"Atari and Digital Eclipse have teamed up once again to bring the beloved licensed platformer to modern platforms"

The original Toy Story 3 came out at the tail end of the era where we would still get multiple discrete versions of a game across different platforms, but despite its name, Complete Edition doesn’t quite compile all of the content from all of those versions into a single, unified package. This remaster is based on Toy Story 3’s PS3 and Xbox 360 versions, which means the exclusive levels and content from the PS2 and PSP versions (which were very good in their own right) and the DS version are MIA here. That is certainly a disappointment, though then again, it’s difficult to imagine a solution to this problem, short of Atari and Digital Eclipse including all versions of the original release in Complete Edition. That said, the previously PS3 exclusive ability to play as Emperor Zurg in the Toy Box mode is included, while Complete Edition also adds four new theme packs to customize the town with in the aforementioned mode, so that’s something. Still, Complete Edition is something of a misnomer here.

Luckily, the PS3 and Xbox 360 versions of Toy Story 3 weren’t no slouches, which means what is on offer here in Complete Edition has plenty to enjoy, even if the release isn’t quite as comprehensive as some might have hoped. Present and accounted for here are both, the story mode, which tells a version of the movie’s tale, and the Toy Box mode, which lets you freely run around a customizable town full of missions, side missions, collectibles, and more. Both modes also allow players to swap between Woody, Jesse, and Buzz as playable characters, each of whom has their own unique abilities.

"Luckily, the PS3 and Xbox 360 versions of Toy Story 3 weren’t no slouches, which means what is on offer here in Complete Edition has plenty to enjoy"

Where story mode is concerned, Toy Story 3 functions as a linear platformer with all the bells and whistles of the world of Toy Story. Narratively, the game doesn’t really match up to the highs of the movie it is based on, though that is perhaps an unfair expectation. Toy Story 3 the movie, like other instalments in the franchise, is a benchmark for animation filmmaking as a whole, especially where writing and storytelling are concerned, and that is definitely not something that the game was going for. The game, instead, loosely follows the movie’s story, covering all of its main beats, adding in flourishes of its own, and deliberately skipping over a lot of the details and nuances.

Outside of those obvious narrative deficiencies though, the game does a great job of capturing some of the movie’s best moments and sequences in delightfully crafted platforming levels. From Andy’s room to Sunnyside Daycare and more, Toy Story 3 allows players to roam around in several iconic locations from the movie while navigating fun platforming challenges. The platforming itself never loses its charm, while swapping between Woody, Buzz, and Jesse to overcome different challenges also keeps things interesting.

It has to be said, however, that Toy Story 3 does stumble in some ways that you don’t want to see in a platformer. Movement can often feel floaty and imprecise, while often there’s also input lag, which can lead to unnecessary moments of frustration. The controls can also sometimes feel a little wonky, and all of these problems put together can sometimes get in the way in ways that feel especially grating in what is essentially a platformer. While some may have hoped that at least the most blatant of these issues would have been sanded out in the remastered Complete Edition release, that doesn’t seem to be the case, which is disappointing.

On the other hand, the game does know how to keep players interested as far as gameplay variety is concerned. Moving from level to level is always fun, not only to see what kind of new environment you will find yourself in, but also to experience new kinds of minigames, challenges, and more. From levels focused on Buzz Lightyear’s adventures as a Space Ranger fighting against the evils of Emperor Zurg, to minigames involving horse riding, racing around rooms in Hot Wheels-esque cars, and more, there’s a delightful variety to the activities on offer in Toy Story 3.

"The game does know how to keep players interested as far as gameplay variety is concerned."

And then, of course, there is the Toy Box mode, which I’ve brought up on a couple of occasions. Toy Box serves as a great way to aimlessly run around and tackle compelling and enjoyable optional objectives. You can customize NPCs’ appearances, change what buildings look like, tackle a variety of missions and side missions, and more, all while freely exploring a Wild West styled town. Though not an endlessly replayable mode, Toy Box is certainly a fun distraction. Meanwhile, there are also plenty of collectibles for players to find throughout the game’s offerings, including figures, cards, and more, all of which you can then view in Al’s Toy Store – another fun nod for fans of the movies to appreciate.

In terms of content, then, in spite of the fact that it ignores all but the original game’s PS3 and Xbox 360 versions, Toy Story 3 Complete Edition does pack plenty of punch. It is, of course, also a technical upgrade over the original release, as you’d expect from a remaster. It offers support for up to 4K resolutions and 60 FPS frame rates, though it is, at best, a conservative upgrade. Visually, it looks solid, though that is more down to the charming Toy Story aesthetic than anything else. Meanwhile, though support for 60 FPS is certainly an appreciable step up, I will say that I often ran into situations where the frame rate was buckling visibly. Hopefully that is something that Digital Eclipse and Atari will fix with patches in the coming weeks.

Overall, Toy Story 3 Complete Edition is a conservative upgrade of a solid, beloved diamond in the rough. It is, of course, also a welcome surprise, because a remaster of the Toy Story 3 licensed game wasn’t really something that anyone was expecting (or, truthfully, hoping for). Though it still has the flaws of the original experience and isn’t quite as comprehensive as its name suggests, Complete Edition is a fun, charming, delightful platformer that fans of the Toy Story universe and platforming experiences in general will surely enjoy.

This game was reviewed on PlayStation 5.

While the other versions are moving ahead as planned, Telltale Games has announced that the Switch version hasn’t met internal standards and is being delayed “to a later date” to ensure it delivers the intended experience. That’s still good news, since it’s always better to play a version that works as advertised, which certainly seems to be the goal here. Fabletown might be just out of reach, but it’s only going to make returning to it all the more rewarding.

Still, it’s going to be hard to stand by and watch as players dive back into a very memorable adventure or experience it for the first time with some welcome new additions. You could rewatch that nostalgia-filled trailer featuring the cast and development team to pass the time while you wait, though.

The Wolf Among Us Remastered is out later this month on Xbox Series X/S, Xbox One, PS5, and PC. Telltale is also working on the long-awaited sequel, The Wolf Among Us 2, which could finally launch in 2027 after years of delays.

https://x.com/telltalegames/status/2111155644883460160

Toy Story: Retro Roundup offers moments of both. This collection brings together a selection of games based on Pixar’s iconic animated franchise, alongside A Bug’s Life and a few additional extras too.

"Having grown up playing these games, I was curious to see how they held up nearly thirty years later."

Having grown up playing these games, I was curious to see how they held up nearly thirty years later. Now that I have a one-year-old son who also loves Toy Story, there’s an additional layer to revisiting these titles from an adult perspective. Unfortunately, while there’s plenty of nostalgia here, the actual quality of enjoyment varies wildly as you go through the different releases, and the collection’s presentation could also be smoother.

The original Toy Story for Game Boy is a particularly rough experience to revisit in 2026. The game feels very primitive. Once you settle into its rhythm, there is a serviceable side-scrolling platform game here, but the gameplay is basic, the visuals are quite ugly in widescreen, and the input lag is hard to get used to.

"These are still products of their time, and anyone expecting actual fluidity or sophistication like that of a modern platformer will be disappointed."

Seeing older games like this being preserved and made available for the current generation is great, but it’s difficult to imagine many players willingly spending much time with this version when better alternatives are available in the same collection.

Thankfully, the Sega Genesis and SNES versions are more enjoyable. After playing the Game Boy version, they almost feel modern by comparison. They’re decent enough games once you find your rhythm, even if neither version is up to par with the best platformers of the era.

These are still products of their time, and anyone expecting actual fluidity or sophistication like that of a modern platformer will be disappointed. Nevertheless, there’s enough here to make them worthwhile for hardcore Toy Story fans, particularly those interested in seeing how the games evolved as gaming hardware became more powerful.

The highlight of Retro Roundup is undoubtedly Toy Story 2: Buzz Lightyear to the Rescue on PS1. It still holds up remarkably well, offering a charming 3D platforming adventure that remains fun to play more than 25 years after its original release.

A variety of environments helps keep the game feeling fresh as you play through it, even when the actual gameplay mechanics begin to feel a bit stale. Exploring each area, completing the list of objectives and collecting hidden items provides a satisfying rhythm.

Sadly, the camera is still a nightmare to contend with. It’s one of those unfortunate reminders of how much 3D platformers have evolved since the PS1 era, and there are moments when the camera makes navigating the environment far more frustrating than it should be. Even so, the platforming feels a lot more forgiving than I remember it being 27 years ago.

The fact that actual voice acting is a feature here makes it feel like even more of an upgrade over the first Toy Story game. Many of the characters feel authentic to their movie counterparts, although it is pretty obvious which actors returned and which were replaced by soundalikes. The cast members who do return help preserve the connection to Pixar’s previously established universe, making this title feel like more than just a lazy licensed game.

"The fact that actual voice acting is a feature here makes it feel like even more of an upgrade over the first Toy Story game."

On a sidenote, this was also my one-year-old son’s favourite game in the collection. There’s something pretty special about revisiting a childhood favourite while watching your own child enjoy the same characters, even if he isn’t quite old enough to appreciate the finer points of its platforming mechanics.

The Game Boy Colour version is a different proposition altogether. It’s fascinating to see how developers once created entirely different games for different platforms rather than simply scaling down the same release. As a piece of gaming history, its inclusion is interesting. However, I’m not convinced many people were clamouring for the opportunity to revisit this particular version on modern consoles.

Buzz Lightyear of Star Command on PS1 is another enjoyable inclusion, although it doesn’t quite reach the level of quality of Buzz Lightyear to the Rescue. Its art style is distinctive, and its weapon-based gameplay feels like an early glimpse of ideas that would later become familiar in games such as Jak and Daxter and Ratchet & Clank.

The Game Boy Colour version is considerably less fun to revisit. While its colour palette is pleasant on the eyes, the moment-to-moment gameplay simply isn’t much fun, making this another release that’s difficult to recommend beyond the novelty of having it preserved.

Toy Story Racer was entirely new to me, so I approached it without the same nostalgic attachment as the other games. Thankfully, I found it to be decent fun. It isn’t the best kart racer on PS1 by a long shot, but the gameplay loop is enjoyable. I enjoyed that it actually felt quite challenging to master but the Rewind feature does make it a lot more forgiving when you make a mistake, which saves you having to restart the whole race.

The Game Boy Colour version is another pleasant surprise. Its 2D perspective takes a little getting used to, but there’s still some enjoyment to be found here. Its inclusion means that not every handheld adaptation in the collection is a complete write-off.

Finally, there’s A Bug’s Life, which I had never played before. The PS1 version shares a few similarities to Toy Story 2 in terms of its gameplay, but it doesn’t quite match the same level of enjoyment. With that said, it is still a welcome bonus.

"Buzz Lightyear of Star Command on PS1 is another enjoyable inclusion"

The Game Boy Colour version is not quite as welcome. It’s another example of how difficult some of these older releases can be to enjoy today. While its inclusion here adds to the value of the overall package, the gameplay is tough to stomach in 2026.

There’s a fascinating snapshot of licensed gaming history here, but jumping between such wildly different experiences can feel jarring. Some games remain genuinely enjoyable, while others are better appreciated as historical curiosities.

One of Toy Story: Retro Roundup‘s biggest strengths is the sheer amount of content included. With the inclusion of multiple games spanning different platforms, additional material such as cool concept art to look at, and that sweet hit of pure nostalgia, there’s plenty here that makes the asking price feel worthwhile.

Rex’s Cheat Codes are also fun to play with. These allow the player to select any level from each game from the outset, removing the need to replay entire sections of a game just to revisit a specific moment. It is a simple quality-of-life improvement, but one that makes a meaningful difference when revisiting games that were originally designed around the technical limitations of their time.

The Rewind function is also a fun addition. It effectively turns these games into Prince of Persia: The Sands of Time, allowing you to undo mistakes rather than being punished for every misstep. It’s particularly useful when dealing with some of the more frustrating platforming sections, and it makes the collection more approachable without fundamentally changing the original games.

Not all of the additional features are as pleasant though. The CRT filter is enabled by default, and frankly, it’s horrendous to look at. I understand the appeal of recreating the look of an old television, but making this the default experience feels like a baffling decision. My advice is to switch it off immediately and enable widescreen. Neither option magically transforms these games into modern releases, but the results are considerably more visually appealing.

"The Rewind function is also a fun addition."

It does leave me wondering whether the filter being enabled by default was a choice made to help hide the primitive feel of the original visuals. These are old games, and nobody expects them to look cutting-edge, but the collection could have added a lick of paint to make them less off-putting to play on modern displays.

The audio in places is also disappointing. Movie clips and cutscenes still suffer from compressed sound that can peak and become fuzzy. It’s a shame that this issue hasn’t been addressed, particularly when the films’ dialogue and music are such an important part of the experience.

None of these problems makes the games unplayable. Technically, the collection is functionally sound, and having all these releases available on PS5 in one package is far from a bad thing. If you grew up with these games, there’s genuine value in revisiting them through a modern lens. Toy Story 2 on PS1 remains the standout, while Toy Story Racer and Buzz Lightyear of Star Command provide enjoyable diversions.

I do wonder how much appeal these games will have for younger players accustomed to more contemporary releases. My son might love Toy Story, but that doesn’t necessarily mean every game based on those characters will hold his attention.

Ultimately, Toy Story: Retro Roundup succeeds as a preservation effort. It’s great to have these games playable on modern consoles in one convenient package. There’s plenty of content here, and some of it remains genuinely enjoyable, but a little more care could have turned a fun nostalgia trip into something even more special.

This game was reviewed on the PlayStation 5.

Omni-movement Has Been Removed

And, one of those reversals is omni-movement. First appearing in Black Ops 6, the system lets you jump, skid, and zip along in any direction, but it’s been removed entirely in favour of what the game describes as a more grounded system. Yet, the genre’s gameplay philosophies aren’t looking to introduce friction where there was none before. Modern Warfare 4 2026’s movement is fluid, responsive, and unrestricted, all about keeping momentum as you vault over obstacles, scramble up walls, or shimmy across ledges.

DMZ is a Core Mode

Modern Warfare 3 2023 released without DMZ. The extraction-based mode debuted during 2022’s Modern Warfare 2, with MW4 2026 now placing it among its core offerings from launch. The mode follows the extraction form guide – get in, collect loot, complete objectives, get out, lest you want to keep your spoils. Its inclusion gives Modern Warfare 4 2026’s multiplayer experience a different flavour compared to MW3 2023, especially if you’re the type of player who enjoys extraction’s high-stakes loop over round-based matches.

DMZ is No Longer Free to Play

DMZ originally appeared as a free-to-play beta alongside Modern Warfare 2 2022. But now, MW4 2026’s version will not be offered as a free standalone experience, with access to the mode tied to purchasing the complete game. On the one hand, this could mean a smaller pool of players than the original DMZ. However, the audience it does attract could be more committed to investing in the mode over a longer time.

No Dedicated PvE Mode at Launch

Whereas Modern Warfare 3 2023 brought Open Combat and Cinematic Missions as a co-operative mode, Modern Warfare 4 2026 will be launching without a dedicated PvE experience. Whether the game will add something later down the line remains to be seen, and given the favourable reception of MW3 2023’s PvE modes, adding a co-operative element to DMZ could prove fruitful.

Inflation is MW4 2026’s Headline Multiplayer Mode

Modern Warfare 3 2023 introduced Cutthroat as its headline competitive mode, with three teams of three pitted against one another. Modern Warfare 4 2026’s most noteworthy new mode is Inflation, where every kill drops a cash bounty. Quite simply, the team with the most cash at the end of the round wins the match. The rules sound basic at surface level, but the emphasis here falls on staying alive to keep your collected spoils out of enemy pockets just as much as killing.

More New Modes Come to the Multiplayer Lineup

Beyond Inflation, Modern Warfare 4 2026 adds new multiplayer modes Hijack, where squads fight for control over a Data Spike, the Search and Destroy echoing Collateral, and Frontline, where you’re encouraged to seek out kills from outside your base. Meanwhile, MW3 2023’s aforementioned Cutthroat appears to be absent from MW4 2026’s lineup. So, while the upcoming game changes the multiplayer selection in meaningful ways, the fast-paced, tactical, well-received 3v3v3 matchup will be strangely absent.

Weapon Progression Is Shared Across Your Arsenal

In Modern Warfare 3 2023, unlocking an attachment for one weapon didn’t necessarily mean you could freely use it on another. Progression, instead, had to be repeated across multiple guns. MW4 2026 changes this by making weapon attachments unlockable across your arsenal. With fewer redundant unlocks, this shift should make experimenting with different weapons less of a grind, with you able to focus on your loadout rather than repeating similar unlock paths.

Apex Attachments Replace Aftermarket Parts

Modern Warfare 3 2023’s Aftermarket Parts could transform your weapons, ranging from single attachments to full-on conversion kits, augmenting your firearm’s behaviour, fire rate, and general playstyle. Modern Warfare 4 2026, instead, offers Apex Attachments, and there are a handful of progressional shifts despite sharing the same gun-altering impact. They don’t occupy a standard attachment slot, for one, while Apex Attachments also serve as the reward for completing an individual weapon’s upgrade path rather than being tied to weekly challenges.

Camo Mastery Tracks Across Three Modes

MW3 2023 offered different camouflage challenges across its various modes, meaning you’d have to work through separate objectives to earn the mastery reward. Now, in Modern Warfare 4 2026, Multiplayer, DMZ, and Warzone tie Camo Mastery into one route, with three Mastery Camos to earn in each mode for a total of nine.

Smartstreaks Change Killstreak Progression

Modern Warfare 3 2023’s Killstreaks rewarded you for chaining eliminations without dying. Modern Warfare 4 2026 echoes this structure, but chucks objective completion into the mix too. What this change gives is the opportunity for you to play the mode rather than focus exclusively on eliminations, and it could soften the higher skill demand incoming via MW4 2026’s more deliberate weapon handling and hipfire bloom removal.

Perks Are Reworked Into a Pick 3 System

In Modern Warfare 3 2023, Perks were part of a gear-based system, with Vests, Gloves, Boots, and Gear determining the bonuses available to your loadout. Modern Warfare 4 2026 reworks this approach into a simpler Pick 3 structure, where you can equip a Perk into one of three slots. Its a cleaner setup, sure, moving away from the cumbersome interconnectedness of MW3 2023’s gear system into something more straight forward.

Field Upgrades Get Their Own Slot

MW3 2023’s Vest system influenced how Field Upgrades fitted into your loadout, meaning Vest choice significantly determined your build. Now, Modern Warfare 4 2026 has given Field Upgrades their own dedicated slot, decoupled from perk-granting vests and instead sitting alongside primary, secondary, and melee slots. What this means is your operator choice does not restrict which Field Upgrade you bring to battle.

MW4 2026 Drops Carry-Forward

One of Modern Warfare 3 2023’s major selling points was its carry-forward system, which allowed players to bring content from Modern Warfare 2 2022 into the new game. Due to Modern Warfare 4 2026 changing its ecosystem, you’re simply unable to bring the previous game’s weapon progression and unlocks over in the same way. Everyone starts from scratch, then.

Last-Gen Consoles Are Left Behind

Modern Warfare 3 2023 launched across both generations of PlayStation and Xbox consoles, whereas Modern Warfare 4 2026 leaves PS4 and Xbox One behind to focus entirely on current generation hardware. Also, the game will be launching on Switch 2 for the first time, compounding a significant change in platform support. Last-gen users are locked out unless they upgrade, while Switch 2 owners are finally able to access the franchise at launch.

And it’s exactly what it sounds like: a black-and-white filter fitting of Bigby Wolf’s detective story. You can switch between it and the remastered look with the press of a button, in case you want to compare certain scenes with their noir versions.

There’s also an hour-plus of bonus content, and while the cast interviews, concept art and whatnot are interesting, the fully playable five deleted scenes caught our attention. Telltale Games also teases some new secrets within the original story.

Of course, the presentation also deserves a mention for the changes to all characters, from fresh concept art to higher-detail models. Some differences look subtle in some cases, but absolutely incredible in others, and the environments themselves look more packed. It’s also interesting to see how some floors, wallpaper and other textures have changed to reflect their in-game lore.

The Wolf Among Us Remastered lands on October 29th for Xbox Series X/S, Xbox One, PS5, PC, Nintendo Switch, and Nintendo Switch 2. Stay tuned for more details, especially at the upcoming ID@Xbox Showcase on October 20th.

Noting that Red Dead Redemption 2 made the team realize that “we’re not doing it like this again” for the next project, Kolbe said that the game’s release was “a real moment for Rockstar to look at itself.” Interestingly, she said that this happened even before reports regarding crunch at the studio first started coming to light. Kolbe went on to say that, “It’s not been perfect, but it’s certainly better than Red Dead 2 was.”

“Anytime I say we haven’t crunched, someone is going to say, ‘I did.’ And I don’t want to get into arguments with individual teams or individual people. But I think we did things differently, and I’m proud of that.”’

The studio being able to develop a game as ambitious as Grand Theft Auto 6 while also making conscious efforts to reduce its reliance on crunch is certainly impressive, especially considering the massive scale of the upcoming title. In a recent interview, vice president of narrative, Rupert Humphries, revealed that the company set up entire teams only dedicated to writing the NPC chatter that one might offhandedly hear while roaming around in the game.

“It’s a team from all sorts of backgrounds and walks of life, but we all share a sense of humor and a desire to have a bit of fun with the ridiculousness of humans and the media and advertising. And none of us see it as background! It’s all part of the tapestry of the game and creates the experience of living in this wild world.”

Open-world writing director James Horton further elaborated on this, noting that the company didn’t want to take any shortcuts when it came to the worldbuilding of Grand Theft Auto 6.

“There are no shortcuts when it comes to building a world like this: it’s a question of giving the right people the resources they need to build something that’s not only vast and varied as a whole, but where every part rings true no matter how small it is, or how closely you look at it. It needs to wash over you when you’re sprinting down the busiest street in the city, hearing snatches of a hundred different conversations as you go; and it needs to be totally convincing if you decide to stop and pay close attention to any one of those conversations,” he explained.

Similarly, Rockstar North co-founder Rob Nelson has also confirmed that Rockstar Games has made an effort to offer players more freedom in the missions in Grand Theft Auto 6. This might come as excellent news for fans of Red Dead Redemption 2 who have previously criticized the title’s overreliance on highly-scripted missions.

Grand Theft Auto 6 is coming to PS5 and Xbox Series X/S on November 19th.

Sharma cites the recent advances that the gaming industry has seen in efforts to decompile and recompile older titles, allowing hobbyist developers to create PC ports for games that were previously console-exclusive.

“In recent weeks, we’ve seen games rapidly decompiled and rebuilt to run on hardware they were never originally designed to support. Windows PC builds have been translated to run on Apple Silicon or ported to run inside a browser through WebAssembly and WebGPU, the latter now approaching 90% global browser support. Perhaps more surprisingly, we’ve seen many of the biggest games in the world have been remixed into the source code of another.”

Noting that these efforts have raised questions about the relationship between software and hardware, Sharma has said that the company wants to further invest in these efforts with its own engineers, while also maintaining a level of transparency with the community at large. She also believes that Xbox can play a major role in this department owing to the company’s history of developing games and creating development pipelines that have also integrated modern tech like AI agents.

“To explore these possibilities, I’ve asked Scott to stand up Xbox Labs, a small group of game makers, engineers, and scientists whose job is to turn emerging ideas into things our players and developers can experience. We’ll build in the open, learn from what people do, and measure success by whether more people are playing and creating.

“I think Xbox has an important role to play here. Coding became the first major workload for agents because they can write, run, and test software. Games share many of those same properties, and people spend more than 72 billion hours a year playing Xbox games, roughly five times the estimated time spent writing code worldwide. We’ve spent 25 years learning how to make great games, and I want our game makers to help shape what these new technologies make possible. As we learn, we’ll share the tools we build with developers across the industry, just as we always have.”

Sharma capped off the announcement by noting that the company’s “priorities aren’t changing.” Rather, through Labs, Xbox will be able to further explore new technology in parallel with other development efforts that are continuing throughout the company.

It will likely be quite a bit of time before we see Xbox Labs’ efforts start paying off, however. Xbox has most probably only recently begun staffing up the Labs team, and its choice of first project will also likely take some time to finalize. It is worth noting that Xbox Labs is expected to start working on its own older projects rather than those developed by third-party studios, owing to the easier access to source code.

Among other things, Houser noted that Bully’s unique concept, which used a school as its primary setting, led to the team struggling quite a bit while developing it. While the team itself was unsure about whether or not Bully would turn out to be a good game, it ultimately “came together really well”.

“The development was hard. The game was in trouble all of the time. It was difficult. It was an out-there concept. We were struggling with it. I wasn’t sure it was going to be any good. We really wanted it to come together. It was really fun afterwards because it came together really well. The team did a great job. It was a sort of really strong game at the end. It kind of came together very late.”

Houser went on to talk about how creating a new IP was quite difficult for the studio that had become quite popular around the time it was working on Bully due to the critical and commercial success of games like Grand Theft Auto: Vice City and Grand Theft Auto: San Andreas. This, along with the game’s controversial name, led to quite a bit of misunderstanding amongst the populace as well.

“So I think one of the challenges with that game was it never got the attention it deserved. We were too focused on trying to at least get people to stock it or to not protest it before it even came out.”

Rockstar Games was no stranger to controversy during the mid-2000s, thanks to releases like Manhunt and even the infamous Hot Coffee mod for Grand Theft Auto: San Andreas.

“We had to spend most of 2006 diffusing it, so we couldn’t positively promote the game in the way we normally would’ve done. I think that didn’t help it. I mean, that was the same time as Hot Coffee, and it felt like things were imploding. It was very stressful. And just go to work each day, wonder who’s protesting you that day, and hope that things can shake out properly. I wasn’t directly involved. Luckily, I was just sort of right off to the side, and wasn’t directly involved in organizing most of that stuff. But it was really stressful for the people involved.”

Discussing how the core gameplay of Bully started to come together, Houser noted that members of the development team were still quite confused about what players would do in it, since it didn’t have things like guns and cars. Eventually, however, the project’s lead designer started adding concepts into the game like the school’s class schedule and lessons.

“Then, one of the designers put this thing where you could stick a Post-it note on the back of a character that said ‘Kick me’ on it. Then an NPC would run up and kick them. And just seeing that work, you’re like, that’s a great moment. So then you’re, okay, we’re starting to get somewhere. So I think that moment was probably when I always remember going, this IP that wouldn’t work in a GTA, obviously; it’s not interesting. But as a kid, and suddenly it was the scale of the school and the scale of a kid’s life, it started to feel really fun.”

Currently, Bully is playable on PC, PS2, PS4, PS5, Xbox 360, Xbox One, Xbox Series X/S, and the Nintendo Wii through various means. PlayStation users can grab it through the digital re-release, while Xbox One and Series X/S users can access it through backwards compatibility for the Xbox 360 version.

While Haunted Chocolatier will certainly feature elements of living a life in a small town in the vein of Stardew Valley, Barone has said that there will be more of an emphasis on dungeon crawling, adventuring, and discovering new equipment that results in power boosts.

“It is still what I call a town game. But it’s more of an action RPG – the main focus is more about adventuring, finding equipment, and getting more powerful. There are monsters, there are boss fights. It’s for the people in Stardew Valley that go into the mines. That’s what I do, honestly.”

As for Haunted Chocolatier taking quite a bit of time to develop, Barone apologizes. Recalling the days of developing Stardew Valley when he didn’t quite have the fame afforded to him by the success of the life sim, Barone says that he misses a time when there wasn’t an audience, and expectations weren’t quite so high.

“I’ve been struggling with that because I really want to recapture that feeling that I had when I was making Stardew Valley. Back then, there was no audience, there was no precedent. Everyone’s watching me, and if I don’t do things a certain way, it might disappoint millions of people.”

Despite this, Barone is also adamant about not showcasing Haunted Chocolatier before it’s actually ready. “No one’s playing the game until I’m ready to show it. If you have a turkey in the oven. You’re not going to pull it out halfway and have the guests taste it, right? It needs to be done.”

While Haunted Chocolatier was announced all the way back in 2021, in the years since then, Barone has chosen to take frequent breaks from its development to instead work on brand-new content for Stardew Valley. In 2022, Barone said that players will need to wait for quite some time before they get to play Haunted Chocolatier, since it’s going to be “a big game”.

“I have a big, ambitious vision for it. It’s a little bit daunting, the amount of work that it’s going to be. But Stardew Valley took me four and a half years; I’ve been working on Haunted Chocolatier for about a year and a half or maybe two years now. I announced it a little bit over a year ago, but it’s still gonna be a while. But I think it’s going good. So far. There’s a lot of good things so far.”

In the meantime, Barone has kept up with support for Stardew Valley, bringing in a variety of new features and content to the game. He is also working on yet another update. Dubbed 1.7, he hasn’t revealed any details about it.

Based on Masters of the Universe, this one puts you in control of He-Man, Teela, Man-at-Arms, or She-Ra across thirteen stages of action-packed fights against the combined forces of Skeletor and Evil-Lyn as the pair attempt a ritual that could plunge Eternia into darkness. You know, business as usual in the place we’ve all come to know and love. Other familiar faces like Battle Cat, TrapJaw, Kobra Khan, and Orko are also set to appear, so this one should be quite interesting to all you hardcore fans out there since it’s going to be the largest roster of He-Man characters to be featured in a single game.

It’s coming to PS4, Xbox One, PS5, Xbox Series, Switch, and PC via Steam for a modest $29.99/€29.99. We’ll return with more information and new gameplay, along with other efforts to recreate popular memes in our own way in the coming months, so stay tuned.