Originally released back in 2019 for Google Stadia, GYLT put players in the shoes of a young girl as she explores and sneaks her way through an eerie town in Maine. Developer Tequila Works has cited seminal survival horror game Silent Hill as one of the game’s major inspirations.

As they play through GYLT, players will have to explore their surroundings while at the same time keeping themselves hidden from strange creatures. Along the way, there are also plenty of chances to solve some puzzles in order to make progress through the game.

July 2023 saw GYLT coming to PC, PS4, PS5, Xbox One and Xbox Series X/S after having spent a couple of years available exclusively on Stadia. For more details on GYLT, check out our review.

Song of Nunu: A League of Legends Story is a spinoff of the eponymous MOBA, putting players in the shoes of League of Legends characters Nunu and Willump. The game focuses on the duo’s friendship as players hike, climb and sled across the frostbitten land of Freljord.

The last major trailer released for Song of Nunu: A League of Legends Story focused on showcasing the game’s story, emphasising playful moments between Nunu and Willump. Another story-centric trailer was released back in September 2023, showcasing the game’s setting of Freljord.

Song of Nunu: A League of Legends Story is the latest in a series of League of Legends spinoff titles that focused on specific characters and the game’s setting. The game follows other titles like The Mageseeker, Convergence, Hextech Mayhem, and Ruined King.

The game is slated to be priced at $29.99 when it hits the consoles, keeping in line with its pricing on PC and Nintendo Switch.

The latest trailer follows a similar story-centric trailer released back in September, which showed off the game’s setting of Freldjord, emphasising the zone’s freezing weather, but also stating that the area has pockets of life and greenery.

Song of Nunu: A League of Legends Story had its November 1 release date announced back in September. The game, coming to PS4, PS5, Xbox One, Xbox Series X/S, Nintendo Switch and PC, focuses on the titular protagonist Nunu, who is on a quest to find his mother in the world of Freljord.

The upcoming title has been preceded by the release of a couple of other League of Legends spinoffs, including The Mageseeker from earlier this year, and CONVERGENCE from back in July. League of Legends has also seen spinoffs like Ruined King and Hextech Mayhem released previously.

The Freljord is perilous with freezing weather, but there are packets of life and greenery if you know where to look. While indigenous wildlife roams about, some creatures will actively try to attack you. Some friendly faces, like Ornn, abound, but you must also be wary of foes like Lissandra, who has a foreboding castle and questionable design tastes.

Other Champions remain to be revealed, but Song of Nunu looks like a compelling action-adventure title. Developed by Tequila Works of RiME fame, it’s out on November 1st for Nintendo Switch, Xbox One, Xbox Series X/S, PC, PS4 and PS5. Stay tuned for more details en route to release.

GYLT starts out simply enough, with the player assuming the role of Sally – a young and impressionable girl who embarks on a quest to find her missing cousin by putting relevant posters all across her hometown. She is soon ambushed by bullies, and her escape plan leads her to a simple-looking cable cart that takes her to a dark and abandoned version of the town of Bethelwood. It is here that she starts seeing the first signs of her lost cousin Emily, but the path to rescuing her is wrought with all sorts of dangers like shadow monsters and otherworldly creatures.

The story itself has a simple premise, and Sally is a well-written protagonist with all the innocent charm and personality one would expect from such a young character. The voice acting is also well done, and it does a good job of portraying Sally as a character that’s worth rooting for. Her backstory also reveals itself in layers, and the game also briefly touches upon heavy themes like bullying, depression, or survivor’s guilt – but the narrative rarely does justice to these serious topics. The problem with the game’s story is that it isn’t really fleshed out in any meaningful way.

"The story itself has a simple premise, and Sally is a well-written protagonist with all the innocent charm and personality one would expect from such a young character. The voice acting is also well done, and it does a good job of portraying Sally as a character that’s worth rooting for."

What happens in GYLT is that despite searching for Emily for a majority of the story’s runtime before it all prematurely concludes with a simple resolution to that central conflict, ultimately leaving a sour taste in your mouth. There are also no interesting NPCs except for that one old stranger who makes an appearance at several points throughout the story. Nothing eventful really happens for a solid chunk of the runtime. Those who want more out of the narrative can check out the text logs scattered throughout the environments, but that isn’t a replacement for a story that’s just weak in its bones.

Thankfully, GYLT fares better when it comes to the gameplay which involves sneaking through dark environments while avoiding the many enemies that lie in your path. The stealth mechanics are pretty basic in their scope, but it works well within the context of the game itself. The enemies have a rather rudimentary AI which makes sneaking past them and exploiting them a really easy task. You will be using bits and pieces of cover to circle around the enemies, but you can also use certain items like cans to distract an enemy and clear a path to your objective.

Later on, your character will soon obtain a flashlight that’s not only used to illuminate the dark environments but also serves the purpose of a central offensive weapon for combat encounters. You can focus a beam of light onto several weak points on an enemy’s body, and once all those points have been dealt with, the shadowy beast will vanish into thin air. Of course, using your flashlight consumes power which has to be recharged by collecting batteries scattered throughout the environment. So, you might need to toggle between sneaking and aggressively attacking enemies depending on your resources. But in my experience, battery resources and inhalers that replenish your health were always plentiful which made clearing rooms of monsters the more convenient option than slowly tiptoeing past them.

"But in my experience, battery resources and inhalers that replenish your health were always plentiful which made clearing rooms of monsters the more convenient option than slowly tiptoeing past them."

GYLT has a simple combat loop, but it does a mostly good job of shaking things up by introducing new enemy types that force you to get creative with your tactics. For instance, the Mannequins are resistant to light while the crows can teleport over large distances and deal massive amounts of damage to the player. However, the issue is that the primitive enemy AI and plentiful resources just aren’t enough to create challenging combat scenarios – which is precisely why GYLT robs you of all your tools during its finale when the mechanics have run their course.

GYLT also brands itself as a survival horror game, and while the atmosphere is definitely unsettling to a degree with levels being based around familiar places like a school gym or a theater, the jumpscares that lie within don’t quite hit the mark to really catch you off guard. There are a few instances where something might raise an eyebrow or cause you to tighten your grip on the controller, but that’s more of an exception than the norm.

When you’re not fighting shadow monsters, you will be solving puzzles where you have to use a handful of tools to clear out obstacles in the environment or try to find the keys to a locked door that’s halting your progress. These puzzles are rarely brain-tickling, and a lot of that can be blamed on the level design which is largely linear. Most of the time you will be railroaded down a certain path, so you can be sure that the solution to a particular puzzle lies within this very room, which ultimately makes getting through these obstacles a cakewalk for the most part.

"Most of the time you will be railroaded down a certain path, so you can be sure that the solution to a particular puzzle lies within this very room, which ultimately makes getting through these obstacles a cakewalk for the most part."

That said, there are moments when GYLT allows you to explore the surroundings by going off the beaten path. But even those detours will just lead you to one of the many collectibles like crystals or canaries which don’t have much of an impact on the gameplay. There are no skills or upgrades to unlock in GYLT, and all the tools can be procured by just sticking to the critical path. As such, there isn’t much incentive to replay the game once you’ve finished it except for seeing an alternate ending or going back in for the leftover collectibles scattered around the environment.

Visually, GYLT doesn’t really look anything special which is to be expected from a game with a middling budget, not to mention that it is almost 4 years old at this point. This multiplatform re-release would have been the perfect opportunity to update the visuals in some manner – but what we got is pretty much the same thing that was released on Stadia with little to no improvements in terms of visuals. That said, I didn’t experience any bugs or glitches during my time with the game and the framerate was solid through and through.

Despite its many shortcomings, GYLT is a passable adventure that managed to retain my interest for the entirety of its campaign. Sure, the mechanics aren’t anything new or particularly innovative – but they serve their purposes for the relatively short runtime of around six hours. The story also has an interesting premise, but it falters in the face of a barebones structure and poor pacing. GYLT might be worth a try if you find any of this interesting, but it’s totally passable if you aren’t particularly piqued by anything that’s on offer.

Released back in November 2019, according to developer Tequila Works, Gylt is quite inspired by classic survival horror game Silent Hill, and indie horror side-scroller Inside. Featuring a cartoonish aesthetic, Gylt puts players in the shoes of a young girl as she traverses an eerie town in Maine.

Gameplay in Gylt revolves around exploration as you try and avoid strange creatures, and puzzle solving. Players can also figure out other ways to deal with the creatures, with the idea of facing your own fears being a strong thematic throughline for the title.

The PC requirements for Gylt are relatively modest. You can check out the full list of minimum and recommended specs below.

Minimum specs:

• OS: Windows 10 64-bit
• Processor: i7-2600K
• Memory: 16 GB RAM
• Graphics: GTX 1070
• Storage: 6 GB available space

Recommended specs:

• OS: Windows 10 64-bit
• Processor: i7-4790K
• Memory: 32 GB RAM
• Graphics: GTX 2070

Riot Forge has announced that Song of Nunu will launch for PC and consoles sometime this Fall. Developed by Tequila Works of RiME fame, Song of Nunu will offer a single player narrative-driven adventure experience. Players will play as titular protagonist Nunu, who’s on a quest to find his mother in the “idyllic but treacherous” world of the Freljord.

Song of Nunu’s launch will be preceded by a couple other League of Legends spinoffs, with The Mageseeker: A League of Legends Story launching this Spring and CONVERGENCE: A League of Legends Story set to launch this Summer.

Song of Nunu: A League of Legends Story will be available for PS5, Xbox Series X/S, PS4, Xbox One, Nintendo Switch, and PC at launch.

Google Stadia has been out for a few months and, well… it’s hard to say it’s been all that impressive so far. There’s lots of promises being made for its future (lots and lots of promises), but who knows where this thing will be when it is all said and done. At least for those who are all in on the service already, there’s free games to enjoy.

Next month’s free games are GYLT and Metro Exodus. GYLT is a stylized horror game and is the first (and to date only) exclusive title to the service. Metro Exodus is the second free title, and the third one in the Metro franchise. It’s also slated to have some DLC in the near future, which you can read about through here.

GYLT and Metro Exodus will be free to download for Pro users starting on February 1st. Rise of the Tomb Raider: 20 Year Celebration and Samurai Shodown can be claimed up until the end of this month.

Not surprisingly, Stadia’s launch hasn’t been nearly as smooth as Google probably would have been hoping it will be, and while there’s still plenty of time to improve the service – which is something Google seems to be committed to doing – as things stand right now, there’s plenty of room for improvement.

However, as per Raul Rubio, CEO of Tequila Works – whose puzzle adventure title Gylt launched on Stadia as a timed exclusive last year – is confident that things are going to get better for Google’s cloud service. Speaking to GamesIndustry, Rubio compared Stadia’s launch to the early days of Steam, saying that not too far off in the future, people will be wondering why anyone ever doubted if Stadia – and streaming as a whole – would ever take off.

“This is my personal opinion, but this is like the early days of Steam in a sense that this is when people were complaining that it took too long to download, and then the download would stop and people were [complaining] the price was exactly the same as a boxed game,” said Rubio. “It’s going to get better. In fact, one day when we look back, people will wonder why people were questioning streaming at all. I’m not talking about Stadia specifically. I’m talking about streaming in general.”

Rubio went on to say that he knows of several features coming to Stadia that haven’t yet been revealed that will “blow people’s minds”, and that though people are right to be “wary” of any new technology, Google is committed to making Stadia better.

“My view is subjective of course, it cannot be objective because I have been inside, and I know there are many features that are super cool that are not active yet,” he said. “So let’s have this conversation in one year I guess.”

“People are totally right to be wary,” Rubio continued. “It’s a new technology; historically streaming solutions didn’t work. I think it’s the time, in a sense, in that the technology is there and the audience is there, and to be honest the content wars are here… Google Stadia has a lot of potential, it hasn’t reached its full potential yet. I think that was never the idea with this small soft launch. I know that they are working to make it better every day. I know it’s going to get better, because there are a few features that are going to blow people’s minds.”

Just recently, Google confirmed that they had over 10 timed exclusives primed to launch on Stadia in the first half of 2020, while they were tracking over 120 games in total currently planned to launch for the service. Read more on that through here.

Earlier we finally got the full launch and line up deals for Google’s Stadia release next week. The frank truth is that it lead to some degree of disappointment, since it only featured 12 titles and many of which have been available for quite some time. But one shining gem may end up being Gylt, and it got a nice and spooky launch trailer.

The trailer shows of the game’s interesting and unique contrast of its cartoony artstyle and fairly creepy environments and enemies as you must search for a missing girl. You can clearly see the game’s inspirations that the developers broke down before, and it definitely looks like the game has the potential to be a bit of an indie darling of sorts to put itself away from the crowd.

Gylt will release November 19th for the launch of Google Stadia and, as of now, will be exclusive to the platform.

https://youtu.be/inxIiG8lNRI