The Steam release coincides with the new Photo Mode update. As the name implies, it allows players to take pictures in-game. You can also edit photos, changing the field of view, exposure, depth of field and other settings while adding filters like Cartoon, Sepia, Noir and so on. Protagonist Rani can also be adjusted in different poses and facial expressions based on one’s preference.

Other features include support for languages like Simplified Chinese, Russian, Japanese and Brazilian Portuguese. As for whether any more new features or content will be added to the game, we’ll need to wait for more details. Stay tuned in the meantime.

A new update will also launch at the same time which adds Photo Mode and four additional languages (Japanese, Simplified Chinese, Russian and Brazilian Portuguese). Photo Mode provides tools for taking screenshots and editing different settings like focus distance, depth of field, exposure and field of view along with filters and grading. These images can then be shared online with others.

Stay tuned for more details on The Gunk’s release for Steam and other storefronts in the coming months (though the new update seems to be coming to Xbox platforms first). Check out our official review here in the meantime. You can also watch the first 15 minutes of gameplay here.

The Gunk tells the story of Rani and Becks, two scavengers exploring the outer reaches of known human space to gather resources and find something that can make them some money, which they desperately need. The two friends land on an alien planet after chancing upon an energy signal, and soon upon their arrival, they find it completely decayed and isolated, with much of its long-standing troubles seemingly being brought about by an unknown, corrupting, black gelatinous substance that they dub “the gunk”. Hoping to find the source of the energy signal, which they’re assuming will lead them to a money-making discovery, Rani heads deeper into the planet with Becks’ support in an effort to uncover the planet’s mysteries.

"With The Gunk, Image and Form has delivered yet another stone-cold classic that sinks its teeth into you the moment it kicks off, bites deeper and deeper as it progresses, and then embeds itself into you by the time it comes to an end."

The Gunk’s story succeeds in more ways than one. Rani and Becks are the heart and soul of this tale, and it’s a tale with a lot of heart and soul. Both of them are very relatable, very normal people who, even though they find themselves in an extraordinary situation, are dealing with very real, very ordinary problems. In spite of these obstacles, they both remain upbeat and optimistic, with Rani’s sense of wonder and curiosity being constantly piqued by the rich enigmas and alien beauty of the planet, and Becks pulling her back with her pragmatism and cautious personality. The dynamic between the two characters and the bond that grows deeper and deeper as the story progress makes this an incredibly human story that’s easy to immediately get invested in. It helps that both characters are voiced and written expertly.

On a macro level, there’s plenty else to pull you in in The Gunk’s story as well. Right from the get go, the game builds up an intriguing of mystery, and instantly, you have core questions to latch on to that pull you through the entire experience. What is the gunk? What’s it doing to the planet? What’s the source of the energy signal? As you progress further, Rani and Becks discover ancient alien ruins of a long-forgotten civilization, and those questions are compounded even further. The intimate and big-picture halves of The Gunk’s story work together perfectly, combining to deliver a narrative that is as heartfelt as it is captivating.

And there’s just as much to love on the gameplay front. The Gunk abides by the “less is more” philosophy, and rather than creating a vast web of mechanics, it focuses on a handful of those and builds on them in increasingly clever ways as the game progresses. Your primary way of interacting with the world is by using a vacuum-like device in Rani’s prosthetic hand, which is used to suck up the gunk in corrupted areas. Once all the gunk in an area has cleared up, that area transforms, going from decrepit and rotten to lush and gorgeous in the blink of an eye. With that comes a change in the environment, with new areas to traverse, new environmental objects that you can use to get to previously inaccessible areas, and new resources to collect.

"The intimate and big-picture halves of The Gunk’s story work together perfectly, combining to deliver a narrative that is as heartfelt as it is captivating."

Collecting resources is equally important too, because those resources – divided across various categories like metal, fiber, and organic – are used to upgrade and improve Rani’s prosthetic arm, which in turn allows you to explore and traverse the alien planet more effectively. These two elements – the need for collecting resources and being able to explore areas that change through your actions – work together perfectly to elevate exploration in The Gunk to incredible heights. The environments and levels that you find yourself in this game are also never awfully massive, but they’re intricately designed with interconnecting paths, unlockable shortcuts, and smartly designed puzzles that ask you to use your limited arsenal of tools in different ways.

The environments, in fact, motivate you to explore just as much as the game’s own mechanics. The Gunk is a gorgeous game, and the alien planet is a dense, lush, and beautiful location full of striking sights and vistas and vibrant flora and fauna. There’s also a scanning mechanic that takes heavy cues from the Metroid Prime games, and looking for new things in the world to scan and learn more about never gets boring. It also helps that there’s a surprising amount of environmental diversity in the game, like dense and lush outdoor locations, towering alien ruins with ancient statues, networks of dimly lit caves, abandoned mines with crumbling machinery, and much more.

With almost zero emphasis on combat, intricately designed levels that are as enjoyable to explore as they are beautiful to look at, and a tight, compelling loop of collecting resources, upgrading your tools, scanning objects, and solving puzzles, The Gunk exhibits that it’s perfectly aware of where its biggest strengths lie, and it doubles down on those strengths every chance it gets. Things only get more complex and mechanically interesting as the game progresses, which means you’re always excited about what lies around the corner. If there’s one issue with the how the game plays, it’s that the movement can sometimes feel a bit inaccurate and cumbersome, especially during the light platforming sections, and can, as such, lead to unnecessary moments of frustration- though these are, in the grand scheme of things, little more than minor annoyances.

"With almost zero emphasis on combat, intricately designed levels that are as enjoyable to explore as they are beautiful to look at, and a tight, compelling loop of collecting resources, upgrading your tools, scanning objects, and solving puzzles, The Gunk exhibits that it’s perfectly aware of where its biggest strengths lie, and it doubles down on those strengths every chance it gets."

On the audio-visual side of things, The Gunk is similarly excellent. In my time with the game, I have had some issues with excessive motion blur and the sound occasionally glitching out, but other than these minor stumbles, the game has impressed me thoroughly. Technical strengths such as incredible draw distances, densely packed environments, and a solid frame rate go a long way towards allowing the game’s artistic beauty to shine the way it should, and the soundtrack serves as a perfect companion to the tone that The Gunk sets every step of the way.

Though The Gunk is not a flawless game, such shortcomings as it has are relatively minor when all is said and done. The lingering sentiment that stays with me regarding the game at this point is one of overwhelming positivity- a positivity that is a composite of emotions such as awe, empathy, wonderment, curiosity, an investment in its narrative and storytelling, and an appreciation for how expertly it builds on and emphasizes its own narrative strengths. When all is said and done, The Gunk is fantastic, and it is heartily recommended to just about anyone.

This game was reviewed on the Xbox Series X.

The story sees Rani and Beck, two scavengers scouring the galaxy for work, venturing to the planet in search of valuable resources. Things quickly take a turn as Rani explores the world, restoring its natural beauty with her mechanical arm, and fighting off the corrupted creatures that dwell within. An ancient civilization was present before and discovering their fate encompasses half of the mystery.

Eventually, players will have to make a choice – whether to save the planet or scavenge whatever resources they can. The Gunk is available for Xbox One, Xbox Series X/S and PC along with Xbox Game Pass. You can read our review of the game through here.

SteamWorld Dig 2, the excellent metroidvania adventure game that launched on Nintendo Switch, PlayStation 4, PlayStation Vita, Nintendo 3DS, and PC last year, is available to purchase now on Xbox One. For some reason, this excellent game, which is full to the brim with great mechanics, fantastic level design, and a whole lot of content, was not available on Microsoft’s console until now, though thankfully that seems to have been rectified.

It seems like this is just the game straight up, with no platform specific or exclusive content, which is often characteristic of indie games that come to consoles later. It also costs $19.99, which is the exact same price that the game is everywhere else.

Still, as mentioned, this is an amazing game, and I think Xbox players who have any interest in the Metroidvania style of game design need to look into this, since it’s one of the best games of its ilk we have seen in years.

Image and Form’s excellent SteamWorld Dig 2, which launched last year for PC, PS4, Nintendo Switch, and PS Vita, will be adding another system to that list- a Nintendo 3DS version of the game has been confirmed. What’s more, you won’t have to wait too long for it either- the game will be available to 3DS owners just ten days from now, on February 22.

The 3DS version of the game seems to be a feat of programming, and will run at a full 60 frames per second, even with the 3D slider cranked up to full. It won’t be cheap, though- Image and Form have confirmed that the game will cost $20, and presumably, there won’t be any Cross Buy program in place, either.

If you haven’t already played the game for whatever reason, now would be an excellent time to jump in, because it is absolutely awesome. While personally I am partial to it on the Switch, in the end, the game is great no matter where you play it, so if it’s 3DS you want it on, go for it.

Image and Form’s SteamWorld Dig 2, a follow-up to the quirky Metroidvania title that released on 3DS first, will be heading to PS4 and PC. This was announced on the developer’s website and while it will still arrive for Nintendo Switch first, you can expect the PS4 and PC versions to release “within a few days”.

SteamWorld Dig 2 focuses on Dorothy, a steambot who is searching for her companion. Players will use a pickaxe to move through the world, digging through and harvesting resources. It will be interesting to learn more about the world that Dorothy is on, especially since SteamWorld Heist took place in a future where the Earth was destroyed.

Will SteamWorld Dig 2 come to PlayStation Vita or 3DS? The developer answered, “Nintendo 3DS and PlayStation Vita are still important to us. We won’t talk more about portable versions today, but rest assured we have not forgotten where we came from.”

As for a release date, you can expect SteamWorld Dig 2 to release in “late Summer/early Fall” since it’s “pretty much finished now”.

We’ve already heard a little bit about the screen that will be coming along with the Nintendo Switch. Now we’re getting some more details, or at least some more developer comments about what we should expect to see when the console launches next year.

Image and Form, the company that developed the Steamworld franchise held a bit of a question and answer session on Twitter about the new console. While the devs made it clear they couldn’t be specific about features, the session did lead to Image and Form to say that no one should be worried about processor power.

The devs have said they have had a dev kit since earlier this year and that while they can’t talk about what they’ve seen, the controls on this console also feel great. Finally, the company said they have no concerns when it comes to the weight of the device when players are  going to carry it like a mobile device. We’ll get to see for ourselves when the device launches next year.