AdHoc studios dropped a reveal trailer for the game’s Xbox debut, and we can’t really say that it’s a surprise considering just how successful the “workplace comedy” has been since its release. It managed 2 million copies sold in its first month, and managed to accrue 3 million players last year. We found it to be an amazing title that was quite enjoyable to play in a day and age where episodic releases might not get the traction that they deserve.

It follows Robert’s story as he finds himself stuck behind a desk working for the Superhero Dispatch Network (SDN), dispatching other superheroes to battles that he once dominated after being forced into retirement by his arch nemesis. Things take several drastic turns from there, and this one’s a story you don’t want to miss if you haven’t played it before.

The reveal trailer below should give you a good idea of what to expect, but you’d be wise to expect a whole lot of surprises and twists along the way if you’re thinking of diving in when it launches for the Xbox Series X|S, Xbox on PC, and Xbox Cloud.

Even more impressive are what players have achieved, with 52.5 million completed shifts, 727 million answered calls, and more than one billion heroes dispatched. It even proved extremely popular on YouTube and Twitch, amassing over 23 million hours watched.

Divided into eight Episodes, Dispatch focuses on Robert Robertson, the new Mecha Man (voiced by Aaron Paul). Or at least he was, until the supervillain Shroud and his cronies laid waste to the suit. To pay for the repairs and get by on his own, Robert becomes a dispatcher for the Superhero Dispatch Network, sending teams of heroes to intercept various crimes.

The twist is that he’s in charge of a group of reformed supervillains, and they’re not always keen on following orders. By allocating different characters based on their skills, players can resolve incidents, though various other conflicts may arise in the process. Check out our review for more details.

Dispatch is available for PS5 and PC. It’s also out on January 28th, 2026, for Nintendo Switch and Nintendo Switch 2.

Along with ARC Raiders, games like Battlefield 6, Clair Obscur: Expedition 33, Dispatch, and Kingdom Come: Deliverance 2 were also among the top releases in the charts. Some older games could also be seen, with 2023’s Baldur’s Gate 3, 2020’s Cyberpunk 2077, and 2013’s Grand Theft Auto 5 also being represented, albeit with its Enhanced Edition release.

Valve has also seen continued success with the Steam Deck, with SteamDB ranking the handheld gaming PC as the second-best-selling Steam item, just under ARC Raiders. Check out the list below.

Embark Studios itself hasn’t revealed recent sales data for ARC Raiders, rumours from back in November indicated that it was close to hitting 7 million sales just a month after its release.

ARC Raiders art director Robert Sammelin had recently spoken about Embark Studios’ plans to support the extraction shooter for “the longest time.” In an interview from last month, he noted that the studio has a 10-year plan and that as long as players continue to engage with the title, support will continue.

“Our ambition is to keep this game alive for the longest time. It is a live game,” said Sammelin. “It’s something that we want to keep alive for the longest time possible, as long as players engage with it and have fun and see that it is evolving in a good way.”

The art director also spoke about how the community of ARC Raiders plays a vital role in the game’s evolution, since a major reason for the extraction shooter’s success hinges on how players interact with each other.

“I think games like this will evolve depending on community behaviours, feedback, and how we pick out the things we see people engage really well with. But also throw things into the mix that sort of afford new challenges and opportunities within the game,” he explained.

“I think there’s a wide range of routes that we can take with this, and time will tell how we sort of dig into it. But we for sure have a pretty long-standing plan of where we want to take it.”

As part of the studio’s plans to support ARC Raiders, the Cold Snap update was released last month, bringing with it a new Winter-themed weather condition which also affects gameplay by prompting players to seek shelter (or die trying). It also affects visibility and movement, making some surfaces much more challenging to traverse.

ARC Raiders is available on PC, PS5 and Xbox Series X/S. For more details, check out our review. Also check out our guide on all ARC machines and how you can beat them in battle.

Top ten best-sellers on Steam from December 23 to December 30:

1. ARC Raiders
2. Steam Deck
3. Battlefield 6
4. Clair Obscur: Expedition 33
5. Baldur’s Gate 3
6. EA Sports FC 26
7. Dispatch
8. Cyberpunk 2077
9. Kingdom Come: Deliverance 2
10. Grand Theft Auto 5 Enhanced

We’ve played them all, and picked our favorites to give you a few choices for the holidays and beyond as we wait for a new batch of great games from 2026. As it stands, our nominees for the best PC games of 2025 are:

1. INAZUMA ELEVEN: Victory Road

Intense football RPG action with a layer of anime polish can be quite appealing to either an anime or a football fan, but this one is more than that. It offers an almost endless amount of playable content thanks to a massive roster of characters, and a lot of replay value thanks to its single and multiplayer modes. There’s a lot to enjoy here, and a very rewarding journey along the way.

2. Dispatch

Joining Robert Robinson III on this charming and often hilarious take on superheroes is sure to have you very invested in its story and mechanics right off the bat. Dispatch hits all the right notes and brings a charming cast to the stage, while a riveting narrative weaves their lives together with the SDN acting as a binding thread. It captures your attention and manages to hold it long enough for this one to become endearing.

3. Hades 2

We always knew the long wait for this one was going to be worth it. Hades 2 is an absolute blast with its roguelike action-RPG gameplay loop, blending very well with its story and unique art style. Its potent combination of style, substance, and satire is sublime, while the combat does come with enough challenge to keep you on your toes. Look no further than this one for hours of quality fun.

4. The Last of Us Part 2 Remastered

If you haven’t gotten around to this one after playing the first game, or perhaps coming to the franchise after the live-action shows, this one is definitely going to have you invested. The remaster does a brilliant job of improving on the strengths of the original release, making it the best possible way to experience the adventure that awaits. For those of you already familiar with how it all ends, another playthrough is always on the cards anyway.

5. Trails in the Sky 1st Chapter

Every hour you sink into this action-packed JRPG is going to be worth it, with its story, characters, combat, and general allure drawing you in and leaving you with so much to do in its world. It’s also very replayable, which is a great way to keep the story going and your characters’ stories playing out on increasingly harder difficulties. This one does its genre justice and is a world that calls to you at every turn.

6. Absolum

With a combat system worthy of a chef’s kiss, accompanied by a roguelike gameplay loop that’s very addictive indeed, Talamh is a place you might find pretty hard to leave. The battle against the Crimson Order and Azra is the perfect excuse for some good old beat ‘em up action, and this one is excellent on that front. Between all the character archetypes on offer, it’s probably going to keep you busy for a while.

7. Clair Obscur Expedition

This one’s already winning quite a few awards and nominations, and with good reason. The Continent and Expedition’s beloved cast of characters are reason enough to fall in love with The Paintress’s world. But all of the adversity and loss they have overcome have you invested in the entire journey. It’s almost as if you’re a part of the expedition too, and the one who decides its fate. It’s an experience that comes along every once in a while to show you what a great game can do.

8. Hollow Knight: Silksong

This one’s release was among the year’s most pleasant surprises, and taking over a new adventure as Hornet was an absolute treat. The combat was familiar yet fresh, while the explorable world’s size and scope were overwhelming at first, and simply delightful as we kept losing ourselves in its confines. Add a very enticing art style and excellent level designs, and you’ve got yourself a winner.

9. Blue Prince

This is among the more unique ones on this list. Helping Simon secure his inheritance of the Mt. Holly Estate might not be the most action-packed game on this list, but it certainly stretches your mental faculties in your quest to locate the mansion’s hidden room. No two days are alike, and you’re soon going to be thinking about this one even when you’re not in your gaming chair.

10. Kingdom Come: Deliverance 2

Oh, what an RPG this one turned out to be. With a massive map full of quirky folks, mysteries, intrigue, and some good old adventures to be had along the road, it was a sequel that stayed true to its roots while building out the franchise in a number of meaningful ways. The story is top-shelf, while an abundance of things to do is going to keep you quite busy as you play it all.

11. ARC Raiders

This extraction shooter has been among the few games we’ve visited almost daily, not because we had to, but because we wanted to. It’s been the perfect choice for a quick session where we kick back, and set out to meet other players in a world where the community has now made identifying friends from foes a part of the fun. Its design lends itself to the chaos that such decisions can cause, and you’re going to have a lot of unpredictably fun moments with this one.

12. Assassin’s Creed Shadows

With a perfect blend of the samurai and shinobi’s ways, and a massive recreation of feudal Japan to let those two archetypes loose in, Shadows is a great addition to the Assassin’s Creed franchise. Naoe and Yasuke are great characters, their skillsets lending themselves to some very interesting ways to achieve your goals. A stunning world and protagonists whose blades could strike from the shadows or the light is certainly an adventure worth having.

13. Final Fantasy VII: Rebirth

Cloud Strife’s fight against the Shinra is the perfect backdrop for an explosive story, combined with some incredible gameplay mechanics that make this one’s long-awaited PC version worth playing even if you’re not a fan of Final Fantasy. We’d recommend hooking up a DualSense to your PC for this one to get the most out of its haptic integration, while enjoying all of the visual bells and whistles that it has to offer. It’s the best of both worlds, really.

14. Monster Hunter Wilds

Beautiful biomes, a wide variety of impeccably designed monsters to hunt, and a plethora of quests to keep you travelling across the Forbidden Lands make this one a fine choice for those of you looking for a meaty RPG. Excellent build variety and deep combat mechanics, along with a charming world full of things to pique your curiosity, are more reasons to jump in and enjoy yourself thoroughly.

15. Lumines Arise

Simple mechanics can often lead to complex gameplay loops, and Lumines Ares is a great example of that. No two rounds of this puzzle game are the same, and it takes the concept of Tetris to a whole new level with a very unique visual design and audio design that weaves itself into the game’s DNA quite creatively. This one’s impressive and addictive, which is quite a potent combo.

16. Battlefield 6

Among the year’s best looking shooters, Battlefield 6 might have drawn a bit of flak for its campaign, but that does not take away from the fact that its shooting mechanics are very much on point. If you’re looking for a multiplayer shooter that shows off what your PC can do while also being a great option for those extended gaming sessions, this one has everything you need and more.

17. The Alters

If a game that has you creating alternate versions of yourself to progress further in its story sounds cool to you, you’re in luck. Jan Dolski’s story might seem quirky on the surface, but there’s a surprising amount of depth on offer here, and your choices carry a lot of weight in the bargain. This one’s among the most creative titles we’ve played this year, and is going to remain among the most unique ones we’ve encountered over the years.

18. The First Berserker: Khazan

Khazan’s revenge-fuelled rampage is a stylish, well-designed game that puts its combat front and center and challenges you to play it on its terms before it gives you the satisfaction you crave from a title of its calibre. With an interesting story and characters backing up the action, along with a distinct visual style to sell it all, this one is going to have you white knuckled as you take on its many threats.

19. Bionic Bay

Atmospheric, immersive, and mentally challenging, Bionic Bay makes excellent use of a solid premise to give you an experience that’s going to have you wanting more. It’s a test of your patience just as much as it’s a test of your ability to get creative with solutions to the problem in front of you. It’s exhilarating when you get it right, while the way it all comes together is a reward on its own with this one.

20. Jurassic World Evolution 3

With Jeff Goldblum coming back to the fold as Dr. Ian Malcolm, and a very encouraging approach to setting you up for success as you manage your dinosaurs and facilities, this one gets you locked in pretty quickly. We still go back to our parks for some routine maintenance from time to time, watching the dinosaurs we’ve helped bring to life thrive. It’s quite relaxing and a lot of fun until Extinction Now rears its ugly head.

And there you have it. These are the PC games from 2025 we think deserve your attention. But there has to be a winner, right? We’ve an inkling you already know what’s coming.

The winner of the best PC game in 2025 is

Clair Obscur: Expedition

Clair Obscur: Expedition , a game that has surpassed expectations and goes above and beyond to enthrall its players.

Its visual style lends it realism while leaving room for artistic flourishes. Its cast of characters sells its material so well that you find yourself even rooting for its antagonist. You’re going to be humming its soundtrack and maybe even listening to it in the gym. Its story is going to take you to places you might not be ready to visit. Its combat might fool you into thinking it’s an easy experience with no challenge involved. In short, it’s everything a great game should be, and is one that’s going to remain close to our hearts in the years to come.

And that’s a wrap on the best PC games of 2025! We’re looking forward to doing it all over again next year, and to keep bringing more of gaming’s best to your screens.

Original Story:

AdHoc Studio is still undecided about a second season for Dispatch, its superhero workplace comedy that shocked everyone by selling more than two million units. Nevertheless, other platform versions, like the Nintendo Switch and Nintendo Switch 2, could be coming soon.

Resetera recently spotted a listing for the same on the Nintendo eShop in Australia. Both versions will seemingly launch on January 29th, 2026, for $39.55 AUD, if you pre-order to avail the ten percent discount. The full season apparently occupies 13.5 GB on both platforms.

You can also purchase the Digital Deluxe Edition, which includes the base game, four digital comics that span more than 45 pages, and a digital artbook with over 100 pages of art for $52.65 AUD. Of course, you can upgrade from the Switch 1 to the Switch 2 version for free.

AdHoc Studio has yet to confirm any of this, but expect an announcement before the Holidays begin. Dispatch is currently available for PS5 and PC. Check out our review for the full season here.

We’re here to give them the spotlight they deserve, and perhaps give you a great new game to pick up and play. Join us as we take a look at a few excellent titles that deserve your attention. There’s something for everybody, and you’re sure to find a title that joins your list of favorites!

1. Blue Prince

With a rather unconventional premise, and a whole lot of entertaining puzzle-adventure gameplay to stretch your brain power to its limits, this is a gem of a game that did not get its due in a year crowded with huge releases. But Simon P. Jones’ surreal trip through the Mt. Holly Estate and the discovery of its story make for an unforgettable adventure.

If you enjoy solving puzzles and are the kind who doesn’t like to leave any loose ends in their games, this one is going to have you occupied for quite a while.

2. Dispatch

It can be jarring to be relegated to a desk job after an exciting stint in the field even for the best of superheroes. But Mecha Man, aka Robert Robinson III, faces a frustrating twist to his career and having to manage a team of reformed supervillains is the perfect recipe for a story that’s told with heart and charm.

A stellar voice cast elevates the experience, and Dispatch is a game that you enjoy from the very beginning right up until you navigate a roller coaster of decisions whose varying outcomes could have you wanting to dive back in for another playthrough. That’s certainly a game that’s easy to recommend.

3. Tormented Souls 2

Caroline Walker (or Emma, if you’re familiar with this one’s predecessor) just can’t catch a break. This sequel builds on the first game’s strengths while telling a grim, chilling story about a cult that seems intent on continuing Noah’s work.

But Caroline has never been one to sit around and wait for fate to play its hand, and you’re going to be navigating dark hallways and dangerous places with bated breath. This is an excellent horror experience that does well to bring forgotten genre trappings back with style.

4. Keeper

It isn’t everyday a game gives a lighthouse the ability to walk, and puts its players behind a character as unique as the one in Keeper. As the lighthouse, your travels aren’t as lonely as they could be thanks to Twig, and the bond that forms between them as they tackle the scourge that’s affecting their home is a lovely story.

This one’s bizarre premise lets its creators come up with some very inventive designs in their levels, and navigating its world isn’t going to be easy. But we can tell you it’s definitely worth it.

5. Atomfall

An action survival gameplay loop set in an alternate, post-apocalyptic version of the British countryside into a radioactive zone was always going to be a blast, and our time with Atomfall had us chuckling away at the humor that it has managed to bake into an otherwise grim world.

The story is definitely gripping enough to make this a rewarding experience while the side content brings some top-shelf writing into the fray. This is a world that’s going to be very worthwhile to those of you who like ferreting out secrets and leaving no missions incomplete.

6. Cronos: The New Dawn

The Bloober Team cemented its reputation as a talented horror studio with its take on a time-travelling survival horror adventure. As the Traveller, every step you take into the game’s world makes you feel the weight of its desolation, while its threats can have you missing perfectly aligned headshots thanks to their raw aggression and feral rage.

However, for those of you who learn the art of survival in this bleak world, you get to find very creative ways to turn the tables in a deadly dance of tactics, strategy, and skillful shooting. It’s a slow-paced ride but a wild one nonetheless.

7. Hell is Us

Although this one did gain a fair bit of traction, it can be hard to put the allure of a world that staunchly refuses to reveal its secrets to none but the most diligent of players into words. But Hell is Us does just that, leaving you scribbling furiously away on a notepad just so that you get to experience all that it has to offer.

It can be quite a disorienting experience at first but the story and combat can have you quite invested. If exploration and lore hunting sound like hours of fun to you, this one is going to have you very content with how it presents its best features.

8. Shinobi: Art of Vengeance

Fast, stylish, and well-paced, Joe Musashi’s battle against the ENE Corporation is a great game. The story moves along at a breakneck pace, giving you new ways to dish out damage in your 2D platforming adventure. Musashi’s agility and the fact that the stakes are literally about life and death with a dollop of vengeance thrown in make this a shinobi adventure with all the good stuff.

Just be ready to bring your best fighting skills to the table as you take on the ENE’s hordes of soldiers, yokai, oni, and imposing bosses.

9. Echoes of the End

Although Ryn and Abram’s journey didn’t get the start that developer Myrkur Games might have wanted, the studio has done well to release an enhanced edition of Echoes of the End as a free update, fixing a significant portion of its launch issues and making it a very enticing offering.

The combat is now quite good, while the story has several great moments in the second half of the adventure. Stick with this one and you’re going to find yourself quite invested in how things turn out.

10. The Rogue Prince of Persia

If you’re a fan of roguelites, this one might be right up your street. Playing a Prince who is on the run from an army of possessed soldiers is a great way to spend a few hours exploring well-designed levels with mechanics that are quite engaging.

Evil Empire has done well to capture the look and feel of a Prince of Persia game a action adventure game, and you should definitely give this one a shot. Its recent Switch debut should see it get some well-served attention, too.

11. Ninja Gaiden: Ragebound

This side-scrolling hack n’ slash spin-off of the popular franchise is definitely up there with the best ones of the year. Kenji Mozu’s inspired effort to defend the Hayabusa village from demonic threats, leaving Ryu free to live out his legend in America, is a very entertaining take on the Ninja Gaiden universe.

Its slick combat and challenging platforming make it a pleasure to play too. This is a great choice for those of you who love to let your blades do the talking.

12. Wuchang: Fallen Feathers

If you’re a Soulslike fan and have somehow missed this one from Leenshee Games, it’s worth checking out. Bai Wuchang’s mission to save her sister quickly turns into an exploration of sinister events against the background of a failing dynasty.

That premise does very well to set up battles that can test your reflexes and ability to improvise in the field. Combat is an art in this game, and you’re given a wide set of tools to use as you paint a bloody canvas that tells an epic story. Expect to be challenged, and this one is going to take your breath away.

13. Shadow Labyrinth

Bandai Namco’s refresh of the classic character was such a blast we almost forgot our initial scepticism of the entire exercise. The swordsman and Puck are quite a duo, navigating a treacherous world that leaves a very interesting trail of information about its history and denizens.

With challenging enemies and mechanics, Shadow Labyrinth is a game that has you always on the lookout for a detail that you missed, and can take a long time if you’re intent on teasing out all of its secrets.

14. Eriksholm: The Stolen Dream

While it can be difficult to handle the emotional weight that this excellent story brings to the table, Hanna’s desperate journey to rescue her brother, and the people she meets along the way make this one a worthy addition to our list of 2025’s underrated gems.

This is a game that brings some great stealth mechanics in a world in which the shadows are your biggest strength, and a story that underlines the importance of staying unseen through the eyes of a young orphan. This one’s a winner for all of you stealth nuts out there.

15. Steel Seed

Bringing excellent stealth action, robust platforming, a dark sci-fi-world, and a relatable protagonist and companion duo, there’s a lot to like about Steel Seed. Although this one did draw a bit of flak on the critical front, its story and excellent world building are compelling reasons to dive into this title.

Zoe’s sassy yet earnest nature wins you over quite quickly, and her proficiency with her weapons make her fun to embody in this tale of redemption. Despite a relatively shorter runtime, this game has its charms, and the journey is definitely worth it.

And that’s a wrap on our best single-player sleeper hit titles that you might have missed out on this year. Here’s to a fresh new batch of winners as we look to 2026 and beyond.

Just to clarify, though: This isn’t a precursor to our own Game of the Year Awards or any sort of hint at what could win. Any title at this point is still fair game. We’re just discussing all the major contenders and their chances of winning across the industry as a whole. With that said, there is one that many consider to be a shoo-in for The Game Awards, if nothing else – Clair Obscur: Expedition 33.

And how could it not be? It was the highest-rated new game among critics for months at a time – and no, those Switch 2 versions of Breath of the Wild and Tears of the Kingdom don’t count. For many gamers, it’s an experience that’s near and dear to their hearts in terms of narrative and characters; a success story that we hadn’t seen in a while from a group of developers who separated from a big triple-A publisher to pursue their creative vision.

Some loved exploring its Belle Époque world and taking in the stunning art direction. Others relished in its combat challenges, even though it was easy to over-level and unlock some truly broken builds by the end. Many found it to be the contemporary Final Fantasy that they’ve always wanted. Others, like me, felt like it set a new bar for $50 releases while sending a message to the utter messes that dared charge even $70.

It’s no surprise then that it would sweep the Golden Joystick Awards, winning Best Storytelling, Visual Design, Soundtrack, Supporting Performer, Lead Performer and Studio of the Year before nabbing the Ultimate Game of the Year prize. With 12 nominations at The Game Awards, the most in the show’s history, it’s a clear favorite to pull a Return of the King and dominate this awards season.

The only real competitor that truly comes to mind at this stage is Death Stranding 2: On the Beach. Granted, when the first game was released, its unorthodox gameplay, bizarre narrative and strong performances were enough for multiple nominations but only a few wins. Blame it on the inherent friction of the design, or whatever or just the fact that it was unlucky to release in the same year as Sekiro: Shadows Die Twice. Either way, it was a dark horse.

Not so with the sequel. It’s among the highest-rated new titles of the year, and the second-highest-rated among exclusives. It redefined visual standards for the generation with its gorgeous landscapes and impeccable character models. And while it’s always a toss-up how the story could turn out, Kojima Productions surprised us with some genuinely emotional hits on top of the usual twists, expanding on Sam’s story in so many welcome ways.

That’s before even getting to the gameplay, which accommodated so many other styles of play, resulting in a much more enjoyable experience. Long story short, it’s not just the prestige of Hideo Kojima’s name – Death Stranding 2 stands as a strong, well-rounded experience. No wonder then that it’s tied with another exclusive for the second-most nominations at The Game Awards, but we’ll get to that.

Instead, now would be a good time to talk about the truly beloved darlings that more than deserve to be in the Game of the Year discussion, but who are unlikely to win the big one. Blue Prince, Kingdom Come: Deliverance 2, Split Fiction – it’s a shame because each of these games is incredible in what they do, be it in KCD 2’s world design and sheer immersion, or Split Fiction’s range of gameplay experiences within its co-op framework. And then there’s Blue Prince – a truly innovative take on the puzzle genre with enough mysteries to keep players running around, even after hundreds of hours. If any of these games had been released last year, they may have taken the crown, but 2025 is too packed.

Unfortunately, that may also apply to Ghost of Yōtei. Now, I loved Ghost of Tsushima to bits, flaws and all. To say that I had high expectations for Yōtei, even before it was announced, would be an understatement. And yet, it surpassed almost every single one of them. The combat, exploration, visuals, overall presentation and narrative – it all felt personable and pitch-perfect. So while it’s yet another title that I could see earning numerous awards for its soundtrack, performances, visuals, and whatnot, Game of the Year may be out of its reach.

The same goes for Hollow Knight: Silksong. Years and years of anticipation punctuated by endless memes of “Where Silksong?!” during showcases resulted in one of the greatest side-scrolling action-adventure games ever made. Heck, it’s perhaps the only title that managed to crash nearly every major storefront as soon as it launched. But while many were enthralled by Pharloom and its multitude of secrets on top of the unforgiving bosses, there were a scant few who weren’t feeling the magic or the challenge. Which is a shame for many reasons that I’ve discussed before, but I can see those many moments of frustration, even if they made victory taste that much sweeter, bringing the experience down for some players.

Then we come to the wildcards like Donkey Kong Bananza. For all the talk about how Xbox hasn’t been nominated for The Game Awards’ grand prize since 2010, it’s almost as surprising that no Nintendo exclusive has won since 2017 (with Breath of the Wild understandably taking the industry by storm). As much fun as Donkey Kong Bananza is, I can see it suffering the same fate, simply because of all the other contenders on the field. That doesn’t take away from how incredible a 3D platformer it is, and it’s probably guaranteed to mop up all the Nintendo-specific awards, even with Metroid Prime 4: Beyond coming up.

Hades 2 is a dark horse in many ways, exiting early access several weeks after Silksong and delivering a fantastic evolution of the original’s formula. The ending wasn’t nearly as well-received, but as a rogue-like, it remains at the tippity top of such experiences to play. Will that be enough to elevate it above the others? Probably not, even with its stellar combat, characters, and presentation, but the fact that it’s become undeniable brings a smile to my face.

Of course, you also have games which have much lower chances of claiming a ton of awards, despite leaving their own mark. I can see AdHoc Studio’s Dispatch winning some awards for its performances and writing, but it likely won’t go much further beyond that, which is a shame considering it’s one of the best narrative adventure games in years and years. Metal Gear Solid Delta: Snake Eater is as faithful a remake as you can get, but whether it’s due to the lack of boundary-pushing or the sheer number of other contenders, it may have to be content with winning top honors for remakes.

The same goes for Silent Hill f but in the horror category. As uncomfortably disgusting yet disturbingly compelling as it is, I don’t see it getting much mainstream recognition beyond the art direction and story. And as much as I like Absolum with its mix of rogue-lite mechanics, beat ’em up action and gorgeous 2D visuals, it’s unlikely to even win out in the indie category.

Regardless of all the above games’ chances and how many awards they accrue, they’re all fantastic titles that you should experience. Which one is your favorite to claim Game of the Year? Sound off in the comments and let us know.

Note: The views expressed in this article are those of the author and do not necessarily represent the views of, and should not be attributed to, GamingBolt as an organization.

Abrak spoke about how Hitman levels are typically designed to be much denser and allow for several hours’ worth of gameplay. While Dispatch offers some replayability thanks to narrative choices that players can make, resulting in branching paths, Abrak noted that Hitman’s levels focused on it to a much greater extent. Having less replayability in a given episode also means that developers have to be quicker about releasing the next episode.

“Yeah, I’m playing Dispatch myself, I think half of the globe is. It’s freaking fantastic, it’s a very, very nice game,” said Abrak. “Absolutely. It is a bit different, though, right?”

“We were, for sure, too early with the concept, and there were many, many mistakes made. We were also banging on that one Hitman level can yield 50 hours plus of gameplay, whereas the Dispatch structure is a bit different. It’s a much more episodic format, where yes, you can go back and kiss Mandy, or not kiss her – I actually went back and replayed that part – but when there’s less replay opportunity, then you want to have the next episode coming sooner.”

The studio has taken these lessons to heart, said Abrak, who also spoke about the value of brevity for games. He noted that not all games need to be 40 hours long, and that the medium can also learn from short-form TV shows that tell an entire story in six episodes.

“So yes, there are learnings on that, and I think that’s a huge topic,” he said. “What is the future of gaming? Do all games need to be 40 hours? One of the things I enjoy a lot is short TV series, just six episodes, especially the British ones. I love that, it’s not too long. So I think it’s very interesting, we are thinking about these things for future instalments.”

While 2016’s Hitman saw an episodic release for its levels, IO Interactive largely left the idea behind when it released Hitman 2 and 3. The studio did manage to hang on to some of the episodic trappings, however, thanks to its regular releases of new content like Elusive Targets. Looking to the future, IO Interactive is currently working on 007: First Light for PC, PS5, Xbox Series X/S and Nintendo Switch 2, and it’s another full release rather than an episodic one. For more details about the upcoming title, check out the recent trailer unveiling the Aston Martin Valhalla.

This is especially impressive when you consider that (A) Dispatch is a new IP in a genre that isn’t exactly the hottest and (B) AdHoc Studio previously set a three-year sales target. That figure in question was unknown, but the title was track to reach it within three months. Will it revise those expectations once again in the wake of this new milestone? Time will tell.

Dispatch is available for PS5 and PS5 with the story following former superhero Robert Roberston, as he joins the Superhero Dispatch Network. The problem is that he oversees a squad of former villains that consistently rank at the bottom of the leaderboards, and must find a way to turn things around. For more details on the complete season, check out our review.

The urge to fight against one’s supervillain instincts even after numerous failures; the journey to be better, even when the whole world tells you that you’re a screw-up; the drive to be a hero, even when you don’t fit the bill; and moving on, even if the pain is all you’ve ever known. Dispatch, AdHoc Studio’s first proper narrative adventure game since announcing The Wolf Among Us 2 with Telltale Games way back when, tackles all of these subjects and more with a humanistic lens.

The structure will be very familiar with its extensive cutscenes, emphasis on dialogue choices, and ominous upper-left notifications that so-and-so character will remember that. However, Dispatch goes far beyond the usual Telltale format to deliver a story with sharp writing, phenomenal characterization that makes every character endearing, and yes, even some fun gameplay elements that elevate it beyond the average text-based adventure with bells and whistles.

"All of these characters and so many more are just so delightfully written. Comedy in any superhero story is tough, especially in this post-MCU age, but Dispatch pulls it off without a hitch, with the tight dialogue and pacing supplanted by the excellent performances."

Of its many relatable moments, the story begins with Robert Robertson, aka Mecha Man, or at least the latest to inherit the suit. After a battle against the mysterious Shroud and his super-powered cronies, the suit is pretty much destroyed. A chance encounter with the Blonde Blazer leads to an offer to work for the Superhero Dispatch Network. His task is to manage a group of superheroes, allocating them to different tasks and overseeing their progress.

However, Robert’s job involves dealing with a group of so-called “reformed” supervillains with bad attitudes. What should be the set-up for a sitcom-like situation is…well, exactly that, and Dispatch doesn’t shy away from feeling like The Office meets the Thunderbolts. The Z-Team, such as they are, are as comical as they are dangerously powerful, but the engaging writing means you’ll want to learn more about them, even at their ugliest.

Invisigal can turn invisible but only when holding her breath, and asthma means an inhaler is as essential as her fists. Sonar is a Harvard graduate – smart but also arrogant when he’s not being an idiot (it’ll make sense, don’t worry). He’s also capable of transforming into Mega Bat, which does little to change his demeanor but at least offers more tools to tackle different situations. Flambae is a hothead in terms of powers and demeanor, though his Razor Ramon-like charisma makes up for his lack of intelligence.

All of these characters and so many more are just so delightfully written. Comedy in any superhero story is tough, especially in this post-MCU age, but Dispatch pulls it off without a hitch, with the tight dialogue and pacing supplanted by the excellent performances.

Phenomaman, played by Travis Willingham, may come across as your average arrogant take on Superman, but instead comes across as more clueless and innocent to the world around him. Coupé, played by Mayanna Berrin (who’s also one of the writers, amazingly enough), is as shrouded in mystery as any assassin-turned-superhero, yet her snark and deadpan delivery elevate her beyond the same. Alanah Pearch as Malevola is dark and imposing with her supernatural powers, but also strangely approachable and relatable in her own way.

"Disruptions present skill checks of a sort, challenging you to resolve emergencies by leaning on a certain hero’s strengths. Then again, if you’re smart and send the right hero for a job, they can instantly resolve it without any risks."

It’s so difficult to choose a favorite character because of how great they can be, whether it’s basking in victories or mocking each other with parodies of artist names (which could have been disastrous anywhere else). However, Robert Robertson, played by Breaking Bad’s Aaron Paul, is the glue that connects it all. Bouncing between naivete, self-deprecation, cynicism, wishful thinking, and blind hope sounds impossible, and yet, he delivers an incredibly layered performance.

While the humor is a big appeal of Dispatch, it’s only one part of the overarching narrative. Trying to be a hero even without powers and his family’s keepsake, Robert is an empathetic figure as a whole, but that doesn’t mean he isn’t prone to bouts of anger and annoyance. Much of that rides on the player’s own dialogue choices, yet it never feels like you’re pursuing one personality over the others. Instead, they’re all shades of the once (and hopefully once-again) Mecha Man, resulting in exchanges that feel natural without ever breaking character. Multiple other threads run through the story, but I don’t want to spoil them – they’re just that much worth experiencing first-hand.

However, oftentimes in a Telltale-style experience, the writing and presentation have to do more than their share of heavy-lifting to carry the gameplay, which ends up serviceable but an accessory overall. Dispatch weaves its set-up into the actual gameplay mechanics, presenting a pseudo-management-style game. Throughout your shift, new cases and emergencies crop up, and you need to send a hero – or heroes if multiple slots are available – to deal with them. Each Z-Squad member is skilled in different stats. Prism is charismatic and more than capable of dishing out a beating, but Golem can also deal damage while tanking more than his fair share.

Not everyone is capable of handling the same emergencies, so oftentimes, it may be a good idea to send other heroes to shore up any weaknesses. When they complete a task, they’ll return to SDN HQ and rest, making them temporarily unavailable during this short period (unless you use consumables like a fresh pot of coffee to get them off the bench). Other emergencies will pop up, though, and it becomes a task of juggling resources.

You would think this might quickly become stale, but Dispatch shakes things up in constantly surprising ways. Disruptions present skill checks of a sort, challenging you to resolve emergencies by leaning on a certain hero’s strengths. Then again, if you’re smart and send the right hero for a job, they can instantly resolve it without any risks. Certain scenarios also provide avenues for a hacking mini-game where Robert navigates paths, using directional inputs to unlock gates, obtain passwords and avoid viruses to commandeer cameras or track down scammers.

"Even after the positive reception to its first two episodes, I never thought AdHoc Studio would build on that momentum and deliver one of my favorite stories – video game and otherwise – of this year."

But that’s not all. Completing tasks earns XP for heroes, allowing you to improve one of their stats to min-max their respective proficiencies or make them more suited for other tasks. So while I kept Sonar as a more intelligent, charismatic individual and Invisigal as the hard-hitting, mobile hero, Malevola would slowly but surely evolve into a hero that could potentially shore up weaknesses in any team-ups.

Each hero also has different traits, like Invisigal working better alone or Prism creating a copy of another hero, adding half their respective stats to the task at hand. Did I mention that superhero training can also crop up, letting you select different specializations for each hero? Flambae’s talent for burning hot and instantly crashing out is manifested in Supernova, where succeeding two jobs in a row will max out his combat and mobility stats and eliminate rest time. However, one failure and all his stats drop to 1. Heroes can also get injured or go out of commission, and it’s up to you to adapt. If certain team-ups succeed enough times, they’ll unlock powerful synergies, making them even more of a force to reckon with.

Even with all this happening, it never bogs down the narrative, instead complementing and accentuating it in different ways. Heroes chat with each other – and Robert – during shifts, sometimes even going off on their own for different reasons. A seamless interface and controls ensure the pacing remains slick all throughout, while the different options and approaches lend some surprising amounts of replay value.

In terms of presentation, Dispatch’s visuals and music are top-tier, the former making each episode feel more like a high-quality animated TV show than a game on most occasions. However, I was also very impressed by the cinematography, editing and overall cutscene choreography. Even without the choices and gameplay, this would be a highly compelling show to watch in its own right. With them, it’s a superhero story that’s simply impossible to resist.

Even after the positive reception to its first two episodes, I never thought AdHoc Studio would build on that momentum and deliver one of my favorite stories – video game and otherwise – of this year. Dispatch is just so packed with such passion, be it in the writing, performances and presentation, that it’s almost impossible to put down. Where Robert, Z-Squad and the SDN go from here remains to be seen, but this is a narrative adventure that you simply owe it to yourself to experience.

This game was reviewed on PC.