennsport

Who says Teyon of RoboCop: Rogue City fame can’t make a racing game? Most people who bought Rennsport on Steam, apparently. While it had several problems throughout early access, you would think these would be addressed when it was time for 1.0, but you’d be wrong. Underwhelming physics, optimization issues, livery microtransactions and terrible multiplayer are just some of its shortcomings. All in all, a lackluster outcome.

Hyrule Warriors: Age of Imprisonment

A canon entry in the Hyrule Warriors series – we did it. It’s just a shame then that the story as a whole feels completely perfunctory. Even if you can look past that, Age of Imprisonment doesn’t really do all that much interesting with its missions. The combat and performance are the series’s best yet, which is no small praise, but it really could have been so much more.

Mortal Kombat: Legacy Kollection

Packing every single classic Mortal Kombat title into one retro package, complete with interviews from the development team, sounds great for long-time fans (and whoever enjoyed Mythologies and Special Forces). The problem, as always, is the execution. Input, sound issues, lack of lobbies and more at launch – not to mention the price – put a real damper on the celebrations.

Yooka-Replaylee

It’s Yooka-Laylee, but with better graphics, improved controls, all moves unlocked from the outset, etc. So what’s the problem? Well, it’s still Yooka-Laylee at its core, which means the levels don’t always flow in the best ways or offer the most enjoyable challenges. Dr Quack’s quizzes are gone, which is great, but for those expecting any further overhauls beyond this should temper their expectations.

FBC: Firebreak

Why is Remedy, a developer known for its story-focused single-player titles, delving into the co-op shooter genre? Good question, but it did so anyway, and the results were mixed to say the least. While the developer included numerous improvements and even completely overhauled core systems, it wasn’t enough to proclaim Firebreak as anything less than a disappointment with an uncertain long-term future.

The Precinct

If you can get around the cheesy writing and characters, The Precinct may scratch that itch for old-school GTA with its overhead perspective. Its design choices fumble more often than not, though, whether it’s in the chases, how terrible the allied AI can be or the lackluster aiming. In other words, it may have been a neat spin on GTA, but with cops instead of gangsters, but not this one.

Call of Duty: Black Ops 7

Remember when I said that most of the entries in this list are titles that fell short in various ways and may not be outright bad? Black Ops 7 is the exception to the latter. Its campaign is simply awful in almost every way, and while multiplayer is an improvement over last year, it has more than its share of issues. But it’s the sheer soullessness of this year’s entry that gets to me, even more so than 2023’s Modern Warfare 3.

Synduality: Echo of Ada

Amid all the hype for ARC Raiders and even Escape from Tarkov, it’s worth looking back on Bandai Namco’s failed attempt at an extraction shooter – Synduality: Echo of Ada. Support is still ongoing, for what it’s worth, but with forced PvP (that too with a lackluster player base), a laughable grind for blueprints and more, it’s no wonder that player counts continue to decline on Steam.

NASCAR 25

Remember when new NASCAR titles were a big deal, alongside the likes of Need for Speed and F1? NASCAR 25, unfortunately, doesn’t return to those days of thunder. Between Career Mode looking lackluster and multiplayer’s flailing, it’s easy to ignore the mostly fun handling. Not the worst package for the brand, but certainly nowhere close to capturing its brilliance either.

Killing Floor 3

Good news – after the Rearmament update, all Specialists can now equip any perk they desire. Bad news – Killing Floor 3 is still very lackluster. Server issues, iffy movement, no mod support, no text chat, no server browser – the list goes on, and that’s before even getting to how the futuristic premise falls flat. Tripwire continues to update and improve it, but for now, it’s little more than dead weight on the Killing Floor name.

But we couldn’t help but feel that some games this year could have been so much more in terms of the value they brought to their players but ultimately let us down. It’s time to dive into 2025’s most disappointing games – and why they made us feel that way.

Let’s get started. 

Deliver At All Costs

Developed by Far Out Games and published by Konami, Deliver At All Costs had all the makings of a fun experience made engaging via a very unique premise. Winston Green’s determination to be the ultimate courier, letting nothing get between his cargo and his destination ultimately fell flat thanks to an uninspired gameplay loop.

While the isometric graphics and unique mechanics could entertain you for a brief time once you get started, the game quickly gets repetitive, with little to no narrative context other than a few fetch and carry requests.

Limited upgrades to the We Deliver pickup truck and a lack of actual consequences for your destructive actions other than some bland police pursuits make this an unfortunately forgettable experience that is sure to lie forgotten in many of its players’ libraries once the initial thrills wear off. 

Monster Energy Supercross 25 – The Official Video Game

Despite an excellent visual makeover courtesy of Unreal Engine 5, a wide selection of tracks, and the legendary Ricky Carmichael taking up the in-game commentator’s mic, Monster Energy Supercross 25 wasted away its advantages with a learning curve that a significant portion of players would find daunting.

Its tutorials are ineffective at getting you into the ebb and flow of a race, a lapse that is sure to throw you face-first into the dirt in front of a crowded stadium. Milestone S.r.l. probably assumed that anybody picking up the game was already a fan of dirt-bike racing and tailored the experience accordingly.

We’re sure that fans of the sport will swear by this one but for the rest of us, this is a title that is a very ironic uphill climb.

JDM: Japanese Drift Master

This indie title from the stables (or garages?) of Warsaw-based developer Gaming Factory seemed like it would be a great drifting simulator for racing fans who like a bit of style when they turn a corner. While its in-game physics and story-based open world are certainly highlights, the overall experience was ultimately marred by several inconsistencies in the Guntama Prefecture’s streets and winding mountain roads.

Obstacles that a fast-moving car could plow through quite easily in the real world could bring you to a complete stop while irregular lighting ruins the dynamic day and night cycle, sending you tearing right into unsuspecting NPCs who just want to get home and unwind after a long day.

Its delivery missions are nothing to write home about either while errors in the kind of vehicle you will need for its many events are a constant annoyance, requiring you to reload at the last garage you were in and drive a new car all the way back to the starting point.

We recommend rewatching Tokyo Drift a couple of times while you wait for a sale on this one.

STAR WARS: Episode I: Jedi Power Battles Remastered

We’ll be the first to admit that getting to revisit the origin story of Anakin Skywalker (or Darth Vader as you know him) had us pretty excited for this remake of the 2000 title from LucasArts. Getting all of its original content in one place while Aspyr’s additions like the ability to play as a bunch of enemies you beat down in your first playthrough during New Game+ was quite the attractive package.

However, an excellent visual makeover aside, all of the problems that players had with the original continue to plague the remaster, and are annoying enough to drive you towards the Dark Side of the force. It’s a baffling lack of polish that is sure to ruin what could have been a very entertaining return to Star Wars’ glory days.

Perhaps Qui Gon would be happy to let Darth Maul stab him to death if he were to try this one out.

TRON Catalyst

Bithell Games had the opportunity to bring the magic and complex political discourse of the original TRON films to a new generation of gamers in its take on the sci-fi franchise. However, Exo’s adventures and the subsequent conflict between the Automata and Core ultimately failed to impress thanks to a lackluster story and a distinct lack of utility to its many inventive mechanics.

From the Glitch system that lets you reset your state on a server to an earlier, safer time, or the lore that fails to flesh out the various factions you encounter in any satisfactory way, this is a game that could have, and should have been a whole lot better than it ultimately was – and that’s a real shame considering that it does so many things right.

Tails of Iron 2: Whiskers of Winter

Although Arlo’s quest for revenge and his adventures as the Warden of the West are quite well-written and given a lot of gravitas and weight thanks to Doug Cockle’s narration, this attempt to create a side-scrolling Soulslike was ultimately let down by its tonal inconsistencies.

It was quite jarring to see a boss brutally murder innocent NPCs only for a character to make a very droll quip a few moments later. While the combat on display is certainly top notch, the healing mechanic proved to me more annoying than innovative, especially towards the story’s final sections and boss fights.

Hardcore Soulslike fans might find a lot to like in this game but for the most part, it does feel like it could be more fleshed-out both narratively and from a technical standpoint. Its world-building does deserve credit, though.

La Quimera

What could go wrong with an FPS title that puts you in the heart of a conflict between warring states in a world gone mad? A lot, apparently. Reburn’s take on a co-op experience that lets you team up with your buddies to take on a world of threats with an AI companion in tow failed to impress on any level.

It didn’t help that the game was delayed on the day of its release, a misstep that is sure to be a sore spot for the studio and anyone who was excited for the game alike. But its distinct lack of a clear and engaging narrative coupled with its lackluster combat is sure to make this one a game that the gaming world would be happy to leave behind.

Onimusha 2: Samurai’s Destiny Remaster

We’ve certainly been seeing a lot of Oda Nobunaga and his exploits in recent times. But younger games might have not known that the Japanese warlord was the main antagonist of a very popular action franchise from Capcom back in the day.

The studio’s remaster of 2002’s Onimusha 2 does include everything that made the original title so memorable, but fails to bring anything new to the table other than a new weapon swapping quality-of-life improvement and a couple of difficulty modes to accompany its visual upgrade.

Jubei Yagyu certainly deserved better despite his stoic and occasionally sassy demeanour making him less popular than Dante or Leon.

The Precinct

Fallen Tree’s police-sim brought a very promising start to Mick Cordell Jr’s first day at the Avernus City PD’s headquarters. However, his career soon took a very boring turn, devolving into mindless prowling along the city’s streets with only a hint of the promise he brought to table ever showing up during its runtime.

Terrible driving controls aside, The Precinct was a pretty interesting title that failed to deliver on the action-packed chases and gunfights it seemed to offer, instead focusing on the boring and dreary parts of police work. While it does shine on occasion and its main story could be interesting to some, this is a game we quickly moved on from thanks to its sloppy writing and average gameplay loop.

Splitgate 2

Its controversial marketing aside, Splitgate 2 never really reached the heights that its predecessor did thanks to being held back by a limited selection of playable classes and a gameplay loop that many players found derivative despite its intention to innovate.

Although credit must be given to its wide selection of weapons, maps, and modes, they were ultimately let down by its gameplay, which was hamstrung by the presence of only three playable classes with fixed functionalities. That’s especially saddening when one considers how many people worked on it as opposed to the original game.

Atomfall: Wicked Isle DLC

Although Wicked Isle did bring meaningful additions to Atomfall’s main story, they weren’t enough to make up for its lack of new enemy types and glaring omissions that made its runtime more tedious than it should have been.

That’s especially egregious considering how the main game always found a way to keep us on our toes, and the DLC’s new weapons, skills, and characters could not justify its lack of enough content to justify its price tag. Wicked Isle is another presence on this list that could have been so much more but ultimately failed to live up to the expectations it generated.

Still Wakes the Deep: Siren’s Rest

While getting to dive back into the main game’s story and learning more about the tragic events that brought about the Beira D’s destruction was certainly exciting, Mhairi’s search for its data logger was a disappointment thanks to its shorter runtime and technical issues that actively made it far less appealing than the main game.

Although it did bring a fairly interesting narrative to the table, it was not enough to deserve the same praise that the main game earned, mostly in part due to The Chinese Room’s attempts to address the linear nature of the main game only to get caught up in pathing and other technical issues that were obstacles to obtaining the full experience on offer in the DLC.

That’s a paradox many studios would rather avoid. 

Fatal Fury: City of the Wolves

After 26 years of silence, Fatal Fury fans were all “REV”ved up to receive a new title in the popular  SNK franchise. Bringing innovative new mechanics and excellent visuals to the table, it’s quite surprising that KOF Studios failed to do more with a franchise that had many gamers very excited about returning to the 2D fighting experience it offered.

That was unfortunately the extent of its traction, as an uninspired RPG mode and a distinct lack of heavy hitters on its playable roster brought disappointment to its fans despite the presence of excellent fighting systems that would challenge newcomers and veterans alike.

FBC Firebreak

A co-op multiplayer shooter set in the world of Control had us immediately invested in what we assumed would be another banger from Remedy Entertainment. However, FBC Firebreak failed to live up to that hype with a gameplay loop that quickly became repetitive while its inspirations were largely relegated to the background with a few notable exceptions.

A limited selection of weapons and little to no variety in locations and enemy types marred a gameplay loop that was frantic and action-packed until it revealed a slew of unlockables that required way too much grinding for the average player.

All is not lost, however, as Remedy could bring changes that puts this exciting yet flawed shooter back on track.

MindsEye

Oh, MindsEye. We really wish Build a Rocket Boy could have made this game live up to the high expectations that we and the rest of the gaming world had for it. We once expected it to be the perfect title to ease our sorrow at the delay of GTA 6. On paper, MindsEye has everything a modern hit should bring to the table. An interesting narrative backed up by a gorgeous open-world that blurs the line between man, machine, and AI.

But Redrock’s empty streets and non-responsive NPCs worked in tandem with its uninspired mission design, lackluster story and buggy execution to rob us of what could have been one of this year’s finest titles. We wish we could say this was a bittersweet experience but we have to lean more towards the former than the latter.

Were there any games that you believe failed to live up to your expectations? We’d love to hear about them in the comments!

Which is fine, if not a little constraining at times. Just like Identity, there is a core mystery that its protagonist, Exo, needs to solve. It all starts when the courier program is delivering packages, ignoring the steadily increasing glow of their final delivery. Common sense eventually prevails as they toss it into the intersection, triggering an explosion that knocks them unconscious. Next thing you know, Exo is in the Core’s detention facility, being interrogated by the antagonistic Conn and charged with an attack they had no idea about. One trip to the Disc Wars arena without any combat expertise, and it’s back to the past, courtesy of the Glitch Catalyst.

"Combat in TRON: Catalyst is fairly serviceable – you have the hacking and slashing, a parry button, and the ability to dodge roll. Throw your Identity Disc at enemies or ricochet it off walls."

Somehow, the explosion granted Exo the ability to loop back to previous moments in the story and potentially change the outcome. It’s similar to time travel in that other programs don’t retain their memories, and as such, conversations are like deja vu, which isn’t particularly new in the visual novel space. Where TRON: Catalyst differs is in the data that Exo can carry around in their Identity Disc and the shortcuts unlocked through exploration. For example, you might need to speak to a program named Vega, who watches from the stands in the Arena but who isn’t present after your fight is over. The only way to access the area which grants access to the stands is by participating in the fight.

By finding a shortcut, you can loop back to the beginning and go directly to the stands to speak to Vega and try to find a solution to your predicament. Upon escaping and exploring the larger Arq Grid, other shortcuts will provide more post-loop opportunities. There is some slight confusion with the formula, at least at one point. To infiltrate the Core and obtain some access codes, Exo joins as a recruit but must first complete four tasks. One of those tasks involves taking a glove as proof to the soldiers, which won’t carry over if you loop. This is obviously in place to prevent you from picking fights with Core members, triggering a citywide alert where they attack on sight.

However, one task pretty much forces you to goad the Core into a fight, or else you can’t access a mechanic’s garage and steal her blueprints. Once the task is complete, however, you can loop back and complete those tasks as if nothing happened. What happened to that glove? Is it now magically with the Core member in charge of your tasks? Is it just the record of you giving the glove that they’re interested in and not the actual piece? It continues to baffle me, but my only other problem with the looping is how limiting it feels in where you can go back to.

Catalyst’s dialogue briskly moves the plot along, though some jargon may be lost on the non-TRON fans. I actually quite enjoyed the voice-acting all around, particularly for Conn and Vega. The former delivers on the “corrupt cop” act without going overboard, while the latter is a surprising mix of cunning and calculating with understated charisma. Exo didn’t particularly strike me as a compelling protagonist, especially when interacting with other programs in the Grid, but they’re solid enough. I was particularly impressed with some of the NPCs encountered in the world – they can have extensive dialogue trees and interactions that shine more light on their backstories, motivations, and feelings, even if their overall roles are fairly diminished.

It almost makes me wish that Bithell Games went with another visual novel rather than the isometric action game route. Combat in TRON: Catalyst is fairly serviceable – you have the hacking and slashing, a parry button, and the ability to dodge roll. Throw your Identity Disc at enemies or ricochet it off walls. With upgrades, you can bounce the Disc off multiple enemies with a single throw and even kick it back with a well-timed parry, providing an entertaining impromptu game of Pong if you’re far enough away. It’s even more hilarious when dealing with enemies who can’t move past a certain point, unintentional as it may be.

"As it stands, Catalyst may warrant playing if you’re a fan of the universe. Those seeking a more well-rounded experience or even a compelling time-looping mechanic may want to try the demo first before jumping in."

Unfortunately, melee attacks don’t feel as impactful as I would like, and once you’re in the middle of a combo, it’s almost impossible to cancel it for a parry. Some enemies also have very odd parry windows, which activate as soon as the attack begins and feel awkward to react to. It doesn’t make combat difficult by any means, but it made me wonder why I’m bothering to parry at all when a three-hit combo can capably stun smaller foes, and the dodge roll is great for avoiding damage. The game mixes things up with other types of enemies, but they’re not really enough to encourage a wider array of tactics. Combat quickly became tedious and repetitive as I wished for more punch and pizzazz to the encounters.

Some of the story objectives could also use some work. I’m fine with punching my way through Core soldiers to try and extract a data broker (less so when they tell me that they don’t need an extraction, thanks). But the whole deal about completing tasks to join the Core offers little more than backtracking through the Grid and engaging in tedious combat (for the most part). At least Exo has a Lightcycle to make things faster. You can even deploy Light Walls and run over enemies.

Beyond the voice acting and writing, TRON: Catalyst’s other strength is nailing the aesthetic of its world. The sleek lighting and reflective roads, especially during the rain, look great, even if the animations and character models aren’t super-impressive. The character portraits in conversations are 2D, and while they look fine on their own, TRON: Identity’s models look more vibrant and alive. As for the music, there was only one track that really stuck out while escaping from the Core during a citywide alert, mostly because it reminded me of Daft Punk’s Derezzed. Much of the rest didn’t resonate.

I liked many of the ideas that TRON: Catalyst had to offer, and even if it’s not the best, the story made me want to keep going if only to learn more about the Glitch and the world as a whole. However, the gameplay didn’t serve as the strongest motivator, whether it was the repetitive combat or many of the main story tasks. Bithell Games has delivered some pretty compelling sci-fi stories thus far (Subsurface Circular is well worth the look), and I can’t help but wonder if sticking to that formula would have been more beneficial. As it stands, Catalyst may warrant playing if you’re a fan of the universe. Those seeking a more well-rounded experience or even a compelling time-looping mechanic may want to try the demo first before jumping in.

This game was reviewed on PC.

Death Stranding 2: On The Beach

A new Kojima Productions title is like an event unto itself, and Death Stranding 2: On the Beach is no exception. Bigger, weirder, brimming with new concepts and gameplay mechanics, it takes Sam Porter Bridges to a new continent to attempt to reconnect it. A heavier focus on action, new traits and proficiency levels, new BTs, a day/night cycle, deeper stealth mechanics, changing weather, new characters, Magellan Man – all of this is only scratching the surface. One thing is for sure, though – it’s distinctly Hideo Kojima. Death Stranding 2 arrives on June 26th for PS5.

Mario Kart World

Everyone expected Grand Theft Auto 6 to roll in with an $80 price tag, but as it turns out, it was-a Mario all along. Based on the tens of millions that Mario Kart 8 Deluxe sold, Mario Kart World is unquestionably the killer app. And to be fair, Nintendo hasn’t been slouching in terms of evolving the mechanics. Tracks are now part of a large open world, teeming with optional activities, collectables, and challenges. Tons of new racers and karts await alongside cosmetics to unlock. The core gameplay is rife with new power-ups, moves, and even things like Rewind. There’s a lot here, but is it enough? We’ll find out when Mario Kart World launches on June 5th alongside the Switch 2.

Nintendo Switch 2 Welcome Tour

Is Welcome Tour going to be a surprisingly fun experience like Astro’s Playroom? Most likely not, but as a playable exhibit gamifying all the mechanics of the Switch 2, Nintendo could do worse. With mini-games and quizzes, it promises a learning experience into everything that makes up Nintendo’s console. “Free” would have been the best price point, but as it stands, $10 isn’t too much to ask. Let’s hope it offers some bang for our buck when it launches alongside the Switch 2.

Yakuza 0 Director’s Cut

Like a Dragon has evolved beyond the confines of Yakuza into brand new locations and gameplay mechanics, but Yakuza 0 remains timeless. It’s coming to the Nintendo Switch 2 as the Director’s Cut, packing new cutscenes (some of which provide a sense of closure, per the voice cast) and English voiceovers. You can also team up with other players in online PvE battles, selecting from 60 characters. Don’t let the fact that it was originally launched in 2015 distract you from playing arguably the best Yakuza game in the franchise.

MindsEye

How can a game generate hype despite the lack of extensive gameplay and details, especially about two weeks from launch? Your guess is as good as mine, but Build A Rocket Boy’s MindsEye has inexplicably figured it out. The idea of a single-player action adventure in a futuristic city from Leslie Benzies of Grand Theft Auto fame is certainly appealing, make no mistake. But MindsEye could end up sublimely brilliant or precisely what the short teasers have revealed. Either way, we’re keen to see the result when it launches on June 10th for Xbox Series X/S, PS5, and PC.

Warhammer 40,000: Space Marine – Master Crafted Edition

As if upcoming updates for Warhammer 40,000: Space Marine 2, like the free Horde-like Siege Mode, weren’t enough, Sega, Relic Entertainment, and SneakyBox are bringing back the original Space Marine. Launching on June 10th for Xbox Series X/S and PC for $40, the Master Crafted Edition features improved visuals, including 4K resolution support, remastered audio, and modernized controls. It also packs in all the DLC, like armor sets, Golden weapons, Map Packs, and Chapter Packs, and promises cross-play for its 8v8 PvP matches. While it’s a shame that PS5 players will miss out, Space Marine 1 is a must-play for any fan of 40K.

The Alters

Numerous teases of conflicts and gruesome outcomes later, 11 bit studios’ oft-delayed sci-fi survival/base-building title The Alters is finally launching on June 13th for Xbox Series X/S, PS5, and PC. As Jan Dolski, players arrive on a hostile planet and discover the rest of their crew dead. With no other recourse to managing the giant moving base and needing to outrun a deadly sun, he creates Alters – each a living, breathing Jan with unique skills, occupations, wants, needs, and mood swings. Harvest materials meet their demands, survive various hazards, and maybe you make it back home with all limbs intact.

FBC: Firebreak

Years after Control, the Hiss still occupies the Oldest House. With resources depleting and no other options, the Bureau turns to Firebreak, which ventures into different locations to tackle paranatural threats. As a three-player co-op shooter, players choose a Crisis Kit, Perks, and weapon before diving into a Job, from destroying hundreds of thousands of sticky notes to stopping a powerful Furnace. It’s a new initiative for Remedy, better known for its single-player titles, but with no FOMO, a $40 price, and free content updates, FBC: Firebreak may be worth checking out when it launches on June 17th for Xbox Series X/S, PS5, and PC.

Lost in Random: The Eternal Die

Zoink’s underappreciated Lost in Random is getting a rogue-like sequel courtesy of Thunderful, and this time, the focus is on the former Queen. Now going by Aleksandra, she’s trapped inside the Black Die. Together with Fortune, she must escape its four regions, facing various enemies and bosses to escape. With more than 100 relics to custom, fast-paced real-time action and the same gorgeous art style, Lost in Random: The Eternal Die launches on June 17th for PS5, Xbox Series X/S, PC, and Nintendo Switch.

Cyberpunk 2077: Ultimate Edition

Who could have thought that Night City, in all its glitz and gore, would ever become playable on a Nintendo console? Probably not PS4 and Xbox One players who can’t experience Phantom Liberty. Cyberpunk 2077: Ultimate Edition brings the base game to Switch 2 players with every update and the acclaimed expansion, with relatively decent performance. Best of all? The physical version contains the entire package on a cartridge. No Game-Key shenanigans. Like every other Switch 2 title, it’s out on June 5th.

Rematch

Sifu developer Sloclap’s newest title is something…unexpected. Launching on June 19th for Xbox Series X/S, PS5, and PC, Rematch is a soccer (or football for the rest of the world) title where players compete in 5v5 matches. Promising an accessible experience with deep mechanics and a focus on player skill, its open beta saw a positive response on Steam last April, with almost 134,000 peak concurrent players. Here’s hoping the game can capture that magic and keep the momentum going, especially at $30.

System Shock 2: 25th Anniversary Remaster

Almost six years after its announcement, System Shock 2’s enhanced edition will launch on June 26th for Xbox Series X/S, Xbox One, PS4, PS5, Nintendo Switch and PC. Now known as the 25th Anniversary Remaster, it includes mod support on PC, new Trophies and Achievements, Ultra-widescreen support, and 4K resolution support. PC players can select 144 FPS, while Xbox Series X and PS5 can opt for 120 FPS. If it’s as compelling as System Shock remake, expect System Shock 2: 25th Anniversary Remaster to be another winner.

Tron: Catalyst

After the visual novel mystery of Tron: Identity, Bithell Games is back with Tron: Catalyst, an action-adventure take. This time, players control Exo, who gains the Glitch, a mysterious power that could upend the Arq Grid. With beat ’em up mechanics, light cycles and the ability to rewind time with glitches, Catalyst could be another solid addition to the franchise when it launches on June 17th for Xbox Series X/S, Nintendo Switch, PS5, and PC.

Street Fighter 6 Years 1-2 Fighters Edition

With Mortal Kombat 1 support ending and Tekken 8 recovering from Season 2’s changes, Street Fighter 6 remains the premiere mainstream fighter. It’s coming to Switch 2 on launch day, and along with all DLC fighters from Years 1 and 2, it includes cross-play and two exclusive modes. Gyro Battle has players fighting with gyro controls and Calorie Contest, which is pretty much the same but with a calorie mechanic. Regardless, you still get an excellent fighting game with a stellar roster (including the upcoming Elena) and some great online features.

Zombie Army VR

For those still gaming in VR, be it on Steam, Quest 2 or PlayStation VR2, Rebellion’s Zombie Army series should help fill the increasing void. Out on June 12th, the campaign is new but offers the same World War 2 weaponry and over-the-top action of the franchise, complete with gruesome X-ray Kill Cams. There’s only two-player co-op, but it’s better than nothing.

Alongside the release date, the new trailer for TRON: Catalyst also gave us a look at some of its gameplay, which includes various aspects from exploring a digital town on a Light Cycle, to taking on enemies with the Identity Disc. The trailer also gave us a look at what appears to be a time rewinding ability that allows the player to take on enemies in a more strategic fashion.

Announced back in October, TRON: Legacy will put players in the shoes of Exo, who has to take on the Arq Grid’s overlords. Along the way, Exo will have to make use of their Identity Disc and a power called the Glitch to make progress.

TRON: Legacy will also make use of rogue-lite elements in its gameplay, along with metroidvania elements like alternate routes and hidden locations opening up as players explore more of the Arq Grid.

The title is a sequel of sorts to 2023’s TRON: Identity, which was also developed by Bithell Games. The title made use of a visual novel-styled format to tell its stories, while also having players look for clues in the environment. Most of the gameplay revolved around solving puzzles.

TRON: Identity is available on PC and Nintendo Switch.

The setting should be familiar to those who played last year’s TRON: Identity, though its gameplay focuses more on isometric combat. The Identity Disc is your weapon, which can be parried and ricocheted off enemies. However, you also fight on Light Cycles and unlock new abilities with Data Shards.

Based on the press release, TRON: Catalyst seems to employ rogue-lite elements with “glitches” causing time loops in the system. Alternate routes and hidden locations open up as you navigate the Arq Grid. If it’s anything like Hades, expect an evolving narrative based on the success of different runs.

TRON: Catalyst is out in 2025. Stay tuned for more details on its gameplay in the meantime.