To that end, long-time Mario producer Yoshiaki Koizumi and prolific game designer Shigeru Miyamoto were also consulted early on during development “so that we could discuss what were the particular characteristics of Donkey Kong as a character.” This would end up being quite fruitful, since the discussions “started to lead into ideas for gameplay and also the types of technology that we might use to bring that to life.”

“This comparison with Mario versus DK,” was an important factor for the development team, according to Motokura, “in terms of what sort of a player do they appeal to. Is there perhaps a slightly different kind of person that might prefer one character over the other?” While both franchises offer plenty of fun, however, Motokura wanted to continue focusing on differentiating both of the IPs and offer players more gameplay variety.

“Certainly, you can have really fun experiences in Mario games and really fun experiences in Donkey Kong games,” Motokura explained. “But we want to find the differences between those two IPs, and really bring that out, as variety for people to enjoy. And that goes to the style of play as well.”

Back in July, Motokura had spoken about how the development of Donkey Kong Bananza had largely happened due to Koizumi approaching the team for a 3D game after work had been completed on Super Mario Odyssey.

“Because Nintendo does have a lot of characters to choose from, we’re always considering what would be good timing to create a new game with a certain character to most pleased customers,” said Motokura. “But of course, that’s just my best guess. You’d really have to ask Mr. Koizumi for the real answer.”

The decision to focus on the sheer strength of Donkey Kong in gameplay terms happened thanks to a discussion with Miyamoto. “For [Miyamoto], a lot of things that came up were the unique actions that a really strong character like Donkey Kong can engage in, things like the hand slap or blowing his breath,” he continued.

“And I also spoke to Mr. Koizumi who had served as the director on Jungle Beat. And for him, one thing that was a really important distinguishing characteristic from a character like, say, Mario, is that Donkey Kong has these longer, stronger arms. So we took all of these distinctive features of Donkey Kong as a character and tried to think about how we could bring them to play in a new game.”

Donkey Kong Bananza is available exclusively on Nintendo Switch 2. For more details, check out our review.

While a sequel could very well follow in the same vein, that doesn’t mean it won’t attempt some unique things. “Probably, we’ll see the same sort of phenomenon as we did when going from Super Mario Odyssey to Donkey Kong Bananza, where there were some ideas and development that acted as hints for the future development of Donkey Kong Bananza,” said producer Kenta Motokura to GamesRadar at GDC 2026. “I do expect that will be the case where some ideas from Donkey Kong Bananza provide future hints for our next project, as well.”

That said, the focus is still on providing a fresh experience to players. No one really expected that Donkey Kong would be able to transform into different animal hybrids with the power of Pauline’s singing while tearing through levels, but here we are.

“As far as ‘what is the standard,’ I think the standard is really what will feel fresh to a player in a new title. So, for example, when we were developing Super Mario Odyssey, we were thinking about Mario transformations that no one had seen up to that point. That’s always a goal in mind when working on a project.”

It may be a while before we see those ideas manifest in an actual title, though. Remember: Super Mario Odyssey launched in 2017, the same year as the Nintendo Switch, and Bananza arrived a whopping seven years later, right on time for the Switch 2’s launch year. While a trifecta would make sense for a theoretical Switch 3, it wouldn’t be surprising if Nintendo is looking at other ways to leverage the beloved Kong’s popularity.

In the meantime, however, Bananza players will have to satisfy themselves with DK Island and Emerald Rush, a paid DLC with a new rogue-like mode and limited-time events that reward special statues.

Other notable sales milestones for first-party titles include Donkey Kong Bananza selling 4.25 million units; Pokémon Legends: Z-A – Nintendo Switch 2 Edition at 3.89 million (12.3 million with the Switch 1 version included); and Kirby Air Riders at 1.76 million.

What’s shocking is that Metroid Prime 4: Beyond isn’t even listed. Granted, it launched in early December, and it very well could have done well on the original Switch. Nevertheless, considering how long ago it was announced and the rebooted development – not to mention this is the illustrious Metroid Prime franchise we’re talking about – it’s somewhat disappointing.

Nevertheless, with 17.37 million Switch 2 consoles sold in less than seven months, Nintendo is clearly just getting started with its first-party rollout. The next big release is Mario Tennis Fever, which is available on February 12th. There’s also Tomodachi Life: Living the Dream, out in April for the original Switch, but which could receive higher-resolution support on the Switch 2.

From grand open-world adventures and haunting psychological thrillers to emotionally layered narrative journeys and tightly crafted action, these games prove that single player games are thriving. These are the games that immerse us, challenge us, surprise us, and remind us why we fell in love with gaming in the first place. With this feature, we are running down 15 of the greatest single-player experiences from 2021 to 2025.

Clair Obscur Expedition (2025)

Clair Obscur: Expedition transports players into a dreamlike world where reality is painted, reshaped, and wiped clean every year by a mysterious celestial artist. It’s combat system blends turn-based mechanics with real-time inputs, which helps it stand out from the crowd. Every encounter feels like a stage performance of sorts, and its unique setting wraps everything in a surreal, painterly aesthetic. Expedition succeeds because it fully commits to its artistic identity; story, visuals, and music all speak the same emotional language. 

Electronic Arts would also announce that it’s shutting down servers for Anthem, which is the first reminder in a while that it still exists. Microsoft’s Halo Infinite recently entered maintenance mode – a far cry from plans to become the initially promised “start of the next ten years of Halo.” Of course, even newer titles weren’t safe. Remedy’s FBC: Firebreak debuted disappointingly, resulting in heavy losses and the studio’s CEO stepping down.

Even on a smaller scale, games like Wildgate and Jump Space, despite launching with some positive buzz, have since fallen by the wayside in player counts. Granted, games like ARC Raiders and Battlefield 6 remain standouts; the former offered an excellent extraction shooter experience in a pretty barren market. Meanwhile, the latter marked the first mainline Battlefield title in years that fans actually enjoyed, despite its many warts (including a single-player campaign).

Titles like PEAK and R.E.P.O. went on to become massive co-op successes. There’s also Split Fiction, which showcased Hazelight’s talent in once again delivering a compelling co-op story with fun gameplay.

However, the past year, perhaps more than others, has reinforced the importance of single-player games.

Despite selling PS5 consoles by the tens of millions, Sony outright promised a major triple-A single-player title each year because – surprise – it’s a major selling point for the console. Thankfully, it delivered with not one but two incredible titles: Kojima Productions’ Death Stranding 2 and Sucker Punch’s Ghost of Yōtei. Both games were building off already established titans, and yet, they managed to exceed expectations.

Death Stranding 2 confirmed that Hideo Kojima’s signature brand of quirkiness/madness when it comes to storytelling was still intact. However, it also improved on so many other fundamental aspects from the original, including the world design, gunplay, stealth, and pacing. Meanwhile, Ghost of Yōtei, while retaining the same combat fundamentals, spiced it up with new additions like multiple weapon types, disarming, and throwing weapons. Its open world also received excessive praise, as activities were naturally laid out and seamlessly connected in ways that made it feel alive.

Then again, it wasn’t just Sony that realized it had to return to what brought it to the dance. Konami released not one but two well-received and successful titles in its long-running franchises – Metal Gear Solid Delta: Snake Eater and Silent Hill f. It also reaffirmed its commitment to the long-term future of both series, whether it’s the desire to remake more Metal Gear Solid games or its announcement of a Silent Hill 1 remake from Bloober Team.

Of course, some of the other highly rated games of the year have been single-player titles. Clair Obscur took the industry by storm, and even if there are arguments about how “indie” it really is, it’s received universal praise for its combat, storytelling and world. The fact that it received the most nominations in The Game Awards history and won more than its fair share is just the cherry on top.

However, it’s not alone when it comes to other nominees, which are also predominantly single-player, like Kingdom Come: Deliverance 2, which is packed with memorable quests, personable characters, and tons of ways to role-play your version of Henry. It’s still unbelievable how the development team effectively beat Bethesda at its own game in terms of attention to detail, reactivity and fidelity with fewer resources. Of course, for those who wanted something more light-hearted, there’s Donkey Kong Bananza, a magical 3D platforming experience from the Super Mario Odyssey team, which mixes the traditional collect-a-thon gameplay loop with the absolute freedom to destroy everything.

And the crazy thing is that these don’t even represent a fraction of the best single-player games this year. You have indie efforts like Blue Prince, which is unlike anything seen before – a rogue-like puzzler where you arrange the layout of a house from a selection of rooms to reach the mythical 46th room. Team Cherry’s Hollow Knight: Silksong arrived more than six years after its initial announcement and blew away expectations. It was so highly anticipated that almost every digital storefront crashed as soon as it was available to purchase.

That’s not even accounting for the likes of Hades 2, Sektori, Keep Driving, Marvel Cosmic Invasion, Pipistrello and the Cursed Yoyo, StarVaders, Shinobi: Art of Vengeance, Ninja Gaiden: Ragebound, Citizen Sleeper 2: Starward Vector, Sword of the Sea, Ender Magnolia, Trails in the Sky 1st Chapter, Absolum, the Drifter, Ball x Pit, Bionic Bay, Look Outside – the list goes on. Even if you sat down and only tried to play through all the incredible titles released this year, you would have more than enough to sustain you through 2026.

However, that won’t be necessary. In a twist that no one saw coming, the most anticipated games of next year are – you guessed it – single-player titles. Grand Theft Auto 6 is leading the charge, and that’s all because of its story mode, since we know nothing about how it will handle GTA Online. Resident Evil Requiem crossed one million wishlists just weeks after its announcement, and looks poised to be the biggest game in the franchise by far. Marvel’s Wolverine is, well, a Wolverine title in every sense of the word. Based on Insomniac’s success with Spider-Man and immaculate track record, you can bet it’s going to be another huge success. You also can’t forget Saros, Housemarque’s follow-up to Returnal, which looks to expand upon it in all the right ways while maintaining its creepy environmental and enemy designs.

Heck, even Microsoft’s single-player offerings in 2026 look good with Fable, Gears of War: E-Day, and Forza Horizon 6 to look forward to. We’ll wait and see how Halo: Campaign Evolved fares, but if nothing else, it looks very good.

Compare this to future live-service multiplayer offerings like, say, Fairgame$, which has no buzz or intrigue. Heck, rumors claim that it may even be cancelled before launch. Sony hasn’t outright backed out of such titles, but it’s definitely much more careful after sustaining heavy losses.

It’s not like the business model has no future whatsoever. Where Winds Meet is technically a live-service game, but it offers a massive single-player component that’s only going to get bigger. Ananta has generated buzz for essentially being “Anime GTA”.

However, while publishers still seek to delve into the live-service space for that sweet recurring revenue from microtransactions, it’s single-player games that continue to drive the industry forward in terms of storytelling, immersion and gameplay. And customers are responding in kind – a recent survey by Ampere Analysis revealed that the majority of players in Japan, the UK and the United States preferred single-player games over multiplayer (though younger players skewed more towards the latter).

Personally, I could be the least bothered to remember anything noteworthy that happened in Destiny 2 this year, but meeting Monoco and traveling to confront the Paintress at her Monolith? Trekking across the mountains of Mexico and taking in the sights? Whatever the heck was going on with Hinako in the OtherWorld? All these moments will probably stay with me forever, and deservedly so.

Note: The views expressed in this article are those of the author and do not necessarily represent the views of, and should not be attributed to, GamingBolt as an organization.

Mario Kart World

The best Mario Kart in the series? Your mileage (pun fully intended) may vary, but it is by far the most feature-packed. Free Roam in an open world with P-Switch challenges and cosmetics to gather; new moves like hopping and wall-riding for a higher skill ceiling; brand new tracks that seamlessly link together; and new modes are just some of the things long-time fans can look forward to, and it all works well.

Kirby Air Riders

21 playable characters and 22 machines, each with unique abilities and stats respectively; brand new tracks and remasters from the first game; the return of Top Ride and City Trial, with the latter turned into a faux battle royale mode of sorts; boss fights; and a full-fledged story mode. But even if you want to hop on for a simple race or two, it’s pure unfiltered fun – just like the original.

Pokémon Legends: Z-A

While there’s plenty of criticism to be had for its visuals, Game Freak’s latest mainline Pokémon title manages to capture that same monster-collecting magic. Lumiose City is full of unique sights, sounds and Pokémon to collect, and new elements like the Z-A Royale and Rogue Mega-Evolved Pokémon, alongside simple delights like traversing the rooftops, make it stand out.

Metroid Prime 4: Beyond

Catacomb-like levels, progressively unlocking new abilities and backtracking to uncover new areas, that expectation of something incredible around every corner – even after all these years, Retro Studios still knows how to capture that feeling. The new additions in Beyond, like Vi-O-La, also seamlessly slot in, and wouldn’t you know it, even the NPC companions, despite concerns pre-launch, aren’t terrible. More importantly, experiencing it with such fidelity, complete with mouse controls, elevates it to a new whole level.

Super Mario Galaxy + Super Mario Galaxy 2

Technically not a native Switch 2 release, experiencing two of the greatest platformers of all time in 4K is hard to resist. The new Storybook Chapters offer a bit of new content, but really, it’s all about scouring the galaxies once more, reliving the wonder of each planet and the discoveries they hold.

Donkey Kong Bananza

It almost seemed impossible that Jumpman’s worst nightmare would get his own starring role once more, but Bananza delivers on that and then some. Excellent platforming and bombastic visuals were a given – this is from the Super Mario Odyssey team after all – but the destruction elements work so well in tandem, resulting in a 3D platformer that’s more than worthy to stand side by side with Mario’s greatest adventures.

Hades 2

Supergiant follows up one of the best rogue-likes in years with – surprise, surprise – an incredible sequel. Between the sheer amount of stuff to do, whether you’re venturing into the Underworld or ascending into Olympus, the challenging and unique boss fights, or the sheer depth that each new weapon offers, Hades 2 feels like a massive step forward in every single way.

Split Fiction

Hazelight’s latest is one of the best co-op experiences of the year (and many before it), and feels tailor-made for Switch 2. Even if it’s not the most fully-featured port, being able to GameShare with local players or engage in cross-play, alongside the Friend’s Pass (which means not having to buy an extra copy), is still great.

Inazuma Eleven: Victory Road

You wouldn’t believe this took more than nine years and multiple delays to release, but that seems to be a theme for 2025. Regardless, Inazuma Eleven: Victory Road isn’t the most realistic adaptation of football so much as the best adaptation of the anime, complete with MAPPA’s cutscenes and over 5,400 recruitable characters. It’s truly unlike anything else out there and a blast once you get into it.

Hollow Knight: Silksong

Team Cherry’s long-awaited sequel is infuriating, frustrating, and challenging, but it’s also mesmerizing, addictive, and oh-so-good to control. The gameplay loop remains as finely crafted as ever, enhanced all the more with Hornet’s movement abilities, and the sheer attention to detail in areas, from their art to their secrets, will keep you coming back long after. It’s a tough bug to love, but Silksong is a stellar game.

Cyberpunk 2077: Ultimate Edition

The prospect of Cyberpunk 2077 running on the original Switch was laughable years ago, and yet, here we are more than five years later, experiencing it on the Switch 2 in all its glory. From the excellent base game to the stellar Phantom Liberty, this is still one of the best RPG experiences, and the addition of touch screen gestures for the UI and gyro aiming makes it feel that much better on the Switch 2. Also, shipping the entire package on an actual cart instead of a Game-Key Card? Chef’s kiss.

The Legend of Zelda: Tears of the Kingdom – Nintendo Switch 2 Edition

Truth be told, the new features – like the phone maps and QR codes for sharing Zonai machines – weren’t the most game-changing for Nintendo’s masterpiece. Nevertheless, it’s still a masterpiece, and being able to play it in 1440p/60 FPS with improved fidelity and faster loading is what we’ve always wanted. For that reason alone, it’s worth picking up.

Kirby and the Forgotten Land: Switch 2 Edition + Star Crossed World

For those who didn’t get their fill from Air Riders, the Switch 2 version of Kirby’s acclaimed 2022 adventure is well worth diving into. Star Crossed World offers a brand new storyline with new sections in old stages alongside new abilities, Mouthful modes and enemies to tussle with as you investigate a mysterious meteor. And of course, it’s a significant upgrade over the original’s already gorgeous visuals.

Cronos: The New Dawn

Bloober Team made a big impact with last year’s Silent Hill 2 remake, but its newest title channelled an altogether different survival horror vibe. A post-apocalyptic future with mutating monstrosities, time-traveling, a more enigmatic pace and protagonist, and more kept Cronos from feeling like a Dead Space rip-off. Even in handheld mode on the Switch 2, it’s a tense, terrifying ordeal.

Star Wars Outlaws

Ignored at launch, Massive Entertainment’s Star Wars scoundrel had a quiet but notable redemption this year, aided by its Switch 2 port. How the development team (in collaboration with Red Lynx) managed to deliver such great performance and ray tracing while retaining image quality, even with DLSS, is fascinating to behold. The fact that the game itself still looks so gorgeous while playing better than ever also doesn’t hurt.

And the Best Switch 2 title of 2025 goes to…

Donkey Kong Bananza

Did you really expect anything else, especially when a Donkey Kong game lets you rip chunks out of the environment to toss at enemies or surf on them with utter abandon? Bananza is more than just the Mario Odyssey formula, but with more destruction and a different protagonist. It’s a masterclass in pacing, deftly balancing the collect-a-thon aspects and real-time destruction with superb level design. Donkey Kong controls like a dream; the new Bananza Powers are as ridiculous as they are fun; and there isn’t an ounce of filler or unnecessary padding. For that reason, and many more that we could spend all day listing, it’s our pick for the best Switch 2 game of 2025.

Let’s dive into the most amazing games of this year that can offer 50 to 100 hours (maybe even more) of great gameplay.

Ghost of Yōtei

Returning to your birthplace to avenge your brutally murdered family is cool and all, but discovering all the puzzles? Bonding with your ferocious wolf by slaying poachers? That’s where it’s really at. Ghost of Yōtei is excellent at seamlessly weaving optional activities into its exploration – be it Bamboo Strikes, Sumi-e Paintings – and making every single one feel unique. But maybe you’d fancy earning some new armor that can deflect bullets by stealthily infiltrating a teahouse for Ginji the Armorer. Perhaps earning an incredible Charm by assisting Ran the Bowyer. Slay Takezo’s disciples for the privilege to face him in a duel. And probably engage in some bounty-hunting on the side.

Kingdom Come: Deliverance 2

Mysteria Ecclesiae is out, meaning Kingdom Come: Deliverance 2 has wrapped up all its DLC, but even if you didn’t venture off the beaten path, Henry’s journey is still one of the best open-world RPGs of all time. Starting from nothing, slaving away in menial jobs, finding your calling as a blacksmith (or a hunter, or an herbalist, really, take your pick), and slowly building yourself back up, Bohemia is simply bustling with things to see and do. Lead a noble life, beloved by all, or become a no-good criminal, destined only for the guillotine. It’s your choice, and the sheer reactivity of the world is something to behold over the course of 100+ hours.

Jurassic World Evolution 3

The biggest and perhaps most satisfying game in the series yet, with 90 species of dinosaurs with juvenile variants added for the first time. And that’s not even including the dinos from Evolution 2, added for free post-launch. But even with the extensive campaign, community creations and challenge modes, the real time sink is in Sandbox Mode, as you perfectly craft the dinosaur park of your dreams, optimizing every single aspect…or watching it fall into chaos. It even features a custom island generator for when you (inevitably) have to start over.

Assassin’s Creed Shadows

For all the ways that Ghost of Yōtei surpasses Assassin’s Creed Shadows, the former is missing one thing: Base building. Or more accurately, hideout customization, where you can adjust the very moss on rocks to cultivate your league in the most aesthetically pleasing way possible. Of course, Shadows has plenty of other content, from castles to attack, skills to master, loot (weapons and armor) to plunder, and so on. In fact, there are even new story quests, collaborations, parkour improvements, and Corrupted Castles to challenge.

Clair Obscur

On its own, the story is an absolute rollercoaster, especially when optimizing builds and employing the most broken techniques possible. Act 3 is where all bets are off, however, and Clair Obscur unveils the full gamut of its post-game. A painted serpent in the skies; the Flying Manor where a familiar foe awaits; the Endless Tower with multiple sets of challenges – there’s just so much to discover, especially if you’re circling back and wiping the floor with previous Act bosses. It would all be for nought without a superboss waiting at the end, but don’t worry – Clair Obscur has that too.

Hollow Knight: Silksong

There’s nothing quite like wrapping up Silksong after years of waiting, going online and then asking out of pure bafflement, “Wait, Act 3?” Because you can explore the world of Pharloom, ascend to the top, defeating its toughest bosses, and yes, maybe rescue a few Fleas along the way. But there’s so, so much more, beyond what you’d even expect (or prep for). So go and complete those wishes, discover even more incredible characters, and if you’re feeling especially masochistic, there’s the one-hit KO Steel Soul Mode for a true challenge.

The Elder Scrolls 4: Oblivion Remastered

Technical problems aside, the Oblivion remaster is a treasure trove of content, even without accounting for mods. You get the massive base game – a heroic quest to stop the Gates of Oblivion from manifesting in Cyrodiil, with all its side quests, quirky NPCs, and dungeons to plunder. There’s also various DLCs for even more adventuring (and arguably superior narratives). Play multiple builds, approach quests from different angles and most importantly of all: Endurance, endurance, endurance.

The First Berserker: Khazan

There’s more to The First Berserker: Khazan’s story than the revenge quest, least of all the retries required to best its bosses. Embarking on side quests and finding all the fragments of Ozma’s Diary is the route towards the best ending. But even if you’re content to explore or replay on higher difficulties, there’s also New Game Plus, which carries over all armor, skills and weapons, increases the level cap and lets you craft Epic and Legendary equipment. Best of all? Transmog for the true endgame – fashion.

Pokémon Legends: Z-A

230 Pokémon to catch and 65 Mega Evolutions only scratch the surface of Z-A’s content. There are dozens of side missions to complete, the Z-A Royale to grind through (complete with promotion battles), and online multiplayer, including the new Battle Club for four players to duke it out. And that’s without factoring in Mega Dimension, a completely separate realm where the true end-game, full of level 100+ threats, awaits alongside even more Mega Evolutions.

Donkey Kong Bananza

An out-and-out blast from start to finish with a story that can be finished in less than 20 hours. But if you’ve played a 3D Mario game, you know that’s not the end – it can’t be. There are 1000 Banadium Gems, and what’s a King of Kong to do but collect them all? DK Island and Emerald Rush add even more with the latter’s rogue-like structure offering even more replay value, and that’s before diving into the limited-time events each month for new statues.

Death Stranding 2: On The Beach

When you can spend dozens of hours simply delivering packages, building bridges and ziplines, and admiring the sights, you know it’s something special. Fortunately, Death Stranding 2 offers more beyond that, from a healthy selection of weapons and targets to unleash them on to side quests with cameos from your favorite personalities to Ghost in the Shell director Mamoru Oshii as a Pizza Chef, no less. Otherwise, plan out your optimal routes and just have fun with the community.

Elden Ring Nightreign

With eight Nightlords and several other bosses in between, there’s room for plenty of killing in Limveld. Choose your Nightfarer, optimize that playstyle with different Relics and – if you like them enough – complete their personal quests for even more power. That’s the base Nightreign experience, not including all the Shifting Earth locations to explore. However, you can also challenge the Everdark Sovereigns, even tougher versions of the Nightlords, or venture into the Deep of Night for longer expeditions with cursed loot. And if that isn’t enough to keep you busy, attempt to solo everything. The Forsaken Hollows DLC adds even more content in the form of new Nightfarers, and new bosses.

Trails in the Sky 1st Chapter

The original Trails in the Sky FC takes about 66 hours if you’re aiming for everything – recipes, side quests, perfectly optimized Orbments. The remake is just shy of six hours, but even if you’re focused purely on the story and side content, it’s a long journey, made all the more fulfilling with expanded cutscenes and more combat depth.

Where Winds Meet

Everstone Studio makes no bones about wanting you to get lost in its massive world, offering thousands of NPCs to interact with and dozens upon dozens of hours of content. Even outside of the multitude of weapons, mystic techniques and Martial Arts to master, there is such a rich plethora of optional activities to indulge in. Engage in Shuai Jiao (the Sumo before Sumo became a thing), venture into dungeons, or just run around and explore the massive world while helping those in need. It’s a truly expansive experience that’s only going to get bigger once other regions launch globally.

Hades 2

There’s a moment in Hades 2 when you think you’ve understood everything that the game has to offer – its various Boons, the systems governing its weapons, the Incantations. Then the way to Olympus opens, and a brand new game is laid bare. Of course, you’ll still be growing crops, optimizing your Arcana, maxing out Keepsakes, upgrading weapons and unlocking their Hidden Aspects, and most importantly of all, discovering pets to assist you in runs. And even after the ending, there’s yet more to discover and greater challenges to conquer the Oath of the Unseen.

Just to clarify, though: This isn’t a precursor to our own Game of the Year Awards or any sort of hint at what could win. Any title at this point is still fair game. We’re just discussing all the major contenders and their chances of winning across the industry as a whole. With that said, there is one that many consider to be a shoo-in for The Game Awards, if nothing else – Clair Obscur: Expedition 33.

And how could it not be? It was the highest-rated new game among critics for months at a time – and no, those Switch 2 versions of Breath of the Wild and Tears of the Kingdom don’t count. For many gamers, it’s an experience that’s near and dear to their hearts in terms of narrative and characters; a success story that we hadn’t seen in a while from a group of developers who separated from a big triple-A publisher to pursue their creative vision.

Some loved exploring its Belle Époque world and taking in the stunning art direction. Others relished in its combat challenges, even though it was easy to over-level and unlock some truly broken builds by the end. Many found it to be the contemporary Final Fantasy that they’ve always wanted. Others, like me, felt like it set a new bar for $50 releases while sending a message to the utter messes that dared charge even $70.

It’s no surprise then that it would sweep the Golden Joystick Awards, winning Best Storytelling, Visual Design, Soundtrack, Supporting Performer, Lead Performer and Studio of the Year before nabbing the Ultimate Game of the Year prize. With 12 nominations at The Game Awards, the most in the show’s history, it’s a clear favorite to pull a Return of the King and dominate this awards season.

The only real competitor that truly comes to mind at this stage is Death Stranding 2: On the Beach. Granted, when the first game was released, its unorthodox gameplay, bizarre narrative and strong performances were enough for multiple nominations but only a few wins. Blame it on the inherent friction of the design, or whatever or just the fact that it was unlucky to release in the same year as Sekiro: Shadows Die Twice. Either way, it was a dark horse.

Not so with the sequel. It’s among the highest-rated new titles of the year, and the second-highest-rated among exclusives. It redefined visual standards for the generation with its gorgeous landscapes and impeccable character models. And while it’s always a toss-up how the story could turn out, Kojima Productions surprised us with some genuinely emotional hits on top of the usual twists, expanding on Sam’s story in so many welcome ways.

That’s before even getting to the gameplay, which accommodated so many other styles of play, resulting in a much more enjoyable experience. Long story short, it’s not just the prestige of Hideo Kojima’s name – Death Stranding 2 stands as a strong, well-rounded experience. No wonder then that it’s tied with another exclusive for the second-most nominations at The Game Awards, but we’ll get to that.

Instead, now would be a good time to talk about the truly beloved darlings that more than deserve to be in the Game of the Year discussion, but who are unlikely to win the big one. Blue Prince, Kingdom Come: Deliverance 2, Split Fiction – it’s a shame because each of these games is incredible in what they do, be it in KCD 2’s world design and sheer immersion, or Split Fiction’s range of gameplay experiences within its co-op framework. And then there’s Blue Prince – a truly innovative take on the puzzle genre with enough mysteries to keep players running around, even after hundreds of hours. If any of these games had been released last year, they may have taken the crown, but 2025 is too packed.

Unfortunately, that may also apply to Ghost of Yōtei. Now, I loved Ghost of Tsushima to bits, flaws and all. To say that I had high expectations for Yōtei, even before it was announced, would be an understatement. And yet, it surpassed almost every single one of them. The combat, exploration, visuals, overall presentation and narrative – it all felt personable and pitch-perfect. So while it’s yet another title that I could see earning numerous awards for its soundtrack, performances, visuals, and whatnot, Game of the Year may be out of its reach.

The same goes for Hollow Knight: Silksong. Years and years of anticipation punctuated by endless memes of “Where Silksong?!” during showcases resulted in one of the greatest side-scrolling action-adventure games ever made. Heck, it’s perhaps the only title that managed to crash nearly every major storefront as soon as it launched. But while many were enthralled by Pharloom and its multitude of secrets on top of the unforgiving bosses, there were a scant few who weren’t feeling the magic or the challenge. Which is a shame for many reasons that I’ve discussed before, but I can see those many moments of frustration, even if they made victory taste that much sweeter, bringing the experience down for some players.

Then we come to the wildcards like Donkey Kong Bananza. For all the talk about how Xbox hasn’t been nominated for The Game Awards’ grand prize since 2010, it’s almost as surprising that no Nintendo exclusive has won since 2017 (with Breath of the Wild understandably taking the industry by storm). As much fun as Donkey Kong Bananza is, I can see it suffering the same fate, simply because of all the other contenders on the field. That doesn’t take away from how incredible a 3D platformer it is, and it’s probably guaranteed to mop up all the Nintendo-specific awards, even with Metroid Prime 4: Beyond coming up.

Hades 2 is a dark horse in many ways, exiting early access several weeks after Silksong and delivering a fantastic evolution of the original’s formula. The ending wasn’t nearly as well-received, but as a rogue-like, it remains at the tippity top of such experiences to play. Will that be enough to elevate it above the others? Probably not, even with its stellar combat, characters, and presentation, but the fact that it’s become undeniable brings a smile to my face.

Of course, you also have games which have much lower chances of claiming a ton of awards, despite leaving their own mark. I can see AdHoc Studio’s Dispatch winning some awards for its performances and writing, but it likely won’t go much further beyond that, which is a shame considering it’s one of the best narrative adventure games in years and years. Metal Gear Solid Delta: Snake Eater is as faithful a remake as you can get, but whether it’s due to the lack of boundary-pushing or the sheer number of other contenders, it may have to be content with winning top honors for remakes.

The same goes for Silent Hill f but in the horror category. As uncomfortably disgusting yet disturbingly compelling as it is, I don’t see it getting much mainstream recognition beyond the art direction and story. And as much as I like Absolum with its mix of rogue-lite mechanics, beat ’em up action and gorgeous 2D visuals, it’s unlikely to even win out in the indie category.

Regardless of all the above games’ chances and how many awards they accrue, they’re all fantastic titles that you should experience. Which one is your favorite to claim Game of the Year? Sound off in the comments and let us know.

Note: The views expressed in this article are those of the author and do not necessarily represent the views of, and should not be attributed to, GamingBolt as an organization.

While he admitted that he had underestimated the strong line-up already available through the existing offerings on from the original Switch, he did mention that he found himself scratching his head when he saw that the console would only launch with Mario Kart World, with Donkey Kong Bananza coming out shortly afterwards.

“From a business perspective, when I first saw that line-up, I scratched my head a little bit,” he said. “Certainly, what I underestimated was the enhanced Nintendo Switch 1 content, which I think has been compelling. The stuff that you get for free as part of the Nintendo Switch Online subscription, I think that has helped drive some of the momentum. And then certainly, [Donkey Kong] Bananza was a key driver for them.”

It is worth noting that, since the release of the Switch 2, the rest of the year has seen quite a few releases, both from Nintendo itself, as well as third-party companies. The most recent of these releases were Pokémon Legends: Z-A and Hyrule Warriors: Age of Imprisonment, with other titles like Kirby Air Riders and Metroid Prime 4: Beyond also slated for release before the end of the year.

As for third-party game makers, Fils-Aimé expressed surprise at the fact that Xbox still hasn’t fully embraced the Nintendo Switch 2 as a viable platform for more of its games. He noted that the console is capable of running quite a few games, and it’s still surprising that Microsoft hasn’t yet announced any Switch 2 ports.

“I’m surprised that Xbox has not yet fully embraced Switch 2 from a software perspective,” he said. “Certainly some games could easily be ported over to Switch 2. And I’m surprised that we haven’t seen more of that. I thought there would be much more, especially during this timeframe leading into the Holiday.”

“All through the fall, I was fully expecting some dedicated announcement. And I’m surprised it hasn’t happened.”

When it comes to how Nintendo positions itself against competing companies Sony and Microsoft, Fils-Aimé has said that the company will never really position itself as a direct competitor to PlayStation.

“It’s not in their DNA. It’s not how they think about the business opportunity,” he explained. “However, would they welcome some of the latest core gamer-type of content, whether it’s the latest Assassin’s Creed or Call of Duty, onto their platform? Absolutely. Do I think that there’s a player base there for those games? Absolutely. The key, and this is something that the team there thinks about every day, is making sure that third-party developers have the tool sets so that they have the full capability to bring the best of their games onto Switch 2.”

Overall, Nintendo Switch 2 software sales reached 20.62 million. However, there is a caveat to Mario Kart World’s price debate. Its sales include the $499.99 Switch 2 bundles (which are only available until this Fall). With the console retailing for $449.99, that effectively reduces the cost of the title to $50.

So, while unit sales are certainly impressive, the overall dollar sales would likely be lower than you’d think. Of course, with Mario Kart 8 Deluxe continuing to sell – yes, even after Mario Kart World’s release – topping nearly 70 million units, Nintendo is no doubt playing the long game. What’s a few million units sold at a relative discount in the grand scheme of things?

Check out our review for Mario Kart World here, outlining everything it does (and doesn’t) do well. You can also read our thoughts on Donkey Kong Bananza, which is a bona fide Game of the Year contender.